REVIEW: “Avengers: Age of Ultron”

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It could be said that the first Avengers movie was in a ‘can’t miss’ position. Sure, with that much ambition comes a degree of risk. But fans had already shown their devotion to the Marvel movies at that point. Iron Man, Captain America, and Thor each had their own films which had earned a ton of box office cash. Bringing them altogether was sure to bring in truckloads of more money. That proved to be true to the tune of over $1.5 billion worldwide. And of course that doesn’t include home-video, merchandising, etc. More importantly, as a movie fan, the first film was fun and very satisfying.

So as is customary in modern Hollywood, a sequel was on the way and we get it in the form of “Avengers: Age of Ultron”. Writer and director Joss Whedon is back this time with a new and unique set of obstacles in front of him. First, it’s always a challenge for a sequel to recapture the magic of a successful first movie while also being distinctly its own film. Also, if Whedon thought expectations were high for the first movie, they are nothing compared to what people will expect from the sequel. And then there is the question of superhero fatigue. Can Whedon and company continue to energize a genre that has a small but growing list of detractors?

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I always give Marvel Studios credit. Their movies aren’t the assembly line sequels that we see each and every year. Certainly some films work better than others, but Marvel is always building upon their bigger cinematic universe and continuity which I enjoy. But for those not thoroughly invested it could be a legitimate stumbling block. “Age of Ultron” is unquestionably an installment – a transition chapter in this enormous franchise. Loose ends are tied up and potential plot holes related to other Marvel films are addressed throughout. Again, these are things that will satisfy fans but probably fuel the indifference of those not on board.

The film starts with our heroes attacking the snowy mountain compound of Baron von Strucker. He was the guy last seen in the mid-credits scene of “Captain America: The Winter Soldier”. Strucker has obtained Loki’s scepter and is using its powers for human experiments and other nefarious practices. The results of the conflict leads Tony Stark (Robert Downey, Jr.) to fulfill an ultimate peace keeping goal of his – the creation of an ultimate A.I. named Ultron (voiced by James Spader). Ultron becomes self-sustained and self-aware and immediately begins his own plan of global peace which happens to include the distruction of the world. Tony’s mishaps with Ultron and his failure to inform his fellow Avengers of his project creates a festering tension between the team. But they must work together if they have any hope of beating this new threat and once again saving the world.

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That is just a brief set up to what is a movie jam-packed with moving parts. There are so many characters and subplots that are being serviced and it is a testament to Whedon’s writing skills that the film is coherent at all. Wrapped around the central story are countless tie-ins from previous movies and setups for future films. It truly is a miraculous feat, but it’s not a flawless one. There were a handful of things that felt terribly shortchanged occasionally to the point of making no sense at all. During these moments it was as if Whedon was saying “Look, I have so much to cover. I just need you to go with this.” Sometimes I found that a little difficult to do.

But considering the insane amount of moving parts and the hefty ground the film is asked to cover, “Age of Ultron” is an impressive accomplishment. All of the core characters are back and get their moments to shine. In fact the amount of screen time between each hero felt much more balanced than in the previous movie. It also helps to have actors who have become more and more comfortable with their characters. In addition to Downey, Jr., Chris Evans (Captain America), Chris Hemsworth (Thor), Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), and Mark Ruffalo (Hulk) each are a load of fun. We also get a good assortment of past side characters and some very intriguing new characters. The super powers endowed Maximoff Twins, Wanda (Elizabeth Olsen) and Pietro (Aaron Taylor-Johnson) are an interesting addition and there is the appearance of another new character who really got my geek juices flowing.

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“Age of Ultron” is clearly a movie aimed at serving a passionate fan base  which is really good for devotees like me, but maybe not so good for those unfamiliar with or lukewarm to its many intricacies. I ate up the funny banter between each unique superhero personality. I loved the large-scaled action which seemed ripped straight from the pages of a comic book. I was interested in the future movie tablesetting even when the scenes didn’t always play out smoothly. In a nutshell, “Age of Ultron” was a fun and entertaining ride that succeeded as the central cog in Marvel’s constantly moving cinematic universe.

“Age of Ultron” is not a movie devoid of problems and your experience will probably be influenced by the degree of affection you have for these characters and this universe. As a fanboy I loved being back in this world, I laughed at a lot of the humor, and I was thrilled by the big effects and larger than life action sequences. Yet while it scratched nearly all of my itches, it’s hard not to point out the messy patches. Still considering the film’s enormous importance to the Marvel movie universe and the even higher expectations, “Age of Ultron” succeeds where so many movies would have failed. Now I’m ready to start building towards the next installment.

