Random Thoughts on the 2016 Oscar Nominations

OSCARS1

Can you believe it’s that time again? This morning the Academy announced the 2016 Oscar nominees and as usual they left us plenty to talk about. Of course some brush these off as frivolous instances of ego petting (and it’s hard to argue with them), but I still love this time of year. So as I do every year, here are a few random thoughts at this new batch of nominees…

  • Really proud to see my three favorite cinematographers of the year got nominated John Seale for “Mad Max”, Emmanuel Lubezki for “The Revenant”, and Roger Deakins for “Sicario”. Obviously Deakins won’t win. For some reason the Academy is content with just nominating him. This will be his 13th nomination without a win.
  • Oh where is Quentin Tarantino? I was pretty happy to see his name missing from the Original Screenplay and Director categories. It’s not that I hate the guy. But maybe this will encourage him to lay aside just a portion of his overbearing style next time. I doubt it.
  • Speaking of Missing in Action, “Carol” misses out on Best Picture and Best Director. All this time I’ve been touting it as Oscar-made material. Shows what I know!
  • What?!?! No Dick Poop?
  • Speaking of that, there was only one egregious mispronunciation and that came from the Academy president. Did you hear her try to pronounce “Iñárritu”. What was she even saying???
  • The Academy sure got the Supporting Actor category right by nominating Tom Hardy for his fantastic performance in “The Revenant”. How the Golden Globes left him off their nomination list is beyond me.
  • The Academy sure screwed up the Supporting Actor category by completely snubbing Idris Elba who I still think gave the Best Supporting performance of the year. At least the Golden Globes had sense enough to nominate him. How the Academy left him off is beyond me.
  • “Mad Max: Fury Road” raked in an impressive 10 Oscar nominations and I loved hearing its name every time. I’m not convinced it has a chance in the ‘bigger’ races but it could easily land four or five wins in the technical categories. It certainly deserves it.
  • We can all now celebrate the fact that “Fifty Shades of Grey” is an Academy Award nominated film. Let that little nugget swirl around in your brain for a bit.
  • The Academy set up “Carol” to possibly snag at least one Oscar win by putting Cate Blanchett and Rooney Mara in different categories. It makes sense and it gives both a much stronger chance of winning.
  • “The Revenant” had a HUGE morning grabbing 12 nominations and being the frontrunner in many of them.
  • As predicted “Son of Saul” gets nominated for Foreign Language Film and “Inside Out” for Animated Feature. Both are guaranteed wins. If you’re in an Oscar pool these are sure bets.
  • Where was Aaron Sorkin (“Steve Jobs”)? Again, proof that winning a Golden Globe doesn’t assure you an Oscar nomination.
  • Love, love, love the Best Documentary category. “The Look of Silence” is one of most powerful things you will EVER see. But “Amy” and “Cartel Land” are also very, very good.
  • Who on earth saw “Room” getting FOUR nominations including Best Director and Best Adapted Screenplay? I felt comfortable with Larson getting a nod but the other two are well-deserved treats.
  • Extending that thought, Lenny Abrahamson (“Room”) gets a Best Director nod over such heavyweights as Steven Spielberg, Ridley Scott, and Todd Haynes. Impressive.
  • Eddie Redmayne. Why do I sense a little competition manufacturing by the Academy? I mean I understand that Redmayne is tapping into the hottest current social topic but I really haven’t heard people raving about his performance. I have seen headlines already touting a showdown between him and Leonardo DiCaprio. Hmmm.
  • Hearing Saoirse Ronan’s name announced just made me smile. Sadly I think she will get pushed aside in the spotlighted Blanchett versus Lawrence contest, but Ronan deserved the nomination and she deserves to win.
  • Academy Award winner Sylvester Stallone. I’ll be honest, I wouldn’t mind saying that the day after the Oscar ceremonies. I also think he is in a very strong position to win. Keep an eye on Sly.
  • I talked about him above but let me put my 100% guarantee stamp on Leonardo DiCaprio winning Best Actor. Not slamming his competition, but just look who he is against. This is clearly the easiest competition he has ever faced. Again, not bad performances but none of them measure to the effort and intensity Leo puts into his. The Oscar drought is over.
  • The Academy had lots of unexpected love for “The Big Short”. In many ways it does fit with the Academy’s tastes. Not sure how it will show but it’s represented well after this morning.
  • Bale over Elba? Sigh….
  • Very happy to see “Spotlight” get a good number of nominations. Even though the Hollywood Foreign Press didn’t see it as a deserving winner I’m still holding out faith that Oscar will reward it. There is stiff competition for sure but “Spotlight” is worthy.
  • Wasn’t it cool to see “Star Wars: The Force Awakens” get four Oscar nominations. Predictably they were in the technical category except for the great John Williams getting nominated for Best Score. Wouldn’t it be great to hear his name called on Oscar night? I do love Morricone and wouldn’t shed a tear if he wins, but John Williams winning for a Star Wars picture? I gotta go with that.
  • Finally the Academy gave us eight films to chew on for Best Picture. The only one I haven’t seen is “The Big Short”. Otherwise I think every nominee is a good movie. Obviously I think some are better than others and I’m hoping the cream rises to the top. Five of the nominees appeared in my Top 10 list and two others were in my Top 20. That’s a good year!

