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REVIEW: “The Amazing Spider-Man”

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It was 2007 when we last saw Spider-Man on the big screen in the underwhelming and over-blown “Spider-Man 3”. While nowhere near as good as the first two films, “Spider-Man 3” still earned close to $900 million at the box office. In light of that, plans for “Spider-Man 4” immediately took off. But the movie had several problems including creative differences between director Sam Raimi and Sony Pictures which resulted in his departure from the project. The decision was made to scrap “Spider-Man 4” and instead opt for a complete reboot of the popular Marvel Comics franchise. That meant good-bye to Tobey Maguire and hello to Andrew Garfield.

So that brings us to “The Amazing Spider-Man”. Marc Webb takes over the directing duties with James Vanderbilt handling the writing. Vanderbilt goes heavy into the origin of Spider-Man, this time with some new twists but also with the same basic premise. The film starts with Peter Parker’s (Garfield) parents being spooked after their home study is ransacked. In the study, Peter’s father retrieves some secret documents from their hiding place – obviously what the intruders were searching for – then along with Peter’s mother drops Peter off with his Aunt May (Sally Field) and Uncle Ben (Martin Sheen) before hurriedly leaving.

We then skip ahead several years. Peter is the quiet, nerdy teen interested in science, photography, and a beautiful fellow student named Gwen Stacy (Emma Stone). Peter finds out that his father had ties to Dr. Curt Connors (Rhys Ifans), an accomplished scientist working for Oscorp. Connors lost his right arm some time ago and thinks he’s found a solution to his handicap through his cross-species regeneration experiments. After slipping into Connors’ Oscorp lab, Peter begins snooping around and comes across an experiment involving – what else – genetically altered spiders. You know the story – he’s bit which leads to new powers and new responsibilities. Meanwhile events unfold that cause Connors to prematurely try out his regeneration formula on himself and, as I’m sure you guessed, it goes terribly wrong. It transforms him into a super strong, destructive, reptilian creature and Peter, now known as Spider-Man, is the only one who can stop him.

As I mentioned above, the movie spends a lot of time retelling the origin of Spider-Man. It’s certainly not a carbon copy of Sam Raimi’s first Spider-Man picture, in fact it seems to go to great lengths to distant itself from the original three movies. Several key parts of the origin differ greatly not only from the previous films but from the comic book source material as well. But originality isn’t a bad thing as long as the source material is respected and it certainly is here. But the film’s biggest problem is also tied into the decision to go heavy into the origin. While it is well written and stands strong on its own, I never could get over the feeling that it was just too soon for a reboot. Even with the fresh approach it still felt too familiar and at about the 1 hour 15 minute mark I was really ready for the story to move on.

But there are some things that “The Amazing Spider-Man” does better than the previous films. On thing is the relationship between Peter and Gwen. I really responded to their complicated romance and it felt more genuine and real than the Peter/Mary Jane relationship in the first movies ever did. Here it felt authentic and I bought into their emotions and affections. I also think more attention was given to fleshing it out whereas Peter and M.J. from the first films were built around a very simple blueprint and they stuck closely to it.

I also think Andrew Garfield was fantastic and his performance was head and shoulders above Tobey Maguire’s. He played the nerdy, reserved introvert very well and even after he gains his powers, Garfield never overplays his character. He throws out just enough witty banter with the criminals he’s putting away and I never doubted the genuineness of his scenes that required more raw emotion. A lot of that is due to Garfield but a lot is also due to how well Vanderbilt handles the character in his writing. I was also a big fan of Emma Stone’s performance. She’s grounded and believable and she sells her character very well. Sally Field and Martin Sheen are serviceable as Aunt May and Uncle Ben and Denis Leary makes for a pretty decent Captain Stacy, Gwen’s father. But the real stars are Garfield and Stone.

The special effects are quite good particularly during the huge, action-packed finale. The spider-influenced fight choreography is a lot of fun and there are several cool tricks used to give Spider-Man’s New York City swinging a different look than in the previous movies. As far as the Lizard goes, he’s a little of a mixed bag. There are times, especially during the fight sequences, when he looks very good. I also remember a specific scene where the Lizard looks awesome as he was walking around in a ripped Connors lab coat. But there are also a few scenes where the CGI was very noticeable and regardless of the attempts at motion capture, it still looked a little unrealistic. But as a whole the visuals are very good. They’re not overused and for the most part they capture exactly what you would want from a Spider-Man picture.