VERDICT – 4 STARS

REVIEW: “Snowpiercer”

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Every revolution has a cost and the cost is high in Bong Joon-ho’s sci-fi action flick “Snowpiercer”. This is the Korean filmmaker’s first feature since “Mother” from 2009. “Mother” was my first exposure to Bong Joon-ho and my christening of sorts into the art of Korean cinema. “Snowpiercer” is a much different film yet it doesn’t stray too far away from the style and approach which lies at the heart of this auteur.

Despite the efforts of blowhard extraordinaire Harvey Weinstein, “Snowpiercer” has finally made its way to the United States. Weinstein acquired the North American rights for the film with a wide release planned. But the pompous film mogul demanded that 20 minutes of footage be cut and when Joon-ho rightly refused, Weinstein sabotaged the movie by delaying it for almost a year and severely restricting its release. But word of mouth and positive reviews eventually earned it a broader release although nothing like what was originally planned.

The story is taken from a 1982 French graphic novel and as with any good science fiction, the premise is everything. To stonewall the effects of global warming mankind injects the atmosphere with an experimental agent that instead brings on a second ice age. Humanity’s last inhabitants live within the Snowpiercer, an enormous train in constant motion powered by the “eternal engine”. Onboard the train a social order has been created. The affluent upperclass live in the lavish head section while the poor and needy inhabit the tail. Now at first the movie appeared to be a climate change and class warfare lecture, but once we begin to meet the blend of interesting and eccentric characters, we realize there is more under the hood.

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After several failed attempts the tail section puts together another revolt against the privileged and the armed soldiers who defend them. Curtis (Chris Evans) is quickly established as the strongest link and the man many look to for leadership. His mentor Gilliam (John Hurt) is grooming him to be the leader once they are able to take over the train. Curtis is a complex character. He often shows heart particularly in his dealings with his fellow tail-sectioners. Evans continues to grow as an actor. He’s mostly been known for playing goofballs or superheroes but I love seeing him open himself up as an actor. He once again flexes his action star muscle, but it’s nice to see him digging deeper into a character and doing it well.

Evans is helped out by an incredible supporting cast. Jamie Bell is good as a character who starts out as a standard sidekick but evolves into something more. Oscar-winner Octavia Spencer plays a mother determined to get her son back after he is taken by the upperclass authority. A Joon-ho favorite Song Kang-ho plays the drug addicted designer of the train’s many doors separating the cars. The fabulously quirky Alison Pill is great as a character simply titled Teacher, and the always exceptional Ed Harris pops up in a significant role. But the true scene stealer has to be Tilda Swinton. She plays Minister Mason, an overseer of sorts who is really a glorified lacky. Swinton has a ball playing such a wacky and neurotic character. Everything from her appearance to her ways of expressing herself works to inject a bit of humor while never derailing the movie’s more prominent tone.

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All of these characters work to energize Joon-ho’s engaging story. To be honest it’s hard to deny the absurdity of it all, and a surface reading would make this sound like a pretty standard action romp. But when the story is this well told and it moves at such a fluid and dynamic pace, it’s so easy to get completely caught up in it. I had a blast with its central conceit and the stylized storytelling. The careful mix of action and character development is well done and the setting is superb. It ranges from beautiful and colorful to dark and dirty while always maintaining a sense of claustrophobia. And as with almost every other sci-fi film, we get plenty of commentary here. Joon-ho paints a parallel portrait of the modern societal standard which is sometimes effective and other times ham-fisted. His climate change theme was the most compelling showing an awareness while also showing the dangers of overreacting. His class warfare approach is a little more uneven. But other themes such as drug abuse, political power, and revolutions are laced throughout the story in intriguing ways.

“Snowpiercer” also looks amazing from its wide assortment of environments within the train to its ice-ravaged world outside. The variety of action we get is also a treat. It may be intense close quarters shootouts or hand-to-hand combat in precarious situations. Some of it dances close to the edge of brutality, but so often Joon-ho pulls back his camera just as the violence is happening sparing the audience from the gore while keeping the sheer intensity of the scene. It’s a mark of the creative Korean style and it gives the movie a particular look that I absolutely loved. It’s a visual delight.