Those are a few random thoughts about this year’s nominations. What stuck out to you? Let me know in the comments section. I’ll end with a full list of all of this morning’s nominees:

Best Picture

The Big Short

Bridge of Spies

Brooklyn

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight

 

Best Actor

Bryan Cranston, Trumbo

Matt Damon, The Martian

Leonardo DiCaprio, The Revenant

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

 

Best Actress

Cate Blanchett, Carol

Brie Larson, Room

Jennifer Lawrence, Joy

Charlotte Rampling, 45 Years

Saoirse Ronan, Brooklyn

 

Best Supporting Actor

Christian Bale, The Big Short

Tom Hardy, The Revenant

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies

Sylvester Stallone, Creed

 

Best Supporting Actress

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Rachel McAdams, Spotlight

Alicia Vikander, The Danish Girl

Kate WInslest, Steve Jobs

 

Best Directing

Adam McKay, The Big Short

George Miller, Mad Max: Fury Road

Alejandro González Iñárritu, The Revenant

Lenny Abrhamson, Room

Tom McCarthy, Spotlight

 

Best Film Editing            

The Big Short

Mad Max: Fury Road

The Revenant

Spotlight

Star Wars: The Force Awakens

 

Best Foreign Language Film

Colombia, Embrace of the Serpent

France, Mustang

Hungary, Son of Saul

Jordan, Theeb

Denmark, A War

 

Best Original Score

Thomas Newman, Bridge of Spies

Carter Burwell, Carol

Ennio Morricone, The Hateful Eight

Jóhann Jóhannsson, Sicario

John Williams, Star Wars: The Force Awakens

 

Best Production Design

Bridge of Spies

The Danish Girl

Mad Max: Fury Road

The Martian

The Revenant

 

Best Visual Effects

Ex Machina

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

 

Best Adapted Screenplay

The Big Short

Brooklyn

Carol

The Martian

Room

 

Best Original Screenplay

Bridge of Spies

Ex Machina

Inside Out

Spotlight

Straight Outta Compton

 

Best Animated Feature Film

Anomalisa

Boy and the World

Inside Out

Shaun the Sheep Movie

When Marnie Was There

 

Best Cinematography                      

Carol

The Hateful Eight

Mad Max: Fury Road

The Revenant

Sicario

 

Best Costume Design

Carol

Cinderella

The Danish Girl

Mad Max: Fury Road

The Revenant

 

Best Documentary – Feature

Amy

Cartel Land

The Look of Silence

What Happened, Miss Simone?