“The Amazing Spider-Man” can’t quite escape the fact that it just feels too soon to be offering up a rebooted Spider-Man series. In light of that, the first half of the film can drag and it seems a little wasted. The movie definitely creates its own unique beginning but the thrust of the origin is nothing all that new. That aside, Garfield is a solid replacement as Spider-Man and his character is one you can really invest in. Now with the origin out of the way, I’m anxious to see where the series goes next. If they’re able to keep their components in place and avoid the trappings of “Spider-Man 3”, we could be in for a real treat.

VERDICT – 3.5 STARS

THE TOP 5 MOVIES OF 2012…SO FAR

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2012 has been an interesting year at your local theater. We’ve had our share of big budget, target audience pictures, some pointless and some amazing sequels, some highly anticipated films, and some smaller surprises. We’ve also seen several trends that mercilessly continue – a bombardment of raunchy comedies and the typical assortment of sub-par romantic comedies. I could point several other negatives about the 2012 movie year but this is all about the positive.

It’s July which marks the half-way point of the movie year. So in place of the normal “Phenomenal 5”, I’m going to look at my top 5 movies of 2012 so far. Mid-year lists do carry with them a disclaimer. Things can change throughout the movie year and when my year-end top 10 list is done, all of these could be in still here or left out. Second viewings always help in determining my overall feelings about a film and I’m really anxious to see some of these again. But, all have made an impression on me thus far so they have earned their spot on the list. With that, here we go….

#5 – “HAYWIRE”

I was stunned that I liked an action thriller starring a mixed martial arts fighter. But such was the case with “Haywire” and it’s largely due to the fantastic Steven Soderbergh. His direction, editing, and cinematography gives the film a slick stylish look which perfectly matches the unorthodox action movie vibe. Also surprising is the movie’s star, Gina Carano, who works in large part to her tremendous physical ability but also due to the measured way she is used. And how can I not mention the fantastic supporting cast featuring Michael Fassbender, Antonio Banderas, Ewen McGregor, Michael Douglas, and an even decent performance from Channing Tatum. “Haywire” went largely unnoticed by audiences but it’s a movie that I had a blast with.

#4 – “THE KID WITH THE BIKE”

From the Belgian filmmaking duo the Dardenne brothers, “The Kid with the Bike” is a foreign picture that debuted overseas in 2011 but made its US opening earlier this year. It’s an emotional drama that completely grabs you from its opening moments. The Dardenne’s use a visual style that pulls you into the story and that also engages the audience with the characters on pretty personal levels. Young Thomas Doret’s performance is quite good but it’s Cecile de France that really blew me away. Her character’s acts of grace combined with the personal void in her own life is a key component to what makes the movie work so well. It’s a great little movie with a punch and it’s one more people need to see.

#3 – “PROMETHEUS”

Many have voiced their problems with Ridley Scott’s highly anticipated return to the science fiction genre. And while I don’t deny the second half of the film isn’t as polished as the first and there are a few storytelling issues, I really responded to the film. The visual presentation is astounding and Scott’s mix of top-notch CGI and elaborate set  pieces make the futuristic world believable. For my money Scott asks enough questions to challenge the audience and his intentional ambiguity, a turn-off for some, worked for me. The cast is strong particularly Michael Fassbender who is already on my short list for Best Supporting Actor for his performance. I’m a huge Ridley Scott fan and “Prometheus” does nothing to change that. It may not have met everyone’s expectations but it certainly met mine (and they were high).

#2 – “CORIOLANUS”

“Coriolanus” is a movie that could also be considered a 2011 film but it made its limited premiere here earlier this year and I loved it. The film marks Ralph Fiennes’ directorial debut and he really shines. He takes the Shakespeare story and throws it into a more modern setting while keeping the original language intact. It’s tricky material and the movie nails it. Fiennes also stars in the film and his towering performance is mesmerizing from his first appearance on-screen until the last scene. “Coriolanus” also features a fantastic supporting cast including Gerard Butler, Jessica Chastain, Vanessa Redgrave, and Brian Cox. The movie’s choice of language can be a bit jarring at first but it quickly becomes perfect for what the movie is shooting for. Fiennes’ first shot at directing is incredibly good and his performance reminds us that he’s one of the better actors in the business.

