REVIEW: “THE BOURNE LEGACY” (2012)

I was late catching up with the “Bourne” series which is highly unusual since they are the type of movie I gravitate towards. I’ve now seen the first three films starring Matt Damon as Jason Bourne, one of several physically and mentally enhanced government black ops projects. Damon steps aside but the series continues with “The Bourne Legacy”. Jeremy Renner is the new leading man playing a new leading character but writer and director Tony Gilroy maintains an import sense of connection and familiarity with the previous films. Gilroy wrote the first three movies and goes to great lengths to make this feel like a Bourne film while also possibly launching the series into a new direction. While Gilroy does occasionally struggle matching up with earlier films, the movie definitely has its moments that nicely falls in line with the series.

While Jason Bourne isn’t in the movie his presence is clearly felt. Gilroy (and his brother Dan who also helped with the screenplay) connect the actions of “The Bourne Ultimatum” to this story. As Jason Bourne continues to threaten the government’s black ops programs, Eric Byer (Edward Norton) is called in to clean the mess up. His solution – to wipe out all of the human projects and those connected to them. One of those projects turned target is Aaron Cross (Renner), an Operation Outcome agent who is considered a step up from those involved in the now exposed Treadstone. But when the attempt on his life fails, Cross is sent scrambling for answers. He’s also ran out of a special medication that keeps him both mentally and physically balanced. Cross tracks down Marta Shearing (Rachel Weisz), a doctor connected to Operation Outcome who he hopes can get him get the pills he needs. But she soon finds that her connection to the project has made her one of Byer’s targets and Cross is her only chance at survival.

For many, the big question revolves around Renner. Does his Aaron Cross match what Damon was able to bring to his Jason Bourne character? Well, yes and no. Renner is most certainly Damon’s equal when it comes to acting. Renner is completely convincing and he’s got the physical abilities to sell each and every action sequence. Cross is different from Bourne in that there is no amnesia.  He knows he’s part of a government project although the amount of knowledge he has is limited. While this isn’t necessarily a flaw with the character, it did take away one of the most intriguing elements of Bourne’s story. But a slightly bigger problem with the character isn’t as much about Renner as it is the writing and direction. Cross is a solid protagonist but I couldn’t help feeling that he lacked the intensity of Jason Bourne. There are a couple of scenes where he “loses it” for a lack of a better phrase, but overall he seldom comes across as intense or as threatening as Bourne.

Nonetheless, Renner’s performance is very good and he’s also surrounded by a strong supporting cast. Weisz is always great and she’s no different here. Her character is the most sympathetic in the film and I loved how Weisz portrays her through the numerous emotionally charged situations she has to deal with. Norton is also good as the evil government clean-up guy. He easily sells the amoral “just doing my job” persona and we genuinely dislike this guy from the moment he first enters the picture. I also really liked Oscar Isaac as a fellow Outcome operative who Cross encounters early in the film. Bourne fans will also enjoy the small but interesting returns of David Strathairn, Joan Allen, and Scott Glenn. Each have cool little tie-in scenes that answer questions left over from the last film.

“The Bourne Legacy” doesn’t hurry out of the gate. Gilroy takes his time laying out the story and defining his characters. There were a couple of times when I did feel things were moving a little too slow, but overall it works well  and the movie’s third act is pretty action packed. Speaking of the action, it captures some of the same qualities of the past Bourne flicks – hard-hitting hand-to-hand fight scenes and of course a vehicle chase scene. I mean you can’t have a Bourne movie without a vehicle chase and this film gives us a great one. Renner thrills as he runs, jumps, punches, and kicks. Unfortunately his fight scenes are almost rendered incoherent due to moments of inconsistent editing. There were a couple of fight scenes where I literally had no idea what was going on other than punching.

I can see where some would consider “The Bourne Legacy” a cash grab. But even with its few flaws it’s still a fun movie that fits right in with the Bourne series. It stumbles in a few areas and I wouldn’t consider it the best of the series. But Gilroy knows the material well and he knows how to bring new characters into this universe. Renner gives a strong performance and Weisz is wonderful to watch. It also features a chase sequence at the end that is nothing short of awesome. But more importantly, it left me anxious and anticipating what’s coming next. So I would call it a success.

