New on Home Video: “Predator: Badlands” on 4K Ultra HD

20th Century Studios and Disney are bringing “Predator: Badlands” to home video in an impressive new 4K Ultra HD edition. “Badlands” is the third film in the long-running Predator series from director Dan Trachtenberg who continues to breathe new life into the popular franchise. Building on the established lore, Trachtenberg takes some bold new swings in “Badlands” from its location to its protagonist. It results in another action-packed gem that adds layers to this fascinating sci-fi world. Check out my review of the film [HERE].

“Predator: Badlands” is available NOW on VOD. It’s 4K Ultra HD, Blu-ray, and DVD editions will be available to purchase on February 17th. See below for a full synopsis of the film as well as a list of the special features.

About the Film:

Year: 2025

Runtime: 107 Minutes

Director: Dan Trachtenberg

Screenwriter: Patrick Aison

Cast: Dimitrius Schuster-Koloamatangi, Elle Fanning, Reuben de Jong, Mike Homik, Rohinal Narayan, Cameron Brown, Alison Wright

Rating: R for sequences of strong sci-fi violence

Set in the future on a deadly remote planet, Predator: Badlands follows Dek, a young Predator outcast from his clan, who finds an unlikely ally in Thia and embarks on a treacherous journey in search of the ultimate adversary.

Special Features:

“Predator: Badlands” Digital, 4K UHD and Blu-ray contain the following special features:  

Bonus Features*

  • Deleted & Pre-Visualization Scenes with Optional Audio Commentary:
    • Sand Trap – An early animatic version of Dek’s very different first encounter with Thia.
    • Squirt Canyon – The full version of Dek and Thia traversing the water-filled trench while trying to survive Genna…and each other.
    • Tessa vs. Abe – Tessa faces off against a superior synth in this deleted scene and storyline.
    • Razor Grass – The original previsualization of Dek, Thia, and Bud’s first hunt together…sort of.
    • The Outpost – Thia takes Dek to a small Weyland-Yutani field facility where they experience a few things that ended up being used elsewhere in the final film.
    • Super Power Loader Extended – Special additional moments during Dek’s climactic final battle with the Super Power Loader and the Kalisk.
  • Featurettes:
    • Embodying the Predator – Meet the talented team of designers, performers, and effects artists responsible for bringing one of cinema’s most terrifying creatures to life on screen in ways we’ve never seen before!
    • Authentic Synthetics – Get up close and personal with synths Thia and Tessa as star Elle Fanning walks us through the process of crafting two characters who may look the same but have evolved in surprisingly unique ways.
    • Building the Badlands – With razor sharp grass, killer trees, and terrifying animals, never has a planet been more deadly than Genna. Uncover how a team of artisans built this threatening landscape, transforming real locations into the dangerous environments seen on screen.
    • Dek of the Yautja – For the first time ever, director Dan Trachtenberg has given audiences an extended peek at Predator culture. Follow the evolution as filmmakers reveal the process behind developing the Yautja’s home world, spacecraft, and family dynamics.
  • Audio Commentary: Watch the film with audio commentary by Director Dan Trachtenberg, Producer Ben Rosenblatt, Director of Photography Jeff Cutter and Stunt Coordinator Jacob Tomuri.

Best of 2025: Lead Actress

With the top supporting performances of 2025 in the books (you can check out my supporting actor picks [HERE]), today we began the task of looking back at the very best lead performances from last year. We’ll start with lead actress – a category full of incredible and worthy considerations. With so many deserving leading ladies to choose from, narrowing this particular category down to just five choices proved hard. But here they are, along with a few honorable mentions as well.

Honorable Mentions: Emily Bett Rickards (“Queen of the Ring”), June Squibb (“Eleanor the Great”), Chase Infiniti (“One Battle After Another”), Emma Stone (“Bugonia”), Julia Roberts (“After the Hunt”), Sydney Sweeney (“Christy”), Elizabeth Olsen (“Eternity”), Cate Blanchett (“Black Bag”), Diane Lane (“Anniversary”), Vera Farmiga (“The Conjuring: Last Rites”), Ana de Armas (“Ballerina”), Dale Dickey (“The G”), Mia Threapleton (“The Phoenician Scheme”),

#5 – Zoe Saldaña (“Avatar: Fire and Ash”)

Zoe Saldaña follows up her Academy Award winning performance in “Emilia Perez” by returning to a world she knows well. The Avatar films are true technical achievements that are rarely noted for their performances. That’s a shame considering the level of work involved. Saldaña is a shining example. Combining traditional acting with state-of-the-art motion capture, she pours her soul into her latest turn as Neytiri, resulting in one of the best performances of her career.