#1 – “THE AVENGERS”

Speaking of high expectations. In what may be one of the most ambitious projects in movie history, Marvel Studios not only succeeded in bringing their superhero team together on the big screen, they gave us an incredibly funny and action-packed movie that took the movie world by storm. What’s great is that “The Avengers” is actually a genuinely good movie. It’s not all explosions and spandex. One of the reason it works so well is because of Joss Whedon’s script. His familiarity with the characters and the injection of just the right amount of humor makes everything gel nicely. Whedon also had the challenge of taking the previous movies that have led up to “The Avengers” and giving them all a harmony. Mission accomplished. The cast, led by Robert Downey, Jr., is simply wonderful and Whedon (who also directed the film) uses them perfectly. “The Avengers” is a blast and Marvel Studios accomplished their goal. I think the over $1 billion box office proves that.

So what did I miss. There are a few other movies that were right there but just fell short of my Top 5. What are your top 5 movies of the year so far?

REVIEW: “Big Miracle”

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The “incredible true story” of three California gray whales trapped in ice in The Arctic Circle certainly has all the ingredients for a feel-good family film. But as with many of these types of pictures, they are often burdened with shallow characters and even shallower writing. Unfortunately “Big Miracle” falls well short of the potentially good subject matter. It’s yet another case of taking a surefire gimme of a story and completely missing the mark.

“Big Miracle” is a movie with a message but it also tries to play it both ways. Drew Barrymore stars as Rachal Kramer, a rather rabid Greenpeace environmentalist who is immediately drawn to the news story of three whales trapped in ice off the coast of Alaska. The story is reported by Adam Carlson (John Krasinski), a local reporter who hopes to use the story as a way to climb the TV journalism ladder. Rachel and Adam know each other and we learn that they have a history. Her more dogmatic approach to the whales’ plight clashes with his career boosting motivations and, as you will see coming a mile away, he must decide what’s more important, the lives of the whales or his own selfish ambitions.

We also get several stereotypical characters that Hollywood never gets tired of using. We get the blonde reporter who is beautiful but all about the story first. We get evil politicians who, by the film’s depiction, hates the whales and the environment and are only interested in fattening their pockets and increasing their approval ratings. We get a macho National Guardsman who is straight-laced and by the books and even a mean old oil executive. Oh, and throw in some local whale hunters and the obligatory “cute kid” to round things out. All of these people are brought to the light by our compassionate environmentalist heroine.

Now there’s nothing wrong with making a movie with characters who are environmentalists and there is certainly nothing wrong with making movies with a good message about taking care of the environment. Some movies have done it right, others bludgeon you to death with it (see “Avatar”). But in “Big Miracle”, Barrymore’s character is just whiny and grating. Now to be fair, the movie does try to show her as someone who doesn’t quite understand the big picture. The local Inupiat whale hunters make a case that hunting is their way of supporting their families. It provides food and other necessities. The movie uses a couple of scenes that attempts to show both sides of the argument. I don’t know if this was an honest attempt at representing all bodies of opinion or if it was just an attempt to not seem so heavy-handed with their main message. Either way the supposed friction between the two sides feels terribly contrived.

The movie also isn’t helped by some pretty lame dialogue. Rachel is constantly making overly dramatic and at times down right silly statements, my personal favorite being “Ronald Reagan killed the whales!” So many characters speak in ways that are true to the typical caricatures they portray. Throw in several of the gimmicks used with these types of movies and in the end you really don’t have anything that impressive or memorable.

“Big Miracle” does have a pretty amazing story at it’s core and to be fair you do get glimpses of it. The idea of people coming together from different viewpoints both environmentally and politically is certainly a good message. Also the movie does manage to keep you interested in the whales and whether or not they’ll survive their horrible predicament. While the ending offers no real surprise, it’s still fairly successful in packing a little emotional punch.