VERDICT – 3.5 STARS

THE SHOWDOWN : “The Avengers” vs “The Dark Knight Rises”

Without a doubt the two biggest movies of the year in terms of box office results and expectations has been Disney/Marvel’s “The Avengers” and Warner Bros./DC Comics’ “The Dark Knight Rises”. Both films were two of the most highly anticipated and heavily promoted pictures leading up to their releases. Now both have hit the theaters, made millions of dollars, and have been talked about by critics, geeks, and movie fans from around the globe. But which is the better movie? I thought it would be fun to put the two side-by-side and see who comes out on top. They’ll face off in several categories and we will see who’s standing in the end.

SPECIAL EFFECTS

When judging the special effects, it’s hard to come up with a fair and conclusive winner. Both movies approach their action sequences in significantly different ways. “The Avengers” uses a lot more CGI and much of director Joss Whedon’s vision is dependant on it. What’s truly amazing is that the movie really pulls it off. The massive CGI set pieces are sights to behold and this is easily the best looking Hulk yet to hit the big screen. Director Christopher Nolan chose a more traditional approach to special effects and they are perfect for the movie he was making. While he did use CGI, he relied much more on intense stunt sequences and traditional set designs. Explosions, flipping cars, and large-scale battles make up the thrust of the action. So judging the two by the same standard is impossible. Therefore I’ll just go by the impressive scope of the vision that’s brought to life on-screen through the effects. WINNER – “The Avengers”

SCORE

Both films have booming, energetic scores but take two very different approaches. I’m a huge fan of Alan Silvestri and he certainly delivers a solid score in “The Avengers”. It works nicely alongside of the action sequences and it’s never overdone or out-of-place. But perhaps the one negative is that I don’t remember one detail about it. Scores that have really resonated with me have also stuck with me. Hans Zimmer’s powerful score in “The Dark Knight Rises” stuck with me on several occasions. His score is ever-present and some have had problems with that. But I found it gives a cinematic pop to so many of the action sequences and in other instances really builds the intensity. His use of familiar tunes from the earlier films are perfectly used and at times had me wanting to pump my fist. Nolan may overuse the score some, but for me it really made an impression. WINNER – “The Dark Knight Rises”

ACTING

One thing both movies were blessed with were remarkable casts. The fantastic collection of actors and actresses give both movies huge dramatic lifts and when combined provide one impressive list of talent. “The Avengers” is led by Robert Downey, Jr.’s razor-sharp, wise-cracking performance that only he could deliver. The movie also introduces Mark Ruffalo who undeniably gives us the best Bruce Banner yet and Jeremy Renner who is wonderful but underused. And then throw in Tom Hiddleston and his Oscar worthy performance as Loki. But while “The Avengers” has a great cast, “The Dark Knight Rises” is a much heavier and more dramatic picture which gives it’s equally phenomenal cast a broader range of material to work with. Christian Bale gives his best performance of the entire series. Gary Oldman is simply perfect as Gordon. Anne Hathaway makes her series debut and really surprises. Tom Hardy is wonderfully brutal. And of course there’s Michael Caine, Morgan Freeman, Marion Cotillard, and Joseph Gordon-Levitt. They’re given much more to do and they each shine. WINNER – “The Dark Knight Rises”

VILLAIN

Both movies have fantastic villains but also very different villains. “The Avengers” finds the heroes up against the mischievious meddler Loki. While he’s not that intimidating in stature, Loki manages all sorts of chaos through manipulation and trickery. But what really makes Loki so impressive is Tom Hiddleston. Without a doubt he is having a blast with the character and he carries over his great work in “Thor”. He makes Loki a viable threat and an incredibly fun villain to watch.

In “The Dark Knight Rises”, Bane is an entirely different creation. Tom Hardy stars as the intelligent but psychotic brute who intimidates more through violence and force than mischief. Bane is a vicious presence and he’s stands out in every scene he’s in. Hardy’s physicality helps give the fight scenes a gritty realism and his swagger shows his fearlessness. From the first scene he’s in, you know that Bane is a villain not to be messed with. So both movies feature villains that are very different yet equally menacing and ultimately engaging. WINNER – DRAW

STORY/WRITING

Both movies feature some outstanding writing. “The Avengers” is faced with the task of taking a handful of earlier films and bringing them and their characters together in a good, cohesive way. It’s a daunting task and Joss Whedon makes it work. He makes “The Avengers” a climax movie that all of the individual superhero pictures were building up to. He also manages his large cast wonderfully. Another strong point with Whedon is the fantastic injection of humor throughout the picture. There are some truly laugh-out-loud moments and Whedon is respectful of the material but never takes it too seriously. It’s really well done.

