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REVIEW: “Star Wars: The Force Awakens”

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Caution, concern, skepticism, uncertainty. These are just a few words to describe my feelings after hearing a new Star Wars movie was on the way. After all, we aren’t talking about making any old thing. J.J. Abrams was taking what is arguably the most popular brand of any entertainment form and bringing it back to the big screen. He was tinkering with a property known for having the most passionate, the most protective, the most dedicated, and the most outspoken fan base. He was tackling a franchise viewed as more than a simple series of movies by millions of people from practically every demographic. Abrams was making a new Star Wars movie. No pressure.

Let’s be honest, when Disney acquired the Star Wars brand from George Lucas for $4.06 billion there was reason for Star Wars junkies like myself to at least be cautious. The Disney-fication (my new word) of Star Wars worried me. Then J.J. Abrams was given the keys to the new film. Abrams, a guy I have always seen as hit-or-miss, is best known for rebooting the Star Trek film series. But he didn’t only reboot Star Trek. He completely altered the structure, tone, and feeling of the Star Trek universe replacing it with a hip new Hollywood version. That’s the last thing I want in a new Star Wars picture.

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Abrams, a self-admitted Star Wars fanboy, has said all the right things when talking about the new film. He directs, co-writes, and co-produces “The Force Awakens”, which is essentially Episode VII. It is a film positioned as a conduit connecting the old to the new as well as an injection of fresh energy for a new generation. That sounds good, but can it deliver? Can this new era of Star Wars suck me in like the previous efforts. An answer was hinted at once John Williams’ score struck that glorious and familiar opening note.

I was able to avoid spoilers and all story details which made my viewing experience all the better. For that reason I’ll stay away from any semblance of a plot synopsis. But let’s just say the film starts with a bang and we are quickly introduced to the franchise’s new players. Abrams wants us to make early connections with these folks because they are clearly set to be key ingredients in this film and the franchise in general.

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On one side we meet the resourceful scavenger Rey (Daisy Ridley). She’s the highlight of the new bunch – a strong independent sparkplug who is remarkably resourceful yet burdened by her past. We get the jittery, disillusioned Finn (John Boyega). He’s the film’s cowardly lion – a man with a conscience but who is too afraid to follow it. Boyega goes full throttle in every scene which isn’t always the best acting choice. And then there is Poe Dameron (Oscar Isaac), the best pilot in the galaxy. He’s a cool, rousing Han Solo type but with Luke Skywalker’s unwavering devotion to his cause. And then there is the little droid BB-8, an example of a cutesy character done right.

 

In the other corner we have The First Order, an evil Third Reich-ish force risen from the ashes of the Empire. They are led (or are they) by the volatile and dangerous Kylo Ren (Adam Driver). He is driven by an almost maniacal obsession to be the most feared person in the galaxy. There is the smug opportunist General Hux (Domhnall Gleeson) whose lust for power rivals that of Kylo Ren. He operates a Nazi-like military force and flexes his murderous muscles at will. But there is also the shadowy enigmatic Supreme Leader Snoke (Andy Serkis) who we only see in a familiar grainy hologram form.

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And then you have the classic characters who Star Wars fans love. It has been roughly 30 years since the events of “Return of the Jedi” and names like Han, Luke, and Leia are spoken of by many in near mythical terms. Harrison Ford returns as Han and he gets the bigger chunk of screen time. He’s slower, grayer, but ever the cool space pirate. He and his howling compadre Chewbacca feel as if they haven’t missed a beat. Leia (Carrie Fisher) is focused on leading the resistance movement against The First Order. Luke (Mark Hamill) has disappeared after a particularly troubling event. And of course there is C3PO and R2D2. Seeing these characters again is exciting for any true fanboy. I do think there are moments between them that deserved a little more attention, but I’ll leave that one alone for now.

The real trick for Abrams is juggling all of these characters both old and new. To help he brought in writers Michael Arndt and Lawrence Kasdan (who also worked on the scripts for “The Empire Strikes Back” and “Return of the Jedi”). The script works mainly because the characters never get lost in a deluge of special effects. Each are given their own moments particularly the new faces who are well-developed and left with enough questions to be intriguing.

Speaking of the effects, there is a ton of CGI yet it never looks overused or blatantly obvious.  As good as the prequels often looked there were many instances where Lucas would visually overload his screen. Not here. Regardless of how fantastical things get, the special effects work to promote the setting, the characters, or the story. The new weapons, vehicles, and technology are fun, much of it based on blueprints from the original trilogy. Star Wars has always been known for its top-notch sound design. Here is no different. And Williams’ score is perfect sometimes feeling plucked right out the earliest films.

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Seasoned Star Wars fans will notice several nostalgic throwbacks, entertaining Easter eggs, and cool bits of fan service, but in a sense this contributes one of the film’s few problems. It plays it too safe specifically in the final act. Don’t get me wrong, I love the fan service. It struck a strong chord with me. But at the same time it kept the big ending on a relatively short leash. It was way too familiar down to certain details. Not bad by any means, but very familiar. It could be that Abrams feared alienating the tough-minded and vocal fan base. I can respect that. Now that he has expressed himself as a Star Wars loyalist I’m hoping the next installments will take us into some newer directions.