That being said, “Big Miracle” still has too many flaws to make it worth recommending. It feels like a film dedicated to an overused formula, a formula that quite frankly I’ve grown tired of. It’s also another example of a “family film” that still feels the need to slip in an assortment of profanities and even uses the always annoying ‘kid cursing’ attempt at humor. Throw in the cheesy dialogue, boring caricatures, and uneven direction and you have a movie that fails to execute even with the good story it has to work with.

VERDICT – 2 STARS

“THE VOW” – 1 1/2 STARS

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Some movies are released that really leaves me scratching my head. I ask myself “How on Earth did this movie get made?” Such was the case with “The Vow”, yet another poorly acted and poorly written entry in the hurting romantic comedy genre. I was honestly dumbfounded that “The Vow” saw the light of day. But after seeing the movie rake in almost $200 million worldwide, I was reminded that there is an audience for this type of shallow and unoriginal storytelling.

“The Vow” offers nothing original. It almost comes across as a slightly better looking mid-day soap opera. Tell me if you’ve heard this before. Leo (Channing Tatum) and Paige (Rachel McAdams) are a happy young married couple. While heading home after a movie the two are involved in a car accident. Paige is thrown from the car and experiences severe head trauma. As she recovers, Leo stays by her side waiting for her to regain consciousness. When she does, as you can probably guess, she has amnesia and doesn’t recognize Leo. Yes, they really went there.

Things are complicated when her parents enter the mix. In pre-amnesia times, Paige’s relationship with her parents was nonexistent. They use her memory loss as an opportunity to jump back into her life. This pits them against Leo in an attempt to win her affection while she struggles to remember her old life. Throw in Scott Speedman as Jeremy, her ex-fiancee who she split up with prior to meeting Leo. Of course he wants back in her life and sees Paige’s memory loss as his ticket in.

Most of problems with “The Vow” can be traced back the shoddy writing. There’s not one single character mentioned above that feels authentic. They are all paper-thin versions of characters we’ve seen so many times before. The movie hinges upon the love between Paige and Leo. Unfortunately I never bought into them as a couple. Their dialogue is so silly and tripe and neither of the performers are believable. A lot of people like Channing Tatum as an actor but I’m still not sold on him. He delivers so many flat, stone-faced lines and I often found myself laughing at scenes not intended to be funny. McAdams tries her best but the material she is given is so incredibly slight and superficial.

There are instances where “The Vow” teases you into thinking it’s going in a more unconventional directions. But that’s never the case. Sure the ending isn’t the straightforward run-of-the-mill mush that we usually see, but it’s also not enough to save the film which labors from start to finish. Weak material and Tatum’s poor lead performance end up killing the movie before it even gets going. So I find myself again lamenting the status of the romantic comedy, a genre that I actually like but that is bombarded with poor movie after poor movie. But I guess as long as people keep paying money to see them, this is what we can expect.

WORLD WAR 2 MOVIES: Blogger Buddies Speak…

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All week I have been looking at movies based on World War 2. I’ve already shared reviews and a Phenomenal 5. So I thought it would be cool to hear the thoughts of some of my movie blogging buddies. There are literally hundreds of World War 2 pictures and so many of them are great movies. But there are also a handful that stand out as true classics as you will see by the picks below. I asked some of my movie-loving friends to share their favorite World War 2 movie with a brief explanation of why they love it so. I got some great choices and great defenses and I appreciate everyone who chimed in.
 
 
From my buddy Mark over at Marked Movies:
 
“THE THIN RED LINE”
 

“The brutality of war is ethereally and philosophically handled by Terrence Malick. Beautifully shot with an endless cast of familiar faces. War, captured as a meditation and a surprisingly poetic baptism that was based on the novel by James Jones.”

Adam from one of my favs “3 Guys 1 Movie” agreed:

“THE THIN RED LINE”

Without a doubt my favorite WW2 film of all time is Terrance Malick’s The Thin Red Line. This film was released in 1998 and was overshadowed by another small WW2 film also released that year, Saving Private Ryan. While both films are deserving of great praise, for me the Thin Red Line is a far superior film.

I would describe this film as, a thinking man’s war film. Malick presents us with a war movie from the perspective of an Emersonian philosopher. He also allows us a look inside the heads of several of the main characters, so you can see their thoughts and motivations for their actions.

