How on earth do you narrow a list of top World War 2 movies down to just five? Since the war itself, there have been so many high quality films from across the globe that focused on this troubled time in our world’s history. When trying to narrow down this list, I wanted to make sure that the war was a key character in the story and not simply the backdrop. Several classic films such as “Casablanca” are set in wartime but the war isn’t central to the picture. But I didn’t want to restrict the list to only combat centered movies. So while the war is a key ingredient in the films I chose, combat doesn’t have to be the main focus. These five films are war pictures that not only show the action of the battlefield but the horrible effects and atrocities of World War 2. As always, I wouldn’t call this the definitive list, but there’s no denying that these World War 2 films are absolutely phenomenal.

#5 – “THE PIANIST” (2002)

“The Pianist” is a painful yet moving film about a Jewish-Polish pianist named Wladyslaw Szpilman. The movie covers the Nazi invasion and eventual occupation of Warsaw, Poland as well as the subsequent Warsaw Uprising by the Polish resistance. We follow Szpilman and his family as the Nazi’s invade. We see them confined to the horrible conditions of the Jewish Ghetto. We even see the Nazis begin shipping out Jews to the nearby death camps. Szpilman’s struggle to survive isn’t always easy to watch. There are some genuinely heart-wrenching and disturbing scenes that still stick to me to this day. But the entire film is done responsibly and it packs such an emotional punch that you’ll never want to forget this dark time in our worlds history. Adrien Brody won the Best Actor for his portrayal of Szpilman and it was well-deserved. It won numerous other awards and remains one of the most powerful World War 2 films out there.

#4 – “SAVING PRIVATE RYAN” (1998)

A World War 2 movie from 1998, “Saving Private Ryan” was Steven Spielberg’s hugely popular film that also received several Oscar nominations. Spielberg’s movie has been praised for its intensely realistic portrayal of combat during the war. The intensity of the battle sequences mixed with the enormous attention to detail gives the movie a heightened realism that’s hard to forget. The story captures the extraordinary emotions which are fueled by both the camaraderie and the loss of soldiers in battle. We see it’s effects on the men and we see the effects on their family. A sensational cast led by the always diverse Tom Hanks lay the story out for us with honesty and grit. And the opening 30 minutes which features the Omaha Beach landing on D-Day will go down as one of the most piercing and powerful scenes in movie history. “Saving Private Ryan” is a movie that calls us to remember a war we should never forget and Spielberg’s accomplishment should never be forgotten as well.

#3 – “THE LONGEST DAY” (1962)

“The Longest Day” may have the greatest ensemble cast in the history of movies. John Wayne, Robert Mitchum, Sean Connery, Henry Fonda, Richard Burton, Red Buttons, Robert Wagner, Eddie Albert, Roddy McDowall, Sal Mineo, Rod Steiger, and so many more star in this large-scale depiction of D-Day and the invasion of Normandy. The movie looks at D-Day from all sides, the Americans, the British, the French Resistance, and even the Germans. The attention and effort put in “The Longest Day” is evident. The movie was influenced by contributors from all sides of the war including those who fought on June 6, 1944. At almost 3 hours, the movie goes to great lengths to look at all that went into the planning and execution of that gutsy and dangerous invasion. Great performances and several classic scenes help make “The Longest Day” one of my favorite war films of all time.

#2 – “SCHINDLER’S LIST” (1993)

Steven Spielberg’s brilliant film “Schindler’s List” is one of the most devastating movies you’ll see. But it’s also an example of filmmaking at it’s best and, much like “The Pianist”, it looks back at a horrific time in our world’s history that we should never forget. The film revolves around the true life story of Oskar Schindler, a money-hungry German businessman who arrives in Krakow after the Nazi invasion in hopes of making tons of money exploiting the war. Instead we see a remarkable personal transformation. But the film should be most remembered for it’s realistic portrayal of the Nazi atrocities against the Jews. Spielberg’s use of black and white instead of color and his filming technique gives the movie an almost documentary feel. Also his careful attention to detail and honest depictions of the horrors that took place make the film even more potent. “Schindler’s List” is a monumental achievement even though it’s one of the most difficult movies to watch.