#4 – Renate Reinsve (“Sentimental Value”)

Norwegian actress Renate Reinsve burst onto the global scene with 2021’s “The Worst Person in the World”. Now she has re-teamed with director Joachim Trier in “Sentimental Value” and once again grabbed the world’s attention. Reinsve’s portrayal of a young woman carrying the weight of her painful childhood is deeply affecting. It’s full of raw emotion, repression, and vulnerability. Reinsve’s authenticity is breathtaking and she’s an essential piece in this superb movie.

#3 – Paula Beer (“Stella. A Life.”)

Perhaps known best for her three terrific collaborations with director Christian Petzold, Paula Beer takes on an especially challenging role in “Stella. A Life.”. Over the course of this compelling Holocaust drama, Beer’s character significantly and tragically transforms, beguiling us with her vivacity and charm until the allure turns to repulsion. Beer both gains our empathy and turns our stomachs via an astonishing performance that’s not to be missed.

#2 – Kate Hudson (“Song Sung Blue”)

Among the bigger surprises of 2025 was Craig Brewer’s rousing and heartfelt “Song Sung Blue”. Kate Hudson was a big reason why. Her crackling chemistry with co-star Hugh Jackman energizes this biographical musical drama that celebrates the songs of Neil Diamond. But it’s the true story’s darker turn that sees Hudson’s performance rise to another level. Whether she’s singing loud or losing herself to crippling depression, Hudson truly shines.

#1 – Jessie Buckley (“Hamnet”)

Of the many great lead performances in 2025, none were as devastating as Jessie Buckley’s in “Hamnet”. In portraying Shakespeare’s wife Agnes, Buckley covers a broad array of emotions as she takes her character from the highs of maternal joy to the depths of agonizing grief. At times she comes across as a vibrant force of nature. Other times she seems crushed by the overwhelming weight of loss. It’s all conveyed through an unflinching realism that helps make this a defining performance in Buckley’s career.

That wraps up the lead actress category for 2025. Do you agree or disagree with my picks? Let me know in the comments below. And check back tomorrow as we finish up with the lead actors.

First Glance: “The Death of Robin Hood”

Writer-director Michael Sarnoski (“Pig”, “A Quiet Place: Day One”) offer up a grim reimagining of the folklore legend in “The Death of Robin Hood”. Inspired by the early ballads of Robin Hood, Sarnoski’s period thriller sees none other than Hugh Jackman playing the aged thief. The film also stars Jodie Comer, Bill Skarsgård, Murray Bartlett, and Noah Jupe. The first trailer reveals a dark and moody story that doesn’t shy away from bloody violence. Sign me up.

After being seriously injured in a brutal battle, Robin Hood (Jackman) finds himself being nursed back to health by a mysterious woman (Comer). As he recovers, he begins to reckon with his violent criminal past. And as feelings of regret set in, Robin finds an unexpected chance at redemption. It looks and sounds captivating, with Jackman giving us a strikingly new portrayal, Skarsgård playing “a version of Little John“, and Comer adding mystery and intrigue. Throw in some gorgeous photography, keen period design, and ferocious battles, and we could have another A24 gem.

“The Death of Robin Hood” releases sometimes in 2026. Check out the trailer and let me know if you’ll be seeing it or taking a pass.

Best of 2025: Supporting Actor

Today I’m continuing my annual ritual of recognizing the very best performances from the movie year that was (you can see my Supporting Actress picks HERE). Now it’s time to shine the spotlight on the Supporting Actors. Just like yesterday, this is another really good category full of great choices from a variety of different movies. Narrowing them down to five wasn’t easy. Here we go…

Honorable Mentions: James Badge Dale (“Violent Ends”), Ethan Hawke (“Black Phone 2”), Paul Mescal (“Hamnet”), William H. Macy (“Train Dreams”), Miles Caton (“Sinners”), Delroy Lindo (“Sinners”), Michael Cera (“The Phoenician Scheme”), Chiwetel Ejiofor (“The Life of Chuck”), Andrew Garfield (“After the Hunt”), Stephen Lang (“Avatar: Fire and Ash”), Ralph Fiennes (“28 Years Later”), Christoph Waltz (“Frankenstein”)

#5 – Josh Brolin (“Weapons”)

When discussing “Weapons”, most of the awards season chatter has concentrated on Amy Madigan, and rightly so. But we shouldn’t forget what Josh Brolin brings to this fascinating chiller. He wasn’t the first choice for his role. But when Pedro Pascal was forced to back out, it opened the door for Brolin who shrewdly delivers a character driven by grief, anger, and determination. He’s such a key part of the movie’s success.