This is a beautifully shot film, with the Eden like beauty of the tropical islands juxtaposed with the brutal horror of war. If you are looking for a war film that will leave you with more questions than answers, about the nature of man and his place in the world, this might be a film you would enjoy.

I would be remiss if I did not mention the amazing performances in this film by Nick Nolte, Sean Penn, Woody Harrelson and John Cusack to name a few. It’s a star-studded film with lots powerful performances and small cameo appearances. If you get a chance to check out The Thin Red Line I urge you to give it a watch, after all, it’s my favorite WW2 film.

Pete from the always fun “I Love That Film” :

“SAVING PRIVATE RYAN”

“Saving Private Ryan” feels more like an experience than a film. Never has a battle scene been more immersive than the opening assault on Omaha Beach. The rest of the film pales in comparison but still delivers some heart breaking characters and perfect cinematography.

However it is the opening thirty minutes that grabs the viewer; putting them in the terrified faces of puking, trembling soldiers before showing them being ripped apart and torn to shreds by enemy gunfire. The handheld point-of-view style camera puts us right there on the beach and changed war films forever. It is a scene you can never forget; a terrifying experience.

Overall, it may not have a complex narrative or be overly ponderous and thoughtful about the life of a soldier, but it does leave viewers with a brutal sense of the horror and the heroics of World War 2.”

Sharing the same view is my friend Kristin from the wonderful “All Eyes on Screen“:

“SAVING PRIVATE RYAN”

“Well, I’m going to be cliché, or boring, or predictable, and say that my favorite WWII film is Saving Private Ryan. Partly because I haven’t seen a ton of war films, but the reason I primarily chose it is that I love the film. The story is moving, and there isn’t a hint of realism–the film is rooted in realistic combat, dialogue, and action. Tom Hanks leads a strong cast in a film that as many have said–and many more will say–was cheated at the Oscars. I did watch Shakespeare in Love in order to see what was so good about it that it was able to beat out Saving Private Ryan, and in my humble opinion, Shakespeare in Love didn’t come close.”

Marc from “Love Your Movies” added cool twist:

“THE READER”

“With a different slant on a WWII film, The Reader tells the story of a woman and former prison guard for the Nazi party. An illiterate woman who was just trying to serve her country and make a living is later put on trial for crimes against humanity along with the other women guards she worked with. They soon conspire to have her take the fall for them all and with her ailment she is unable to refute the accusations.

Having had an unusual relationship with a young high school student whom she lost touch with over the years, he soon discovers her again when she is on trial and he is a young law student. After he is grown he begins to search her out in prison and helps her unknowingly learn how to read and write. Knowing she was innocent of the certain charges and that she is genuinely a good person he can’t lose touch with her.
 
With career changing performances from Kate Winslet and Ralph Finnes, it is an emotional powerhouse of a film that shows a side of one time Nazi’s that hasn’t been shown before. Quite a few soldiers and others involved were just trying to make a living and thought they were doing the right thing for their country as do most servants of their countries. While it’s not considered a traditional WWII film it is still a necessary story none the less.”
 
Great choices and great comments.

5 PHENOMENAL WORLD WAR 2 FILMS

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How on earth do you narrow a list of top World War 2 movies down to just five? Since the war itself, there have been so many high quality films from across the globe that focused on this troubled time in our world’s history. When trying to narrow down this list, I wanted to make sure that the war was a key character in the story and not simply the backdrop. Several classic films such as “Casablanca” are set in wartime but the war isn’t central to the picture. But I didn’t want to restrict the list to only combat centered movies. So while the war is a key ingredient in the films I chose, combat doesn’t have to be the main focus. These five films are war pictures that not only show the action of the battlefield but the horrible effects and atrocities of World War 2. As always, I wouldn’t call this the definitive list, but there’s no denying that these World War 2 films are absolutely phenomenal.