On the other hand, Christopher Nolan is an incredible storyteller with his own unique visual presentation. His movies are generally more complex and layered and often times he challenges his audience. “The Dark Knight Rises” is no different. The story twists and turns and Nolan injects it with just the right amount of action and intensity. He also does a fine job of connecting it with the previous film as well as wrapping up his trilogy with a near perfect ending. Nolan doesn’t dumb things down and gives us a glorious and rousing ending to what is arguably one of the greatest trilogies in film history. WINNER – “The Dark Knight Rises”

AMBITION

With “The Dark Knight Rises”, Christopher Nolan finishes his spectacular vision of Batman and his universe. It’s most certainly an ambitious film. Nolan introduces new characters, connects us to the previous film, gives us an evil and brutal new villain, tells another deep and satisfying story, and wraps the entire series up, all in one film. It’s quite a vision. For Joss Whedon the task was quite possibly tougher and more ambitious. As mentioned above, Marvel had created several individual superhero franchises and each pointed to the Avengers project. “The Avengers” movie was a culmination of all of those movies and characters and Whedon had to bring it all together – a tricky job. A movie that ambitious had so many things that could have gone wrong but instead we were given one of the best times at the theaters this year. WINNER – “The Avengers”

DIRECTION

Both Joss Whedon and Christopher Nolan had the advantage of directing material that they were instrumental in creating. As writers, they had strong and distinct visions for their movies which carried over into their direction. Whedon wonderfully visualizes his wild superhero world, creates some astonishing action sequences, and nicely utilizes his great cast. Whedon draws everything together with an almost seamless result. Nolan is also a visual storyteller and his style is evident from the opening scene. Again, he is directing much weightier and more layered material and his ability to translate it on-screen so vividly is a testament to his rock solid direction. While “The Avengers” is sharply directed and a huge accomplishment, “The Dark Knight Rises” does go down more challenging roads, features a more hands-on approach to its action, and requires a more complex use of its characters. Nolan’s direction is spot-on. WINNER – “The Dark Knight Rises”

CONCLUSION

Both movies are exceptional examples of why the superhero genre is a legitimate form of cinematic entertainment. These are movies that aren’t just seeking box office numbers and millions of dollars. These are two strong movies with great storytelling, amazing special effects, phenomenal casts, and writers/directors that not only care for their projects, but put a great deal into making them the best movies they can be. But out of the two, “The Dark Knight Rises”…well…rises to the top. The deeper more layered story, the extremely high stakes, the more realistic grounding, and the wonderful way it wraps up Christopher Nolan’s Batman vision give it the edge over Joss Whedon’s fine film. Both films met some really high expectations, but for me “The Dark Knight Rises” was a better film that I will still be talking about for a long time.

THE OVERALL WINNER

Review: “The Avengers”

Marvel Studio’s “The Avengers” is the culmination of what may be the most ambitious project in film history. For those movie fans who have been living in a cave for the past several years, Marvel has been releasing several individual superhero movies that have all set the table for this huge event film. Two “Iron Man” pictures, “Captain America”, “Thor”, and “The Incredible Hulk” have all been linked together through brief reoccuring cameos and hidden after-credits scenes that refer to something called “The Avengers Initiative”. As any comic book geek could tell you, that’s a reference to the Marvel superhero team that first debuted in comics in 1963. On the surface, the idea for an Avengers film that’s directly tied into other individual superhero movies sounds great. On the flip side, even though the other films have been good, there are still plenty of areas where “The Avengers” could go off track. Well as a movie and comic book fan, I’m happy to say that “The Avengers” not only meets the challenges of it’s vision, but it’s an action packed adrenaline rush that offers some of the most fun I’ve had at the theater this year.

To handle this rather large undertaking, Marvel placed the project in the hands of Joss Whedon. Whedon was a good choice mainly due to his variety of experience. He’s found success in television, film, and comic books and he uses his knowledge of each combined with Disney’s deep pockets to create a movie that would appeal to the fanboy and the casual moviegoer alike. One thing that helps Whedon is that the film doesn’t require your traditional origin story. While we do see the generation of the team, we know all of the characters from the previous Marvel movies so Whedon is able to dive right into the story. That being said, don’t mistake this for a deep, engaging story that will challenge the audience. But I’ll also say that anyone going into “The Avengers” for that has already missed the point.