#4 – Jacob Elordi (“Frankenstein”)

After seeing Jacob Elordi’s phenomenal erformance as The Creature in Guillermo del Toro’s “Frankenstein”, it’s hard to imagine that he (like Brolin above) wasn’t the first pick for the role. Yet by the end, he had erased any doubt by proving to be the perfect choice. He not only impresses with his physical transformation, but he gives an emotionally layered performance that’s hauntingly tragic and grounded in humanity. It’s a tricky assignment, and Elordi nails it.

#3 – Adam Sandler (“Jay Kelly”)

At this point it has been well established that if given the right material, Adam Sandler can deliver truly great performances. He gets the right material in “Jay Kelly”, and to no surprise, he gives another great performance. Mixing dry humor with drama, Sandler forms the beating heart of Noah Baumbach’s latest, earning our admiration, our empathy, and even a few laughs along the way. This is Sandler at his best.

#2 – Sean Bean (“Anemone”)

Good actors and actresses have proven that you don’t need pages and pages of dialogue to speak volumes. Case in point – Sean Bean in the criminally underappreciated “Anemone”. Bean shares most of his scenes with Daniel Day-Lewis which is no easy task. But he more than holds his own in a role that often requires him to simply be silent. Yet Bean conveys so much through his pain-filled eyes and cast-iron stare. It’s masterful work.

#1 – Stellan Skarsgård (“Sentimental Value”)

Whether he’s starring in a franchise series set in the galaxy far, far away or in independent features telling intimate human stories, Stellan Skarsgård always seems perfectly in-tune with the character he’s playing. Never has that been more true than in Joachim Trier’s “Sentimental Value”. Trier creates a fascinating character who could have easily fallen into an archetype. But in Skarsgård’s capable hands, we fully realize his complexity and texture. It’s the best supporting performance of the year, and not much out there comes close to it.

That wraps up the supporting actor category. Do you agree or disagree with my picks? Let me know in the comments below. And check back tomorrow as we put the lead actresses in the spotlight.

Best of 2025: Supporting Actress

At the risk of sounding like an old man, where has the year gone? A few days ago I shared my Top 10 movies of 2025 (check it out HERE). I always have fun putting that list together, but I also enjoy giving some attention to the year’s very best performances. So over the next few days I’ll be sharing my five favorites for each of the four major acting categories. As I normally do, today I’m kicking it off with Supporting Actress.

Honorable Mentions: Kerry Condon (“F1”), Alana Haim (“The Mastermind”), Inga Ibsdotter Lilleaas (“Sentimental Value”), Samantha Morton (“Anemone”), Mia Sara (“The Life of Chuck”), Hailee Steinfeld (“Sinners”), Jayme Lawson (“Sinners”), Wunmi Mosaku (“Sinners”), Sigourney Weaver (“Avatar: Fire and Ash”), Odessa A’Zion (“Marty Supreme”), Laura Dern (“Is This Thing On?”), Felicity Jones (“Train Dreams”), Regina Hall (“One Battle After Another”), Erin Kellyman (“Eleanor the Great”)

#5 – Rebecca Ferguson (“A House of Dynamite”)

Katherine Bigelow’s “A House of Dynamite” worked for so many reasons. Chief among them were the performances led by Rebecca Ferguson. She mostly appears in the film’s first act, but the in-the-moment emotional intensity she brings sets the table for this captivating, real-time nailbiter. This is yet another brilliant performance from an actress who has routinely delivered, no matter what genre she’s working in.

#4 – Caitríona Balfe (“The Cut”)

Over the next few days you’ll hear me mention several 2025 movies that came and went without getting the attention they deserved. One was “The Cut”, a film featuring another powerful supporting turn from Caitríona Balfe. The talented Irish actress was robbed of an Oscar nomination for 2021’s “Belfast”. Here she shows that was no fluke, delivering an emotionally textured performance that’s full of grit, compassion, and conflict.

#3 – Emily Blunt (“The Smashing Machine”)

With A24’s “The Smashing Machine”, most of the attention understandably went to Dwayne Johnson’s revelatory performance. But equally good was Emily Blunt as Kerr’s girlfriend Dawn, an emotional whirlwind whose volcanic relationship with Mark fuels some of the film’s very best moments. She fiercely mixes volatility with vulnerability in a way that’s both raw and realistic. Blunt continues to be one of the industry’s best.