#5 – “THE PIANIST” (2002)

“The Pianist” is a painful yet moving film about a Jewish-Polish pianist named Wladyslaw Szpilman. The movie covers the Nazi invasion and eventual occupation of Warsaw, Poland as well as the subsequent Warsaw Uprising by the Polish resistance. We follow Szpilman and his family as the Nazi’s invade. We see them confined to the horrible conditions of the Jewish Ghetto. We even see the Nazis begin shipping out Jews to the nearby death camps. Szpilman’s struggle to survive isn’t always easy to watch. There are some genuinely heart-wrenching and disturbing scenes that still stick to me to this day. But the entire film is done responsibly and it packs such an emotional punch that you’ll never want to forget this dark time in our worlds history. Adrien Brody won the Best Actor for his portrayal of Szpilman and it was well-deserved. It won numerous other awards and remains one of the most powerful World War 2 films out there.

#4 – “SAVING PRIVATE RYAN”  (1998)

A World War 2 movie from 1998, “Saving Private Ryan” was Steven Spielberg’s hugely popular film that also received several Oscar nominations. Spielberg’s movie has been praised for its intensely realistic portrayal of combat during the war. The intensity of the battle sequences mixed with the enormous attention to detail gives the movie a heightened realism that’s hard to forget. The story captures the extraordinary emotions which are fueled by both the camaraderie and the loss of soldiers in battle. We see it’s effects on the men and we see the effects on their family. A sensational cast led by the always diverse Tom Hanks lay the story out for us with honesty and grit. And the opening 30 minutes which features the Omaha Beach landing on D-Day will go down as one of the most piercing and powerful scenes in movie history. “Saving Private Ryan” is a movie that calls us to remember a war we should never forget and Spielberg’s accomplishment should never be forgotten as well.

#3 – “THE LONGEST DAY” (1962)

“The Longest Day” may have the greatest ensemble cast in the history of movies. John Wayne, Robert Mitchum, Sean Connery, Henry Fonda, Richard Burton, Red Buttons, Robert Wagner, Eddie Albert, Roddy McDowall, Sal Mineo, Rod Steiger, and so many more star in this large-scale depiction of D-Day and the invasion of Normandy. The movie looks at D-Day from all sides, the Americans, the British, the French Resistance, and even the Germans. The attention and effort put in “The Longest Day” is evident. The movie was influenced by contributors from all sides of the war including those who fought on June 6, 1944. At almost 3 hours, the movie goes to great lengths to look at all that went into the planning and execution of that gutsy and dangerous invasion. Great performances and several classic scenes help make “The Longest Day” one of my favorite war films of all time.

#2 – “SCHINDLER’S LIST” (1993)

Steven Spielberg’s brilliant film “Schindler’s List” is one of the most devastating movies you’ll see. But it’s also an example of filmmaking at it’s best and, much like “The Pianist”, it looks back at a horrific time in our world’s history that we should never forget. The film revolves around the true life story of Oskar Schindler, a money-hungry German businessman who arrives in Krakow after the Nazi invasion in hopes of making tons of money exploiting the war. Instead we see a remarkable personal transformation. But the film should be most remembered for it’s realistic portrayal of the Nazi atrocities against the Jews. Spielberg’s use of black and white instead of color and his filming technique gives the movie an almost documentary feel. Also his careful attention to detail and honest depictions of the horrors that took place make the film even more potent. “Schindler’s List” is a monumental achievement even though it’s one of the most difficult movies to watch.

#1 – “FLAME AND CITRON” (2008)

I can see where it would surprise some to see a more recent Danish picture at the top of my list of World War 2 movies. “Flame and Citron” is a movie many have probably never heard of but everyone should see. It’s an enthralling film about two Danish resistance fighters who carry out hits on Nazi officers , key Nazi targets, and Nazi sympathizers during the German occupation of Denmark. It’s loosely based on true events and is told from a unique perspective that really grabbed me. Thure Lindhardt and the wonderful Mads Mikkelsen are brilliant as the secret assassins and Christian Madsen’s direction is top-notch. “Flame and Citron” is a gritty and unashamed look at the war through the eyes of a persecuted people who were willing to fight back. It’s a movie that’s flawlessly executed (no pun intended) and that reveals a side of the war that was completely new to me. It’s an incredible movie and one that I can’t recommend enough especially to those who love war films.

See something on my list you disagree with? Did I leave your favorite World War 2 movie off? Please take time to share your comments or post your list of the best World War 2 movies. The more comments, the better the discussion.