First Glance: “Triangle of Sadness”

First Glance: “Triangle of Sadness”

The latest film to take a satirical bite out of the wealthy and privileged comes from Swedish director Ruben Östlund (“Force Majeure”, “The Square”). It’s “Triangle of Sadness”, the Palme d’Or winner at this year’s Cannes Film Festival. This is Östlund’s first English-language feature film, and after navigating several COVID-19 delays, this biting dark comedy … Continue reading →

REVIEW: “Rogue Agent” (2022)

REVIEW: “Rogue Agent” (2022)

I swear, there must be 100 movies with titles similar to “Rogue Agent” (and I bet I’ve watched and/or reviewed half of them). But generic name aside, this new British drama/thriller very much has a feel all its own. It’s a slow-burning yet meticulously paced fact-based story that takes its time setting up its pieces. … Continue reading →

REVIEW: “Thirteen Lives” (2022)

REVIEW: “Thirteen Lives” (2022)

Ron Howard returns to the director’s chair for the new biographical survival thriller “Thirteen Lives”. The film is a dramatization of the 2018 Tham Luang cave rescue. That’s when twelve members of a junior soccer team, their ages ranging from 11 to 16, along with their assistant coach were trapped deep within Tham Luang cave … Continue reading →

REVIEW: “Bullet Train” (2022)

REVIEW: “Bullet Train” (2022)

After co-directing the terrific franchise launcher “John Wick”, director, producer, actor, and stuntman David Leitch has put together a filmography of big action spectacles of varying quality. And while I may not be a fan of his “Deadpool 2” and “Atomic Blonde” romps, there’s no denying that his movies have their fanbases and have made … Continue reading →