Thanks to Weinstein “Snowpiercer” hasn’t gotten the release it deserves but word of mouth is spreading. Let me happily add to its positive press. This is a fantastic science fiction picture that sounds similar to many other films yet feels completely unique and fresh. It’s a film with many strengths and as a lover of good sci-fi, I had an absolute blast with it!

VERDICT – 4.5 STARS

REVIEW: “Captain America: The Winter Soldier”

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It’s easy to get lost among the huge and larger than life Marvel movie properties such as Thor, Iron Man, and The Avengers. Such was the case with Captain America and his 2011 film “The First Avenger”. Now don’t misunderstand me, Cap’s first solo movie project was still a hit and it raked in just over $370 million at the box office. But it is rarely mentioned in the conversations about Marvel’s growing cinematic landscape. Personally I loved “The First Avenger” and its distinct and unique flavor. Well obviously its success means a second film will follow, but unlike many sequels Cap’s new chapter legitimately excited me.

“The Winter Soldier” was an amazing storyline that ran through the Captain America comics starting in 2005. It was written by Ed Brubaker and drawn by the amazing Steve Epting. The two developed an engrossing story that has become one of my favorite comic book storylines ever put to print. Screenwriters Christopher Markus and Stephen McFeely desperately wanted to adapt Brubaker’s story. They ended up taking key elements of it, added a few slick and interesting twists, and “Captain America: The Winter Soldier” was born.

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The first Cap film carved out its own little spot among the Marvel movies. It took place predominantly in the past, namely during World War II. While those connections are still present, this film is a modern day story. Chris Evans reprises his straight-laced Steve Rogers persona. He is still very much a man from the past struggling to find his place in the modern world. Whether it’s technology and pop culture or the complex attitudes towards global crisis and geopolitics, Rogers often finds himself at odds with the situations around him. The film does take some time with that but ultimately this is an old-school action flick that hearkens back to the old espionage pictures of old.

Cap is still working for S.H.E.I.L.D. under director Nick Fury (Samuel L. Jackson) and alongside Natasha (a.k.a. Black Widow) played by Scarlett Johansson. The relationships between these three characters remain compelling. The contrasts between Steve and Natasha are sharp and always evident. Natasha and Fury have a relationship shrouded in secrecy. Steve and Fury are on the same side but are often at odds over what is the right approach. All of these things are stressed more when S.H.E.I.L.D. is compromised by a rogue force led by a mysterious assassin known only as the Winter Soldier (Sebastian Stan). Several twists and turns follow, threats come around every corner, and the stakes shoot through the roof.

Director Joe Johnston did a fine job with the first film but I was blown away by what directors Anthony and Joe Russo give us in the sequel. The brothers, mostly know for their work in television, rarely take their feet off the accelerator yet they never let their film become a deluge of pointless, mind-numbing action. The battles always feel important and the consequences are dire. But they also look amazing. I can’t tell you how many times I shuffled in my seat with excitement over what I was seeing on the screen. The camera constantly grabs one beautiful angle or presents one breathtaking sweeping shot. It’s some of the best filmed action I have seen in years. And it’s also a case where the 3-D works pretty well. I wouldn’t go as far as to say you must see it in 3-D, but I certainly didn’t mind that I did.

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The action also goes back to days when we weren’t beholden to CGI. Now obviously there is plenty of CGI in this picture, but where it separates itself from most other Marvel movies is in its lack of dependence on the technology. Much of the action focuses on great hand-to-hand combat, some amazing high-speed chases, and a lot of classic-styled stunt work. The entire visual presentation is stunning and it matches or exceeds anything Marvel has done to this point.

But the looks of the film would amount to little if not for Markus and McFeely’s addictive story. They frame all of their action around cool spy movie and conspiracy thriller angles instead of the basic superhero formulas we are used to seeing. Equally surprising is the richness of character development which provides more depth to everyone on screen. Even more, the Winter Soldier is a fantastic villain. Not only is he incredibly cool and a perfect visual representation of his comic book counterpart, he also isn’t a faceless enemy. He may steal scenes with his physical presence, but he also brings a gravity to the situation that amps things up. The pacing is crisp, fluid, and never lulls. The tone is more serious, yet the sprinkles of humor are funny and well timed. It’s simply a well-oiled and well-conceived script that dramatically changes the landscape for upcoming Marvel films.

