I just want to take a second to wish everyone who celebrates it a very Happy Thanksgiving. Myself, I’m thankful for all of the people I’ve gotten to know through this goofy website. Thanks for all of the reads, likes, comments, and conversations. They means a lot. Have a terrific day and a wonderful holiday … Continue reading
REVIEW: “The Unforgivable” (2021)
Sandra Bullock transforms in the new Netflix film “The Unforgivable”, a drama based on a 2009 British miniseries penned by Sally Wainwright. The story centers around a woman trying to get her life back together after serving 20 years in prison for murdering a local sheriff. This is a showcase for Bullock who gets a … Continue reading
REVIEW: “Tick, Tick…BOOM!” (2021)
(CLICK HERE to read my full review in the Arkansas Democrat-Gazette) These days there is an inescapable buzz that surrounds anything with Lin-Manuel Miranda’s name attached to it. The mastermind behind the stage musical and cultural phenomenon “Hamilton” has been venturing more and more into the world of film – producing, voice acting, and writing … Continue reading
First Glance: “Encounter”
Oscar winner Riz Ahmed leads “Encounter”, an enigmatic science-fiction thriller from writer-director Michael Pearce. The film had its world premiere at Telluride and is now set for its full release via Amazon Studios. Ahmed is joined by co-stars Octavia Spencer, Janina Gavankar, Rory Cochrane, Lucian-River Chauhan, and Aditya Geddada. Ahmed plays Malik, a decorated Marine veteran … Continue reading
REVIEW: “Ghostbusters: Afterlife” (2021)
Though I’m a proud kid from the 1980s, would it surprise you to know that I have no real affection for “Ghostbusters”? No deep love for the characters. No vested interest in their story. No warm and fuzzy feeling at the thought of a new film. I thought the 1984 original was fine and I … Continue reading
REVIEW: “The Power of the Dog” (2021)
(CLICK HERE to read my full review in the Arkansas Democrat-Gazette) Based on Thomas Savage’s 1967 novel of the same name, Jane Campion’s “The Power of the Dog” is a crafty anti-Western with all the visual flavor of John Ford, Sam Peckinpah, or Delmer Daves. But at its core Campion’s film (she both writes and … Continue reading