#2 – Zoey Deutch (“Nouvelle Vague”)

Richard Linklater’s time capsule masterpiece “Nouvelle Vague” recaptured the making of Jean-Luc Godard’s “Breathless”. A key piece of that French New Wave classic was its star, Jean Seberg. An equally key part of Linklater’s film is the delightful Zoey Deutch who portrays Seberg. Not only does she look the part, but she enthusiastically captures Seberg’s charm and vitality. It’s an amazing transformation for Deutch.

#1 – Amy Madigan (“Weapons”)

It’s great to see Amy Madigan back in movie conversations and it’s happening for good reason. She stole the show in one of the year’s surprise hits, “Weapons”. Madigan doesn’t appear until later, but once she does the film only gets better (and noticeably creepier). Madigan offers up a beguiling blend of pure terror and pitch-black humor. And she’s clearly having a blast playing a villain. I know I had a blast watching her.

That wraps up the best supporting actress performances from 2025. What picks do you agree or disagree with? Let me know in the comments below. And check back tomorrow as we put the support actors in the spotlight.

REVIEW: “The Plague” (2025)

There’s so much to admire about Charlie Polinger’s gripping directorial debut, “The Plague”. It may also be one of the toughest films you watch due to its uncomfortably honest treatment of its serious subject matter – preteen bullying. This psychological drama pulls no punches in its depiction of cruelty masked as horseplay. And it doesn’t shun from showing the consequences. It can be bleak, but urgent and enlightening as well.

Polinger writes and directs the film which takes place in the summer of 2003 at the Tom Lerner Water Polo Camp for Boys. Ben (Everett Blunck) is a sensitive twelve-year-old who recently moved to the area from Boston. Ben’s home life isn’t the best, which is why he doesn’t mind going away to summer camp. But not knowing anyone has its challenges, especially for the anxious and awkward Ben. He finds support with his coach (Joel Edgerton), but fitting in with the other boys proves difficult.

Image Courtesy of Independent Film Company

Among the many compelling elements to Polinger’s story is his recognition of social structures, even among preteens. Here it’s a tight-knit group of six boys, who by shallow external measures might be considered the “cool kids”. Ben desperately wants to join their ranks, even enduring mockery from the pack’s alpha, Jake (Kayo Martin) in order to be accepted into their circle.

But deep down, Ben is a good kid, which is why he’s alarmed when witnessing some of the group’s antics. They’re openly loud and rowdy. But Ben learns they’re also crude and vulgar. Much worse is their cruelty which is seen most in their targeting of Eli (Kenny Rasmussen), an eccentric and introverted outcast. Jake claims Eli is the carrier of a highly contagious “plague” which the group uses to mock and ostracize him. As for Ben, his desire to win the group’s approval ends up blinding him to his own complicity.

Yet Ben’s conscience weighs on him which keeps him from being as cold and callous as the others. But his internal conflict seeps through to the surface after he dares to show compassion to Eli, even befriending him when no one else is looking. It immediately puts him in Jake’s crosshairs. Suddenly the group Ben desperately wanted to join has made him their prime target. It all makes for a heartbreaking chain of events that moves towards a finish that is as inevitable as it is troubling.

Polinger’s stylish and confident direction is helped by some truly standout performances from the mostly young cast. Blunck and Martin are especially strong, with each being fully convincing in dramatically different roles. Blunck conveys as much through observations as interactions, expressing Ben’s insecurities and anxiety despite his character working hard to conceal them. It can be a quietly devastating performance, but not without nuance. Martin is surprisingly sinister, hiding his ruthlessness behind a seemingly harmless smirk and curly mop of blonde hair. He’s both infuriating and terrifying.

Image Courtesy of Independent Film Company

As the film plays its hand, any obviousness is discarded in the final act. What begins as a unique spin on the coming-of-age formula turns darker, using dashes of shock and body horror to make us squirm. But Polinger never loses his grip on the material. And the final shot offers a ray of hope, depending on your interpretation. DP Steven Breckon shines, especially with his otherworldly underwater photography, while Johan Lenox’s score offers an unnerving mix of experimental and orchestral.

“The Plague” can feel a bit too broad at times, both with its handling of certain characters and anything resembling their motivations. It will also leave you with a handful of questions, none bigger than wondering where is the adult supervision? It can also be tough distinguishing between the real and metaphorical. But Polinger shows himself to have a remarkable vision, using the various arms of cinema to open our senses to a profoundly serious topic. Overall, “The Plague” is a remarkable and significant big screen debut.

VERDICT – 4 STARS