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Then there is the acting. Over time Evans has clearly gotten better as an actor and he completely embodies the role of Steve Rogers. Jackson and Johansson have also fallen right into their characters and their comfort level is obvious. It was great to see them both in bigger and more expanded roles. As I mentioned, Sebastian Stan is a scene stealer and my excitement level rose whenever he would appear. Also new to the franchise is Robert Redford who plays a S.H.E.I.L.D. senior head. Redford starred in a number of conspiracy films back in the 1970s so this is familiar territory for him. Anthony Mackie is also a lot of fun playing Sam Wilson who Cap fans know as Falcon. There were several other small supporting characters that caused my inner comic book fanboy to smile.

It may be easy for some people to dismiss this film but to do so would be criminal. Sure it’s a big, loud popcorn picture but I don’t mind that at all especially when the film is this exciting and entertaining. I was expecting big things from this movie, but I didn’t expect to be blown away by its craftsmanship and its storytelling. It takes what we love about superhero films, tosses in loads of bods to comic fans, and mixes it all with good old-fashioned filmmaking and the results are impeccable. I love this movie and it very well may be Marvel’s best film to date. More than that, It’s one of the most exhilarating action pictures I’ve seen in a long time.

VERDICT – 4.5 STARS

Flaunt It or Flush it – Spring Movies 2014

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You certainly wouldn’t know it by the weather but the Spring movie season is upon us. The winter movie season is notorious for its flops, particularly in January and February. But usually things start looking up come Spring time. So here is how this works: First I’ll talk about Spring releases that I am genuinely interested in and want to spread the word about. These are films I’ll certainly flaunt. I’m also going to pick five releases that are (from my perspective) toilet ready. These I’ll flush. It’s Flaunt It or Flush It time again.

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BUDAPEST1. “The Grand Budapest Hotel” (March 7, 2014) – It doesn’t take long for Spring to get rolling. March 7th brings us one of my most anticipated movies of the year. It’s Wes Anderson’s “The Grand Budapest Hotel”. Anderson is one of the few comedy filmmakers who I think does it right. His quirky original worlds and subtle themes have always worked for me and it looks like we are getting that again. Ralph Fiennes leads what is one of the best looking ensemble casts of the year and he looks to be a perfect fit with this special brand of comedy. The trailer looks insanely funny and I can’t wait for March 7th.

NOAH2. “Noah” (March 28, 2014) – I’ve noticed several people approaching “Noah” with a bit of skepticism. I can definitely see why. But I also think this has potential to be an amazing film. As frequent readers of my site know, I’m a huge fan of Russell Crowe. I think this role is right up his alley. Plus there is the good supporting cast of Ray Windstone, Emma Watson, Anthony Hopkins, and Jennifer Connelly. The big question is Darren Aronofsky. His past work makes me wonder what kind of approach he will take. On the other hand he is a fine director and if he respects the material there could be great results.

CAPTAIN3. “Captain America: The Winter Soldier” (April 4, 2014) – My deep roots as a comic book fan makes me a sucker for good superhero films. I was a big fan of Marvel’s first Captain American movie. This one looks like it could be even better. Ed Brubaker’s “Winter Soldier” story from the Captain American comic book series was one of my favorites of all time. It’s perfect for the big screen treatment and the early trailers look to be capturing what made the story so great. Chris Evans is perfect as Steve Rogers and the addition of Anthony Mackie and Robert Redford are intriguing. Plus this is set to be the first big tie to the next Avengers film. Sign me up!

LE WEEKEND4. “Le Week-End” (March 14, 2014) – This is a film that has been on my radar for a while. It has already opened up overseas and it makes its United States debut on March 14. This British drama from director Roger Michell follows an older married couple who celebrate their 30th anniversary by going to Paris. Their intent was to rejuvenate their marriage but things don’t go as planned and they are forced to build back their relationship from the ground up. The wonderful Jim Broadbent and Lindsey Duncan play the lead roles which automatically attracted me. The trailer shows a great wit and some beautiful Paris locations.That’s enough to excite me.

XMEN5. “X-Men: Days of Future Past” (May 23, 2014) – Yet another Marvel comics superhero movie, but it’s another one that looks really good. Bryan Singer is back and he’s bringing the whole gang. The cast members from the original X-Men films including Hugh Jackman, Patrick Stewart, Halle Berry, Ian McKellen, and Ellen Page meet the cast members from First Class including Michael Fassbender, James McAvoy, Jennifer Lawrence, and Nicholas Hoult. Throw in some brand new mutants and you have a huge cast of characters. This could blow up in Singer’s face, but it could also be a spectacular film.