Winter on Fire: Ukraine’s Fight for Freedom

 

Best Documentary – Short Subject

Body Team 12

Chau, Beyond the Lines

Claude Lanzmann: Spectres of the Shoah

A Girl in the River: The Price of Forgiveness

Last Day of Freedom

 

Best Makeup and Hairstyling

Mad Max: Fury Road

The 100-Year-Old Man Who Climbed Out the Window and Disappeared

The Revenant

 

Best Original Song

“Earned It,” Fifty Shades of Grey

“Manta Ray,” Racing Extinction

“Simple Song No. 3,” Youth

“‘Til It Happens to You,” The Haunting Ground

“Writings on the Wall,” Spectre

 

Best Animated Short Film

Bear Story

Prologue

Sanjay’s Super Team

We Can’t Live Without Cosmos

World of Tomorrow

 

Best Live Action Short Film

Ave Maria

Day One

Everything Will Be Okay (Alles Wird Gut)

Shok

Stutterer

 

Best Sound Editing

Mad Max: Fury Road

The Martian

The Revenant

Sicario

Star Wars: The Force Awakens

 

Best Sound Mixing

Bridge of Spies

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

REVIEW : “The Revenant”

REVENANT POSTER

The last two years have been pretty kind to Alejandro González Iñárritu. 2014 saw the release of “Birdman”, his showy, indulgent black comedy/drama that caught fire during awards season eventually earning him Academy Awards for Best Picture, Best Director, and Best Original Screenplay. Now we get 2015’s “The Revenant”, a dark frontier western that once again finds Iñárritu at the heart of the Oscar conversation.

Iñárritu’s films require a unique taste. They often wallow in pessimism, anguish, and despair. He often gives us miserable characters with little to no emotional complexities. And to varying degrees, each of his films carry their own pretentious self-awareness. But at the same time Iñárritu deserves to be called a visionary. While it could be said Iñárritu has no sense of modulation and he sometimes milks a technique dry, he does put a ton into his narrative structures and visual presentations.

REV1

“The Revenant” is undeniably Iñárritu. Modulation is as hard to find as mercy and hope across his cold, bloody, and unforgiving landscape. The story overextends itself while the characters and audience are incessantly battered by the director’s almost sadistic infatuation with suffering. Doesn’t sound too good, right? Here’s the catch, it’s actually quite good. None of those things keep “The Revenant” from being an exhilarating experience. In fact, in a bizarre and twisted way many of Iñárritu’s indulgences fit perfectly with this dark and violent story.

The story was inspired by the true experiences of fur trapper Hugh Glass and loosely based on Michael Punke’s “The Revenant: A Novel of Revenge” from 2002. The concept saw several casting and directing changes before Iñárritu landed it in 2011. He worked with Mark L. Smith on the script and Leonardo DiCaprio and Tom Hardy were brought on board as the stars. Filming began in 2014 and spanned various locations in the United States, Canada, and Argentina.

At its core the story is fairly simple. The setting is 1823 in the unsettled Northwest. A military sponsored trapping expedition under the command of Captain Andrew Henry (Domhnall Gleeson) is attacked by a native tribe. Only ten men manage to escape including trapper and guide Hugh Glass (DiCaprio) and his Pawnee son played by Forrest Goodluck. The situation worsens after Hugh is violently attacked by a grizzly bear. Maimed and helpless, Hugh is buried alive in a shallow grave but not before witnessing the murder of his son by a vile, scurvy fellow trapper played by Tom Hardy.

REV2

The trailers frame the rest of the story as a revenge tale and that’s partially accurate. Eventually Hugh escapes his shallow grave (the word revenant actually refers to the rising of the dead) and sets out to avenge his boy. But the film doesn’t put a heavy stress on that until later. Instead it becomes what I would call a survival procedural as Hugh methodically navigates one harrowing obstacle after another – his broken body, starvation, the freezing cold, hostile natives. The film certainly puts a heavy emphasis on the survival element of his story.

In doing that Iñárritu runs DiCaprio through a torturous gamut of challenging scenes. Leo has said several of the scenes were some of the hardest he has ever done. That’s easy to believe. Iñárritu emphasized authenticity and felt greenscreens  would hurt his vision for the film. That meant Leo trudging through actual deep snow, being swept away in an ice cold river, gnawing on raw fish and buffalo liver. DiCaprio goes all-in and gives an intensely committed performance that relies more on physicality and expression than dialogue. It’s something to behold.