Throughout the other Marvel films, particularly “Captain America”, we learned about a cosmic energy source known as the cosmic cube. In “The Avengers”, S.H.E.I.L.D. head honcho Nick Fury (Samuel L. Jackson) has a team of scientists led by physicist Dr. Erik Selvig (Stellan Skarsgard) trying to harness the power of the cube, now known as the Tesseract. But suddenly the cube activates and opens a portal allowing the evil Loki (Tom Hiddleston) to entire the facility and steal it. Knowing the immense threat associated with the Tesseract being in the wrong hands, Fury activates the Avengers Initiative. But getting such a diverse group of superheroes to cooperate and coexist proves to be a lot harder than expected.

Fury starts by contacting Black Widow (Scarlett Johansson). He sends her to India to find Bruce Banner (Mark Ruffalo) while sending Agent Coulson (Clark Gregg) to Stark Tower to speak to Tony Stark (Robert Downey, Jr.). While the two are gone, he approaches Steve Rogers (Chris Evans) and sends him on a mission to retrieve the Tesseract. Upon hearing of Loki’s involvement, the thunder god Thor (Chris Hemsworth) also entires the mix as does the marksman and assassin known as Hawkeye (Jeremy Renner). Each of the heroes have their own baggage and their own personalities which often times clash to the point of dysfunction. But their disagreements give us some of the movie’s cooler and often times funnier moments. As you would expect the situation worsens and it’s up to the team to pull together or the world will be taken over starting with New York City.

It’s a pretty cut-and-dry story but it really works because Whedon understand his characters and he knows what kind of movie he’s trying to make. His familiarity with the Marvel comic book universe is clearly seen throughout the picture but nowhere more than in his treatment of the characters. As a comic book fan, I was really impressed with how they all felt right and it’s clear that the source material played a big role in shaping the on-screen versions. But Whedon never falls into the trap of taking things too seriously. The movie is filled with laugh out loud funny moments that are cleverly used and they never feel cheap or forced. They mix perfectly with the razor-sharp dialogue and the jaw-dropping action sequences. But the fantastic action and special effects shouldn’t surprise anyone. Afterall, “The Avengers” is a superhero action picture and Whedon knows it. The action comes at a furious pace and I can see where some may view it as relentless. Personally, I was completely wrapped up in it. The movie sells the superhero action through some of the most spectacular visuals and editing that you’ll see. I was blown away.

I can’t write a review of “The Avengers” without mentioning the incredible cast. One of the reasons the Marvel films and particularly “The Avengers” works so well is because of the amazing casting. Everyone is invested in their character and not one single performer phones it in. Downey, Jr. continues to be the perfect Tony Stark mainly due to his natural ability to use sarcasm and fire off funny quips without hesitation. Chris Evans, known more for his goofier roles,  is also quite good as the serious and straight-laced Captain America. I also really liked Mark Ruffalo as Bruce Banner. He’s the third actor to take on the role and he nails it. Much like Downey, Jr., Hemsworth is the perfect Thor and he shares some of the film’s best scenes with Hulk. Renner and Johannson also handle their roles very well. But I have to give special time to the wonderful Tom Hiddleston. He’s a remarkably diverse actor and he shows it here. His Loki is mysterious, mischievous, and evil and Hiddleston slithers through his scenes stealing many of them. There are also nice smaller performances from Gregg, Gwyneth Paltrow and Cobie Smulders that are just icing on the cake.

I can see where some people may not respond as positively as I did to “The Avengers”. The action is pretty much start-to-finish and if you’re not interested in the characters you’ll have a hard time embracing the story. There are also a few shortcuts taken with the story for the sake of convenience that could have been done a little better. For me, I have a connection to these characters through all my years of comic book reading and this film exceeded my expectations. But being a comic reader isn’t a prerequisite for enjoying this movie. If you’ve liked what Marvel has put out leading to it, you’re going to love “The Avengers”. Sure, it’s a loud, energetic summer popcorn flick, but it’s also a really good one. It’s honest and it never tries to be something it’s not. Featuring one of the better ensemble casts and some top-notch directing from Joss Whedon, “The Avengers” is a big budget blockbuster that actually deserves all the money it’s going to rake it. When’s the next showing? I’m ready to see it again.