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TYLER PERRY1. “Tyler Perry’s The Single Mom’s Club” (March 14, 2014) – Tyler Perry is becoming a regular on these lists. This Spring he graces us with what looks like the corniest, dopiest, and most cliched movie of his career. I never judge a movie solely on its trailer but it gives us one goofy line, lame gag, and eye-rolling moment after another. Supposedly a group of mothers come together after an incident at school and they become big buddies. Then they partake in a host of silly antics and dopey romances which is supposed to be fun and entertaining. Well I can’t imagine this thing being fun or entertaining.

BLENDED2. “Blended” (May 23, 2014) – If an Adam Sandler movie is released it automatically gets consideration for this list. Perhaps that isn’t the most objective approach but Sandler has a track record that I can’t shake. His consistency would be impressive if it didn’t involve stupid and unfunny movies. I have no reason to believe that “Blended” will be any different from the other garbage he churns out. Who knows, maybe I’m wrong. Maybe this is a turning point in Sandler’s career. Maybe this is the film that gets him back on track. Personally I don’t buy it and I can see this as a flusher all the way.

HAUNTED3. “A Haunted House 2” (March 28, 2014) – Can someone please explain to me how a crappy movie like last year’s “A Haunted House” could inflict a sequel upon us? Well, I guess if you have a $2 million budget and you pull in nearly $60 million at the box office a sequel is inevitable. I guess the better question is how on earth did that thing make $60 million? The first film was completely unwatchable and this new thing looks like a carbon copy of it. Sitting through the trailer alone is as entertaining as having a root canal. I know there is an audience for this movie but I promise you it doesn’t include me.

OTHER WOMAN4. “The Other Woman” (April 25, 2014) – I suppose there may be a decent idea stashed away somewhere in “The Other Woman” but to be honest I can’t find it. Three woman come together under the bind of being cheated on by the same man. According to the trailer their quest for revenge features dopey missteps, vomit jokes, lame anatomy gags, and an assortment of other things that I don’t find remotely interesting. This is a comedy that could potentially squeeze out a laugh or two. But personally I think it looks like another clichéd and formulaic comedy that will probably find an audience despite its mediocrity.

NEIGHBORS5. “Neighbors” (May 9, 2014) – Stop me if you’ve heard this one before – Seth Rogan in a raunchy comedy. Look, I know this guy has a big following but I don’t get it. This time he and Zac Efron rip off the great Belushi and Aykroyd comedy from 1981. Rogan’s one-trick pony act features the same vulgar, juvenile nonsense that we always get from him and his friends. I know there is an audience out there who will find shooting firecrackers out of your butt and an infant baby chewing on a used condom as funny. I find it to be another example of how void of smarts and originality Hollywood has become when it comes to comedy. This is a flusher through and through.

Review: “The Avengers”

Marvel Studio’s “The Avengers” is the culmination of what may be the most ambitious project in film history. For those movie fans who have been living in a cave for the past several years, Marvel has been releasing several individual superhero movies that have all set the table for this huge event film. Two “Iron Man” pictures, “Captain America”, “Thor”, and “The Incredible Hulk” have all been linked together through brief reoccuring cameos and hidden after-credits scenes that refer to something called “The Avengers Initiative”. As any comic book geek could tell you, that’s a reference to the Marvel superhero team that first debuted in comics in 1963. On the surface, the idea for an Avengers film that’s directly tied into other individual superhero movies sounds great. On the flip side, even though the other films have been good, there are still plenty of areas where “The Avengers” could go off track. Well as a movie and comic book fan, I’m happy to say that “The Avengers” not only meets the challenges of it’s vision, but it’s an action packed adrenaline rush that offers some of the most fun I’ve had at the theater this year.

To handle this rather large undertaking, Marvel placed the project in the hands of Joss Whedon. Whedon was a good choice mainly due to his variety of experience. He’s found success in television, film, and comic books and he uses his knowledge of each combined with Disney’s deep pockets to create a movie that would appeal to the fanboy and the casual moviegoer alike. One thing that helps Whedon is that the film doesn’t require your traditional origin story. While we do see the generation of the team, we know all of the characters from the previous Marvel movies so Whedon is able to dive right into the story. That being said, don’t mistake this for a deep, engaging story that will challenge the audience. But I’ll also say that anyone going into “The Avengers” for that has already missed the point.