REV3

While on the subject of beholding you can’t speak of “The Revenant” without talking about its stunning presentation. As I mentioned Iñárritu is often obsessed with how his films look, almost to a fault. But here that obsession pays big dividends. The first smart move was bringing in the great Emmanuel Lubezki to shoot the film. Lubezki’s technique is so perfectly calibrated to this frontier world of beauty and violence. The action scenes are ferocious and filmed with a lyrical energy. They are veritable ballets of muskets, hatchets, bows, and blood.

But that is only one aspect of the film’s phenomenal visuals. There is also the way Iñárritu and Lubezki shoot the land. Scene after scene focuses on the astonishing beauty of the territory while also distinguishing it as threatening and untamed. It may be a slow panning shot of sun breaking through a forest’s canopy, a still shot of an ominous but beautiful snow covered mountain, or maybe a tracking shot of an icy, slow moving river. The imagery is stunning. It reminded me of Terrence Malik only colder, harsher, and bleaker. And I’m not sure any camera has ever captured the feeling of cold, wet misery better than here.

REV4

If anyone feels that effect it’s the cast. Moreover if suffering on screen can win you an Oscar Leonardo DiCaprio has it in the bag, and Tom Hardy should at least be in the awards conversation. DiCaprio’s thirst for revenge is painfully earned and Hardy’s cauterized emotions feeds his repugnancy. Both are sturdy anchors for this patient, sweeping frontier epic. Both meld perfectly into Iñárritu’s dark, gloomy, overcast world.

It’s always pretty obvious where “The Revenant” is heading, but it’s that journey from the main story point to the finale that is so captivating. It isn’t an easy film to watch. The images are often shockingly gruesome and Iñárritu’s fascination with sorrow, misery, and loss pummels with one emotional gut-punch after another. But yet there is a seductive allure the kept me glued to every struggle, every conflict, and every encounter. I was overwhelmed by the scenery more times than I can count. But most importantly everything feels rich with meaning and emotion whether it was the ugliness of humanity or the beauty of nature. That’s not an easy thing to convey and Iñárritu deserves a ton of credit for doing it.

VERDICT – 4.5 STARS

4.5 STARS

Top 5 Supporting Actor Performances of 2015

Supporting Actor

It’s time to continue my look back at the best performances of 2015. Today we look to the men specifically actors in a supporting role. This category was stacked with deserving performances and I found it to be the toughest to narrow down. It’s filled with an amazing assortment of diverse work and a few nice surprises. No need to waste time. Here are what I believe to be the five best performances by actors in supporting roles.

#5 – Liev Schreiber (“Spotlight”)

LIEV

There are so many fine performances from Spotlight’s fabulous ensemble cast. But the one that has remained with me for several reasons comes from Liev Schreiber. Perhaps a part of it is due to the surprise element. I’ve liked Schreiber in the past but this caught me off guard. But it’s more than that. He hits every note perfectly and crafts a character with more layers than you may originally think. It’s a quiet performance truly focused on serving the character and the greater story. I loved it.

#4 – Tom Hardy (“The Revenant”)

HARDY

Since his big breakthrough in Christopher Nolan’s “Inception” Tom Hardy’s star has only gotten brighter. 2015 was a huge year for him with “Mad Max: Fury Road”, “Legend”, and the film which earned him a spot on this list – “The Revenant”. Talk about a fierce and intense performance! Hardy has the tough and rugged part down to an art and he melds perfectly into Alejandro González Iñárritu’s dark, bleak, and blood-soaked frontier world. Hardy is a powerhouse and here he shows it.

#3 – Sylvester Stallone (“Creed”)

I say this every single time I talk about Ryan Coogler’s “Creed” – what a wonderful surprise! To go hand-in-hand with that is the supporting performance from Sylvester Stallone. Again, what a wonderful surprise. Sly shows a level of dramatic acting that we haven’t often seen from him. A lot of it is due to the richer, stronger material which allows him to take his Rocky Balboa into entirely new places. Stallone is so naturally in-tune with his character and he projects a true comfort and confidence into the material he is given. This could and should grab Sly an Oscar nomination and I wouldn’t be upset if he won.