#1 – “FLAME AND CITRON” (2008)

I can see where it would surprise some to see a more recent Danish picture at the top of my list of World War 2 movies. “Flame and Citron” is a movie many have probably never heard of but everyone should see. It’s an enthralling film about two Danish resistance fighters who carry out hits on Nazi officers , key Nazi targets, and Nazi sympathizers during the German occupation of Denmark. It’s loosely based on true events and is told from a unique perspective that really grabbed me. Thure Lindhardt and the wonderful Mads Mikkelsen are brilliant as the secret assassins and Christian Madsen’s direction is top-notch. “Flame and Citron” is a gritty and unashamed look at the war through the eyes of a persecuted people who were willing to fight back. It’s a movie that’s flawlessly executed (no pun intended) and that reveals a side of the war that was completely new to me. It’s an incredible movie and one that I can’t recommend enough especially to those who love war films.

See something on my list you disagree with? Did I leave your favorite World War 2 movie off? Please take time to share your comments or post your list of the best World War 2 movies. The more comments, the better the discussion.

Obviously there have been several powerful films that have dealt directly with the Holocaust. “The Boy in the Striped Pajamas” is a unique look at this murderous and genocidal scar on world history. It’s based on John Boyne’s 2006 novel of the same name and looks at the subject through the eyes of an 8-year-old boy. It’s a tender but crushing tale of the loss of innocence as we watch this young boy discover the truth about the world around him. Some critics have said it exploits or trivializes the Holocaust with others going as far as to call it offensive. I found it to be a careful yet devastating drama that ultimately succeeds in the end.

Asa Butterfield, better known for his more recent starring role in “Hugo”, plays Bruno. His father Ralf (David Thewlis) is a Nazi SS officer who gets a new assignment requiring him to move with his family from Berlin to the countryside. Bruno’s mother Elsa (Vera Farmiga) supports her husband’s decision. But Bruno finds himself alone and missing his friends back in Berlin. His loneliness and boredom spurs his curiosity and he begins noticing several interesting things about his new location. One is a mysterious “farm” in the distance that he sees from his bedroom window but is forbidden to visit or ask about. He’s also intrigued by a house servant who he notices is wearing what looks like striped pajamas. Of course we know the servant is Jewish and a captive, but through young Bruno’s eyes things are more confusing.

One of the most engaging things about the movie is that writer and director Mark Herman is able to keep us inside of Bruno’s head even though we know exactly what’s going on outside of his knowledge. I found the film to be very effective at conveying the feeling of discovery as Bruno learns more. Perhaps his biggest lessons come not from his twice-a-week tutor who bombards him with all sorts of Nazi propaganda and revisionist history, but from a young Jewish boy. Bruno encounters the boy after sneaking away from his house and stumbling across the “farm”. Of course it’s actually a Nazi execution camp and the boy, named Shmuel (Jack Scanlon), sits on the other side of an electrified fence. The two quickly develop a friendship. It is Shmuel who begins to shed light on what this “farm” really is and causes Bruno to question both his father and his cause.

The movie never loses sight of the fact that Bruno is only 8-years-old. He struggles with what he’s seeing and his attempts to reconcile certain things with his desire to see his father as a good man is heartbreaking. Even when his mother finds out why they’ve moved to the country and furiously confronts Ralf, we still witness these things through Bruno’s child-like reasoning. But there is an emotional balance. While we spend most of our time with Bruno, we know of the atrocities that are taking place almost entirely off-screen. Yet these atrocities are relayed to us very well in often subtle ways.

The performances throughout the film are fantastic. Farmiga is one Hollywood’s better actresses and she shows that here. I also appreciated Thewlis’ portrayal of a man who often times puts his role of father in complete subjection to his duties as a Nazi soldier. But it’s young Butterfield who gets the vast majority of the screen time and he is quite good. He draws a lot of sympathy and emotion and it’s always great to see a young actor able to pull that off. I also enjoyed his scenes with young Scanlon. While Butterfield is better in their scenes, they both handle the material nicely.

I can see where “The Boy in the Striped Pajamas” may put off some people. It’s hard to watch especially as everything comes to a head at the end of the film. In fact, it’s a movie I’m in no rush to see again. That isn’t due to any major shortcomings with the picture. It’s due to the film’s intense emotional punch that stuck with me for several days. I was incredibly moved and while there are some legitimate questions that could be asked about the story, the movie’s main point resonated with me. “The Boy in the Striped Pajamas” asks several powerful questions about war, family, and morality. It also gives us a glimpse into a part of our world’s history that is still hard to look at but should be reckoned with.