Throughout the other Marvel films, particularly “Captain America”, we learned about a cosmic energy source known as the cosmic cube. In “The Avengers”, S.H.E.I.L.D. head honcho Nick Fury (Samuel L. Jackson) has a team of scientists led by physicist Dr. Erik Selvig (Stellan Skarsgard) trying to harness the power of the cube, now known as the Tesseract. But suddenly the cube activates and opens a portal allowing the evil Loki (Tom Hiddleston) to entire the facility and steal it. Knowing the immense threat associated with the Tesseract being in the wrong hands, Fury activates the Avengers Initiative. But getting such a diverse group of superheroes to cooperate and coexist proves to be a lot harder than expected.

Fury starts by contacting Black Widow (Scarlett Johansson). He sends her to India to find Bruce Banner (Mark Ruffalo) while sending Agent Coulson (Clark Gregg) to Stark Tower to speak to Tony Stark (Robert Downey, Jr.). While the two are gone, he approaches Steve Rogers (Chris Evans) and sends him on a mission to retrieve the Tesseract. Upon hearing of Loki’s involvement, the thunder god Thor (Chris Hemsworth) also entires the mix as does the marksman and assassin known as Hawkeye (Jeremy Renner). Each of the heroes have their own baggage and their own personalities which often times clash to the point of dysfunction. But their disagreements give us some of the movie’s cooler and often times funnier moments. As you would expect the situation worsens and it’s up to the team to pull together or the world will be taken over starting with New York City.

It’s a pretty cut-and-dry story but it really works because Whedon understand his characters and he knows what kind of movie he’s trying to make. His familiarity with the Marvel comic book universe is clearly seen throughout the picture but nowhere more than in his treatment of the characters. As a comic book fan, I was really impressed with how they all felt right and it’s clear that the source material played a big role in shaping the on-screen versions. But Whedon never falls into the trap of taking things too seriously. The movie is filled with laugh out loud funny moments that are cleverly used and they never feel cheap or forced. They mix perfectly with the razor-sharp dialogue and the jaw-dropping action sequences. But the fantastic action and special effects shouldn’t surprise anyone. Afterall, “The Avengers” is a superhero action picture and Whedon knows it. The action comes at a furious pace and I can see where some may view it as relentless. Personally, I was completely wrapped up in it. The movie sells the superhero action through some of the most spectacular visuals and editing that you’ll see. I was blown away.

I can’t write a review of “The Avengers” without mentioning the incredible cast. One of the reasons the Marvel films and particularly “The Avengers” works so well is because of the amazing casting. Everyone is invested in their character and not one single performer phones it in. Downey, Jr. continues to be the perfect Tony Stark mainly due to his natural ability to use sarcasm and fire off funny quips without hesitation. Chris Evans, known more for his goofier roles,  is also quite good as the serious and straight-laced Captain America. I also really liked Mark Ruffalo as Bruce Banner. He’s the third actor to take on the role and he nails it. Much like Downey, Jr., Hemsworth is the perfect Thor and he shares some of the film’s best scenes with Hulk. Renner and Johannson also handle their roles very well. But I have to give special time to the wonderful Tom Hiddleston. He’s a remarkably diverse actor and he shows it here. His Loki is mysterious, mischievous, and evil and Hiddleston slithers through his scenes stealing many of them. There are also nice smaller performances from Gregg, Gwyneth Paltrow and Cobie Smulders that are just icing on the cake.

I can see where some people may not respond as positively as I did to “The Avengers”. The action is pretty much start-to-finish and if you’re not interested in the characters you’ll have a hard time embracing the story. There are also a few shortcuts taken with the story for the sake of convenience that could have been done a little better. For me, I have a connection to these characters through all my years of comic book reading and this film exceeded my expectations. But being a comic reader isn’t a prerequisite for enjoying this movie. If you’ve liked what Marvel has put out leading to it, you’re going to love “The Avengers”. Sure, it’s a loud, energetic summer popcorn flick, but it’s also a really good one. It’s honest and it never tries to be something it’s not. Featuring one of the better ensemble casts and some top-notch directing from Joss Whedon, “The Avengers” is a big budget blockbuster that actually deserves all the money it’s going to rake it. When’s the next showing? I’m ready to see it again.

VERDICT – 4 STARS

4-stars