#2 – Benicio Del Toro (“Sicario”)

DEL TORO

I can’t tell you how hard it was to keep Benicio Del Toro out of my top spot. In fact, if you asked me again next week he could be my #1 supporting actor performance. He’s that good. Del Toro lurks in the background of Denis Villeneuve’s border thriller looking both menacing and cryptic. This is a gritty role that requires Del Toro to keep a lot of information veiled. He maneuvers through the material remaining unreadable and thoroughly captivating. Del Toro has always been a solid actor, but this is some of the best work of his career.

#1 – Idris Elba (“Beasts of No Nation”)

ELBA

The first impression Idris Elba’s performance in “Beasts of No Nation” leaves is a powerful one. But it was during a second viewing that I realized just how phenomenal he is. It’s not an easy role. It is the flashiest role in the film. After all he is a snake oil salesman feeding on the fears and untrained anger of children. He has to be bigger than life to truly be persuasive. That’s how his child army sees him. But we see the brutality and sadism behind the charisma. And later Elba brilliantly goes a bit deeper in defining his vile, morally corrupt character. It’s such a rich performance and another that features more layers than you may originally think. Also the details in Elba’s work truly stand out. In such a crowded field it’s still the performance that sticks with me the most.

We are now halfway through. Next time we will look at the Lead Actress category. So what did you think of today’s list. Please take time to share your thoughts, approvals, or disapprovals below.

Random Thoughts on the Golden Globes

GOLDEN GlobesWell the Hollywood Foreign Press held their annual movie and television gala last night and as usual there were a few surprises, a few predictable wins, and some head-scratching  moments as well. But that’s to be expected. I mean I enjoy them and there were a few applause-worthy moments. But let’s be honest, often times these things make no sense whatsoever. Still, they do give us plenty to talk about as we make our way to the Oscars. So, as I do every year, here are a few random thoughts about last night’s Golden Globes…

  • Okay, lets go ahead and get this out of the way. Everyone knows “The Martian” was not a comedy. Good film. I love Ridley Scott. But you have to wonder if it was shoehorned into the comedy category just to give it an award? Better yet, by it winning what does it say about the actual comedies of last year?
  • Jonah Hill’s bear bit wins for stupidest moment of the night. Wasn’t clever. Wasn’t funny. Kinda embarrassing. On the other hand, Jason Statham was hysterical.

NOPE!

YEP!

YEP!

  • I was so wanting Saoirse Ronan to win Best Actress for “Brooklyn”, but if she had to lose I’m so happy it was to Brie Larson. Both films were fantastic. Still not convinced either will win the Oscar though. My fingers are crossed.
  • Remember that scene in “The Martian” when Matt Damon had a piece of flying debris smash into his head? Pure comedy genius. Surely that’s one of the reasons he won for Best Actor – Comedy.
  • No Best Director win for George Miller. Bummer. But I guess “Mad Max: Fury Road” is an anti-awards type movie. Shouldn’t surprise us that it didn’t get the votes. Unfortunately it looks like it will need to be content with nominations.
  • Was it just me or did Brad Pitt’s face look especially stiff and bronzed? Not making any accusations. Just a little observation.
  • “Carol” went in with a lot of nominations and a ton of critical praise but left the show empty-handed. I must admit I was surprised. Unlike “Mad Max” it seems custom-made for awards season.
  • Ricky Gervais played the mean-spirited agitating Englishman to the hilt. He did have several funny gags. He also had some lame ones and others that seemed to come from his ego overextending itself. He was okay but exactly what we expected. Nothing more or less.
  • Speaking of Gervais, the bit with Mel Gibson got a little uncomfortable. Mel took Gervais’ ribbing well and had a great colonoscopy comeback. Apparently Gervais’ ego couldn’t stand it. He comes back out and the two have another exchange that didn’t seem mutually respectful.
  • Kate Winslet’s Supporting Actress win for “Steve Jobs” was a bit of a surprise. While I thought Jennifer Jason Leigh gave a good but not awards-worthy performance, she had some momentum going into the night. She certainly doesn’t have as much now.
  • Hands down, the biggest disappointment of the night was “Spotlight” getting shut out. What a shame. Such an important and thoroughly engaging film. But here’s the thing, it’s not the least bit flashy or ostentatious – both things the awards voters seem to love. Again, what a shame.

