I have to admit, the idea behind “Now You See Me” is pretty intriguing. As silly as it may sound, a group of magicians working together in huge elaborate bank heists is loaded with potential. The movie also puts together a pretty impressive cast featuring some fresh young talent, fun and reliable veterans, and a French actress that I’ve become a big fan of. So the ingredients are there for a fun an entertaining little thriller. That’s why it’s so sad that the movie stumbles all over itself and ends up being an unfortunate disappointment.
The story goes something like this – Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco are small-time magicians working the streets and house shows. They’re all brought together after being slipped a mysterious tarot card and address by a hooded stranger. We then leap forward to find that they have a fancy new stage show and perform under the name The Four Horsemen. After their first big show in Las Vegas rains down stolen money on the jubilant crowd, the FBI immediately get involved. Agent Rhodes (Mark Ruffalo) teams up with a French Interpol Agent Alma Vargas (Mélanie Laurent) to head the case. Their initial interrogation with The Four Horsemen leaves a sour taste in Agent Rhodes’ mouth and he makes in his goal to stop them before their next big show.
Michael Caine shows up as a wealthy insurance man who sponsors The Four Horsemen’s act but who may not be the ultimate brain behind their operation. We also get Morgan Freeman as a former magician who now makes his money debunking and discrediting magic acts. Both are tossed into the mix of what becomes the movie’s big question – who is the person that’s really behind The Four Horseman? It doesn’t take a genius to figure out that twists and misdirections are a big part of this film. When the story stays focused on that it can be entertaining. Unfortunately this thing goes all over the place and by the time the twists do finally come, their effects on the convoluted story pack little punch.
There are numerous structural and narrative problems with “Now You See Me”. First, there are so many enormous plot holes many of which you could drive a truck through. There are also hugs gaps in logic that no amount of magic can explain. The pacing is good enough that you can overlook some of these things while watching the film. But if you take even a second to think about some of the things they completely fall apart. The story has holes. The characters have holes. The explanations and revelations have holes. We also get bits of mumbo-jumbo about some mystical magical force called The Eye which honestly I still don’t understand nor do I even care to.
Then there is the magic. With the exception of Eisenburg’s cool card trick during his first scene (a trick which got me), most of the magic and illusions were underwhelming. Most of the time they felt more like movie trickery than actual magic tricks. Also I can’t say I ever fully bought into any of the Horsemen as serious magicians. Some may blame the actors or it may be because we hardly spend any time with them. Most of our time are spent with the FBI trying to piece together what’s going on. That leaves The Four Horsemen feeling pretty flimsy.
Personally I felt the performances were decent enough. Some where able to overcome the lackluster writing while others were smothered by it. Caine and Freeman were rock solid as always and Eisenberg was also quite good. But it was Laurent, the fine French actress I mentioned above, who gave my favorite performance. Like every other character, she has to deal with some occasionally clunky dialogue but she handles it very well. Not so with Ruffalo. He has his good moments but he also has a few stumbles. But once again, the script does him no favors.
“Now You See Me” is a real toughie for me. I was never bored. I never checked my watch. I enjoyed some of the performances, particularly from Laurent. But there are just too many stinking flaws to give the movie a recommendation. The story is riddled with plot holes. Some characters are so poorly written. The magic, which should be a strong point, won’t blow anyone’s socks off. In the end all of these problems sink the movie and keep it from being the film it should be. That’s a shame because the parts were in place. There just wasn’t a good enough story to work with.