VERDICT – 4 STARS

4-stars

HOLLYWOOD WRITER’S BLOCK? SEQUELS, REBOOTS, & REMAKES

If there is one constant in the modern-day movie industry, it’s the steady barrage of motion picture sequels, reboots, and remakes that bombard theaters each year. For a while now it’s seemed as if the sheer number of sequels, reboots, and remakes has steadily grown from year to year. Just look at 2011. The year featured reboots such as “Rise of the Planet of the Apes” and “X-Men: First Class”. We also got several pointless remakes like “Footloose”, “Fright Night”, “The Smurfs”, and “Arthur”. And of course, the year was loaded with sequels from popular “franchises” such as Harry Potter, The Transformers, Twilight, and Pirates of the Caribbean; animated films like “Cars 2”, “Kung Fu Panda 2”, and “Happy Feet Two”; and a host of other stuff ranging from “Spy Kids” to “Scream 4” to “Hangover 2”.

That was last year. Just take a look at what we have already seen and what we can expect for the rest of 2012. It’s still early in the movie year and we’ve already seen remakes like “21 Jump Street” and “The Three Stooges” and a host of sequels such as “Journey 2”, “Wrath of the Titans”, “Underworld Awakening”, and “Ghost Rider”. To add to it, this year we have already seen  3-D re-releases of three movies: “Star Wars: Episode 1”, “Beauty and the Beast”, and “Titanic”. Here’s just a sample of what’s still coming out this year:

  • “Men in Black III” (sequel)
  • “Piranha 3DD” (sequel – I guess)
  • “Madagascar 3” (sequel)
  • “G.I. Joe: Retaliation (sequel/reboot)
  • “The Amazing Spider-Man” (reboot)
  • “Ice Age: Continental Drift” (sequel)
  • “The Dark Knight Rises” (sequel)
  • “Step Up: Revolution” (…….sigh…..)
  • “The Bourne Legacy” (sequel)
  • “Total Recall” (remake)
  • “The Expendables 2” (sequel)
  • “Twilight Saga: Breaking Dawn Part 2” (sequel)
  • “Resident Evil: Retribution (sequel)
  • “Paranormal Activity 4” (sequel…kinda)
  • “Red Dawn” (remake)
  • “Skyfall” (sequel)

There are several more that you can expect to see in 2012 but you get the point. It seems that sequels and remakes aren’t a big thing these days. They’ve become commonplace. Now let it be known that there are some movies on the list that I am really excited about seeing. It’s also true that some sequels are incredible movies. It’s also worth noting that THE TOP 9 GROSSING MOVIES of 2011 were sequels which shows that there is an audience for them. So it certainly isn’t a question of bad financial decisions and it’s certainly not unreasonable to make movies that will sell tickets. But it begs the question, is there a shortage of originality and creativity in Hollywood?

I can remember when a movie sequel was a pretty big deal. You didn’t see many of them and when you did it usually drew a lot of attention. That’s certainly not the case today. And Hollywood’s sudden affection for remaking 80’s movies and TV shows has led to more head-scratching results than memorable films. I guess in a way that’s my biggest concern. Just how many of today’s sequels, reboots, and remakes are really good, memorable films? How many will stay with us for the rest of our lives. How many are just easy money grabs that have little to no lasting impact? I tend to think more of them are utterly forgettable than true movie treasures.

But as I mentioned, not every sequel, reboot, or remake is bad. Christopher Nolan’s “The Dark Knight” not only rose above the superhero genre but it was an incredible movie. This year’s “The Dark Knight Rises” is my most anticipated movie of the year. And there are still many good quality filmmakers that are making great original movies for us to enjoy each year. Add in independent films and foreign cinema and there are several outlets to discover good movies. But so much of Hollywood’s efforts and resources are going into treading the same water that I can’t help but wonder, is the struggling industry desperate for dollars at the theater or does Hollywood have a bad case of writer’s block that only seems to be getting worse?