SPOTLIGHT

  • What a fantastic introduction of Denzel Washington by Tom Hanks for the Cecil B. DeMille Award. Funny thing is the exact same introduction could be made for Hanks and probably will be in the next few years.
  • So Jennifer Lawrence wins Best Actress – Comedy for “Joy”. Fairly predictable. I found that to be one of the weaker categories. I don’t see that win carrying over to Oscar night when (and if) she gets thrown into the mix with the other dramatic performances.
  • I had to rewind a couple of times to get what Quentin Tarantino was saying about Ennio Morricone. Before last night he had never won an award for a musical score in America. That is pretty amazing. His score was one of the best things about “The Hateful Eight”. Too bad he didn’t get to do original music for the entire film.
  • Keeping with some of the night’s predictability, “Inside Out” wins Best Animated Feature and “Son of Saul” wins Best Foreign Language Film. Don’t expect anything to change come Oscar night.
  • Speaking of nothing changing on Oscar night, Leonardo DiCaprio will be the biggest sure-thing at this year’s Academy Awards. He’s not going up against a big Daniel Day-Lewis type performance plus the standing ovation he received was telling. The crowd was genuinely enthusiastic for the win and many in that crowd are Academy voters. The Oscar drought is over.
  • Speaking of enthusiasm and standing ovations, those same Academy voters gave one to Sylvester Stallone for his Best Supporting Actor win. For me it and Best Actress are the strongest categories. Idris Elba was my choice but back when I reviewed “Creed” I said don’t be surprised if Sly got an Oscar nomination. Not only will he be nominated, but now he is the bona-fide frontrunner. Good for him. Plus he had one of the night’s greatest reactions at the calling of his name.

SLY

  • Jim Carrey is a funny guy. Where so many floundered on the stage trying desperately to be funny (Hill, Tatum, Lawrence, Schumer to name a few), the bearded Carrey comes out and I immediately start giggling. Is it his goofy, well-spoken delivery or his even goofier expressions? I don’t know. He’s just funny.
  • “The Revenant” sure came out of the Globes in a strong position. Winning for Best Director and Best Motion Picture – Drama makes it the leader in the Best Picture Oscar pool. But some are saying don’t christen it the big winner just yet. I don’t know. It’s hard not to see it as the true frontrunner.

So there are a few random thoughts on this year’s Golden Globe festivities. What did you think of the show? What were you impressions of the winners, losers, or anything in between?

CAPRIO

Top 5 Supporting Actress Performances of 2015

Supporting Actress

Each year I set aside time to examine and spotlight what I think are the best performances of the past movie year. In keeping with the upcoming Oscars I have adopted their format and for the next few days I’ll be highlighting the very best performances for each of the four acting categories. Today the ladies get to go first and we will look at Supporting Actresses. This was a toughie. So many names came to mind and limiting it to five was no easy chore. But such is the nature of these things so here we go – the Best Supporting Actress Performances of 2015:

 #5 – Zoe Saldana (“Infinitely Polar Bear”)

ZOE

Compared to Mark Ruffalo’s attention-getting lead, Zoe Saldana has a pretty thankless role. But in “Infinitely Polar Bear” it’s also a pivotal role that Saldana handles with such sincerity and emotional detail. She delivers an impressively earnest performance which revealed a skillful dramatic precision I never knew she had. For me this was a true eye-opening performance from 2015.

#4 –  Nina Kunzendorf (“Phoenix”)

“Phoenix” was one of the more haunting films of 2015. A key reason for its success lies with its trio of performances including that of Nina Kunzendorf. She gives a quiet yet powerful performance playing a woman scarred by her Holocaust experience and frustrated by the willingness of others to so quickly forgive. In a way she is the conscious of the film as well as the voice of reason. But Kunzendorf never lets us forget the pain her character is trying to suppress.

#3 – Elizabeth Banks (“Love & Mercy”)

BANKS

There were a handful of biopics to come out in 2015. One of the better ones was Bill Pohlad’s “Love & Mercy”, the story of Beach Boys singer Brian Wilson that was completely against the normal biopic formula. Elizabeth Banks plays a woman who has developed a relationship with Wilson and played an important part in getting his life on track. Banks is great and she gives us a clear outside perspective on Wilson’s troubling circumstances.

#2 – Joan Allen (“Room”)

ALLEN

Unquestionably one of my favorite supporting performances came from Joan Allen in the powerfully moving “Room”. Allen plays a mother juggling so many heavy emotions. I don’t want to spoil anything, but let’s just say she has battled guilt and grief for seven years. Those feelings and emotions take an unexpected turn and are mixed with several others as the film goes along and Allen has no trouble conveying them to us in the most genuine way. It’s a fabulously complex performance.

#1 – Rebecca Ferguson (“Mission: Impossible Rogue Nation”)

Some may scoff at this pick being tops on my list because “Mission: Impossible” isn’t the normal Awards-type picture. Too bad. Rebecca Ferguson was one of the great surprises in 2015. She was a showstealer and gave us a mysterious female character every part equal to Tom Cruise’s Ethan Hunt. Ferguson has a strong grasp on her role and plays it confidently and fearlessly. It’s such a great performance and it’s hard to imagine her career not getting a boost after such strong work.

So what did you think of the list? Please take time to share your thoughts and look out for the next category coming soon.

REVIEW: “Infinitely Polar Bear”

POLAR POSTER

Balancing mental illness with comedy can be a precarious undertaking. Filmmakers who shoot for a direct and straightforward comedy have an easier time, but those mixing elements of humor with a more dramatic lean can sometimes subvert the aim of their film. “Infinitely Polar Bear” is an example of a movie taking a more dramatic look at mental illness but lacing it with smart, responsible humor which doesn’t overthrow the film’s purpose.

Maya Forbes writes and directs this semi-autobiographical portrayal of her life living with her bipolar father. Forbes created a fictionalized version of herself and cast her own 12 year-old daughter Imogene Wolodarsky for the role. She sets her film in Boston sometimes in the late 1970s and chronicles a year of intense ups and downs brought on by her father’s bipolar disorder.

POLAR1

The film begins with Cam Stuart (Mark Ruffalo) in nothing but red briefs and a red bandana banging on a car as his wife Maggie (Zoe Saldana) and their two children (Wolodarsky and Ashley Aufderheide) sit terrified inside. The initial absurdity tempts us to laugh, but Forbes quickly acquaints us with the reality of the situation. Cam has had a serious mental breakdown. He loses his job and is sent away for rehabilitation. As a result Maggie has to move into a low-rent apartment where she struggles to provide for her daughters.

Over time Cam progresses and is soon moved to a halfway house where he has an opportunity to reconnect with his daughters. Unable to sufficiently provide for her family, Maggie decides to go back to school to get her M.B.A. and eventually a better job. But that would require Cam to take care of the kids during the week while she is away at Columbia. His doctor thinks the responsibility would be good for him. Maggie is desperate. Cam reluctantly agrees.

The bulk of the film focuses on this mentally frail father getting by on lithium and cigarettes while trying to relate to and take care of his two young girls. There are numerous opportunities for humor and Forbes gives them to us, but you can sense her personal touch on the story and the characters. Cam isn’t a mean-spirited lout or a target for our judgements. It’s clear he represents the real-life father who Forbes truly loves. At the same time she doesn’t gloss over the realities of their struggles and the film is better due to that honesty.

POLAR2

It also works thanks to some strong performances particularly from Mark Ruffalo. Ruffalo is a guy who is always solid but who is often defined by his laid-back and relaxed performances. Here he is given material that allows for him to expand himself. One minute Cam can be even-tempered and playful while the next may see him wound tighter than a top. When things get stressful we see him impulsively bouncing from one mood to the next, his kids often being the victims. Ruffalo handles it all with such authenticity. Saldana is also very good it would could be a thankless role. It’s Ruffalo that gets the spotlight but Saldana’s earnestness is crucial.

In the end “Infinitely Polar Bear” succeeds in looking at mental illness with a careful mix of humor and drama. There are portions of the story that feel shortchanged and the film sometimes seems uninterested in plot points that I would like to know more about. But Forbes stays true to the heart and soul of her movie and her connection to the subject matter shows itself in the pleasing end results.

VERDICT – 4 STARS

4 Stars