Top 10 Most Anticipated Films of 2012

TOP 10 MOST ANTICIPATED FILMS OF 2012

2011 gave us some memorable movies but overall it wasn’t the best year for film lovers. But fear not, 2012 seems to have a fantastic lineup of potentially great films. The year’s lineup is loaded with big-budget sequels, action-packed ensembles, trilogy finales, historical dramas, and much more. Here are my Top 10 Most Anticipated Films of 2012:

#10 – “THE BOURNE LEGACY”

The fourth installment of the popular Bourne series brings with it some major changes. Tony Gilroy directs but the biggest draw for me is the addition of Jeremy Renner in the lead role. Renner plays Aaron Cross and is joined by fellow cast members Rachel Weisz, Edward Norton, Albert Finney, Scott Glenn, and Oscar Isaac. I’m a huge Renner fan and if anyone can capture the intensity of a Jason Bourne styled character, it will be him.

#9 – “THE GREAT GATSBY”

There have been several adaptations of F. Scott Fitzgerald’s “The Great Gatsby”. 2012’s big screen version brings a strong cast including Leonardo DiCaprio, Carey Mulligan, Joel Edgerton, and Tobey Maquire. It’s set for a December 25th release which often times indicates that the film is aimed at awards season. Here’s hoping that this classic story gets a classic treatment in 2012.

#8 – “DJANGO UNCHAINED”

Speaking of stellar casts, how can you not be excited about a film that features the talents of Jaime Fox, Leonardo DiCaprio, Christoph Waltz, Samuel L. Jackson, Kurt Russell, Sacha Baron Cohen, Joseph Gordon-Levitt, and Don Johnson? Quentin Tarantino writes and directs this film described as a spaghetti western but I’m sure with a Tarantino twist. With Tarantino you never know what to expect but it’s always new, fresh, and unlike anything you have seen before.

#7 – “PROMETHEUS”

If you enjoyed the “Alien” pictures (particularly the first two), then you have to be excited about Ridley Scott’s “Prometheus”. While it’s said to definitely be connected to the “Alien” movies, “Prometheus” is essentially its own story and as a Ridley Scott fan, I can’t wait to see what he has in store for us. Michael Fassbender, Noomi Rapace, Guy Pearce, and Charlize Theron only make the prospects sweeter. The teaser trailer looks moody, mysterious, and downright creepy. I can’t wait.

#6 – “THE AVENGERS”

I’m a long time comic book reader and super-hero fan so Marvel’s “The Avengers” certainly is on my radar. I’ve had loads of fun with the movies focused on the individual heroes and now we get them all together in what could be a really, really good film or a cluttered mess. I’m optimistic especially considering that Marvel has had this in the works well before the individual films were made. That bigger vision could equal one fun summer popcorn flick. Downey, Jr., Evans, Johansson, Hiddleston, Ruffalo, Jackson, Hemsworth, and Renner provide plenty of acting muscle to pull this thing off.

#5 – “THE HOBBIT”

2012 also gives us the first part of Peter Jackson’s “The Hobbit”. As a huge fan of what he did with “The Lord of the Rings” trilogy, I have full confidence that he will give us another exciting experience in Middle-Earth. Many actors reprise their roles including Ian McKellen, Hugo Weaving, Orlando Bloom, Elijah Wood, Cate Blanchett, and Andy Serkis. I fully expect this to be another rousing visual accomplishment and Jackson’s familiarity with the material will be evident. Set for a December release, what a way to end the year!

#4 – “SKYFALL”

I have never been the biggest James Bond fan but that all changed when Daniel Craig took over the role in “Casino Royale”. “Skyfall” is Craig’s third film as 007 and the first since 2008. Adding to the excitement is the casting of Javier Bardem as Bond’s main antagonist. Craig’s Bond has passed over the overtly cheesy dialogue and suave sophistication and replaced it with a tougher, grittier Bond that’s more grounded in reality. I’ve loved his first two films and can’t wait for “Skyfall“.

#3 – “THE WETTEST COUNTY”

The Wettest County” is a film that excites me on the sheer strength of its cast and it’s depression-era setting. It instantly makes my list just for starring personal favorites of mine Tom Hardy, Guy Pearce, and Gary Oldman plus 2011 breakout actress Jessica Chastain. Australian John Hillcoat, also known for 2009’s “The Road”, directs the Nick Cave screenplay. This film has flown under most people’s radar but I see it as loaded with potential and featuring some brilliant talent. “The Wettest County” hits select theaters in August.

#2 – “LINCOLN”

Some have mentioned having “Spielberg Fatigue” but I can’t say that fits me. But to be honest Steven Spielberg isn’t the reason I’m excited about 2012’s “Lincoln”. Daniel Day-Lewis is one of the most gifted actors in film and his last work in 2007’s “There Will Be Blood” was one of the single best performances I have ever seen. Needless to say I can’t wait to see him portray Abraham Lincoln. A fantastic supporting cast has been placed around him featuring Sally Field, Joseph Gordon-Levitt, Tommy Lee Jones, David Strathairn, John Hawkes, Hal Holbrook, and more. If Spielberg keeps himself under control, this could turn out to be a true motion picture classic.

#1 – “THE DARK KNIGHT RISES”

Christopher Nolan has made super-hero movies into more than just summer popcorn pictures. His brilliant “The Dark Knight” wasn’t just a comic book movie. It was a dark and complex film featuring perfect direction, great performances, and impeccable sound and visuals. Nolan’s trilogy comes to an end with “The Dark Knight Rises” and everything points to this being another amazing picture. Joining the cast for the final installment are Tom Hardy, Anne Hathaway, Marion Cotillard, and Joseph Gordon-Levitt. Returning is Gary Oldman, Michael Caine, and Morgan Freeman. Nolan is one of the top directors in Hollywood and there is no reason to think he’s not going to finish his Batman run with a phenomenal final chapter.

Agree or disagree? Maybe there’s a movie you’re looking forward to seeing that didn’t make my list. Leave your comments below and share what you think of the 2012 movie releases.

REVIEW: “Mission Impossible: Ghost Protocol”

“Mission Impossible: Ghost Protocol” is the fourth installment in Tom Cruise’s action spy series and it’s also the best of the bunch. It’s a fast paced summer-styled popcorn picture that is perfectly constructed and moves from one big action set piece to another with an almost rhythmic and poetic flow. I wasn’t surprised that I liked the film. But I was surprised at how polished and effective this Mission Impossible movie was.

Director Brad Bird, best known for his Oscar winning work in animated films such as “The Incredibles” and “Ratatouille”, makes his live action debut and one of my biggest questions was how he would make the transition. Bird is to be commended for his handling of material that necessitates moving from location to location and not allowing the audience to spend too much time thinking about plot details. He melds together those fun elements from high octane action movies and clever spy pictures and the result is an energetic, globetrotting, gadget-filled piece of robust entertainment.

Tom Cruise returns as Ethan Hunt and he is in true movie star form. He and his team is framed for a terrorist attack on the Kremlin which leads the President to execute “Ghost Protocol”, the complete disavowing of the IMF. On their own and with limited resources, the team seeks to track down the individual responsible for the bombing, a dangerous mystery man who works under the name of “Cobalt” played beautifully by Michael Nyqvist. Cruise continues to be a perfect fit as Ethan Hunt and he’s certainly comfortable in the role. Simon Pegg returns as the team’s tech geek and comic relief and Paula Patton is a field agent with information on the bombing. But the best addition to the team is Jeremy Renner as William Brandt, and IMF analyst with a few secrets of his own. Renner gives a more reserved performance than what we have seen from him in films such as “The Hurt Locker” and “The Town”. This role required a bit more subtlety and Renner nails it.

The story moves all over the globe stopping at locations such as Moscow, Dubai, and India. The movie captures each location with energy and vibrancy and I was completely engaged. The action scenes are huge and sometimes jaw-dropping and Bird’s visual style makes it easy to overlook the sheer unbelievability of some of the sequences. The Dubai skyscraper scene alone is worth the ticket price. The gadgetry is as futuristic and outlandish as anything we’ve seen in the series but who cares? It works perfectly in this picture. I could go on and on but simply put, “Ghost Protocol” is technically flawless. Now just imagine it in IMAX.

As with the other Mission Impossible films, the plot does fall together a little too neatly and sometimes you just have to take things at face value. But the film moves along at such a fast pace that you’re never left to dwell on it. To be honest, I didn’t care that everything fell together so smoothly. I was having too much fun. Even at over two hours the film never lost me. “Mission Impossible: Ghost Protocol” is getting a lot of critical praise even though it’s not the type of movie that would get awards buzz. But I judge a good movie by many things and one of them is how much fun I have watching it. Based on that, “Ghost Protocol” is surprisingly one of the better movies of 2011.

VERDICT – 4 STARS