But enough of that. I am so happy to be able to stand up and tip my hat to J.J. Abrams. Talk about a bold and pressure-filled undertaking. Taking the reigns of the biggest entertainment franchise in the world was gutsy and the pressures to deliver a new yet faithful sequel were intense. But he does it. “The Force Awakens” is a fun, action-packed tablesetter for a new era of Star Wars. It has heart, emotion, and a childlike exuberance that should spark a flicker of excitement in even the most hardened person’s heart. But most importantly it FEELS LIKE a Star Wars movie. That may sound a bit silly to the more casual audience, but Star Wars fans know exactly what I mean and that may be J.J. Abrams’ single greatest accomplishment with this film.

VERDICT – 4.5 STARS

4.5 STARS

5 PHENOMENAL MOVIE SOUNTRACKS *

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Music can make a huge difference in movies. So this week I decided to look at 5 phenomenal movie soundtracks. But to be clear, I did set some restrictions. These are soundtracks featuring a collection of songs that work incredibly well with the movie they’re in. I’m not including in original scores in this list (that will come a little later). These are all soundtracks with songs by various artists that helped make the movies they were in unforgettable. I tried to pick soundtracks that are so memorable it would be hard to imagine the movie without them. Now all movie fans have soundtracks that strike a chord so I wouldn’t say this is the definitive list. But for my money these are 5 movie soundtracks that are absolutely phenomenal.

#5 – “TOP GUN” SOUNDTRACK

It could be argued that the “Top Gun” soundtrack is better than the actual movie. That’s an argument for another time. One thing that isn’t debatable is how much the soundtrack added to the movie. I mean can you imagine “Top Gun” without Kenny Loggins’ “Danger Zone”? And then you have Berlin’s Academy Award winning “Take My Breath Away” which was a #1 mega-hit. Loggins also sang “Playing With the Boys” and Cheap Trick did the energetic “Mighty Wings” which I still enjoy. Classics “Sitting on the Dock of the Bay”, “Great Balls of Fire”, and “You’ve Lost That Lovin’ Feeling” were added later to the deluxe edition. All of these songs and several others helped make the late “Tony Scott’s “Top Gun” and 80’s classic.

#4 – “O BROTHER, WHERE ART THOU” SOUNDTRACK

First off, this is not my kind of music. But there is no denying that the music in the Coen Brothers’ “O Brother, Where Art Thou” is an absolute perfect fit. The soundtrack features bluegrass, country, folk, and gospel and scatters it all through the movie. The soundtrack featured new songs and old classics from artists such as Ralph Stanley, Alison Krauss, Harry McClintock, and The Fairfield Four. But the song that people will always connect to the film is “Man of Constant Sorrows” sung by George Clooney and company in the movie but by “The Soggy Bottom Boys” in real life. The soundtrack won several awards and became incredibly popular and I can’t imagine this movie without it.

#3 – “PULP FICTION” SOUNDTRACK

Quentin Tarantino has a deep affection for music and how it contributes to his films. Perhaps the best example of this is with the fantastic assortment of tunes in “Pulp Fiction”. Tarantino carefully chose a stylish mix of soul, classic rock-and-roll, and even guitar driven surf music from the legendary Dick Dale. The song choices went from Kool and the Gang’s “Jungle Boogie” all the way to The Statler Brothers’ “Flowers on the Wall”. But the best scenes of the movie feature the best music. I love the famous dance contest at Jack Rabbit Slim’s to Chuck Berry’s “You Never Can Tell”. I also love Urge Overkill’s remake of Neil Diamond’s “Girl, You’ll Be a Woman Soon” which plays during the apartment scene. And who can forget Dusty Springfield’s “Son of a Preacher Man”? What a great variety of music.

#2 – “AMERICAN GRAFFITI” SOUNDTRACK

I love the music and the use of it in George Lucas’ “American Graffiti from 1973. But there’s a very interesting story behind it. Lucas understood that music was a huge presence in the summer of 1962. So he spent tons of money securing the rights to use the original material. In fact, he used up all of his budget therefore these classic oldies are the only music in the entire picture. But would you want it any other way? It was the perfect decision because you couldn’t go cruisin’ on a weekend in the 1960’s without the radio playing Del Shannon, Buddy Holly, The Beach Boys, Chuck Berry, Fats Domino, The Crests, Billy Haley & the Comets, and so many others. “American Graffiti” is a movie that owes a part of its success to this great selection of classic rock and roll tunes.

#1 – “DAZED AND CONFUSED” SOUNDTRACK

Let me simply say that I love the soundtrack to Richard Linklater’s coming of age picture “Dazed and Confused”. This 1993 comedy was set in 1976 during Lee High School’s final day of school and then a night of hanging out and cruising the town. As with “American Graffiti”, the music of the time is huge in making this movie work so well. And it’s not just the songs themselves, but it’s also Linklater’s management of the music. The soundtrack is an incredible collection of 70’s rock music including ZZ Top, Kiss, Alice Cooper, and Lynyrd Skynyrd. We get some great songs that we hear playing in cars and in the local arcade such as Rick Derringer’s “Rock and Roll, Hoochie Koo”, War’s “Low Rider”, and Foghat’s classic “Slow Ride”. Several other great tracks are perfectly used to help make this feel like a genuine 1970’s picture. I love the music, but even more I love the way Linklater makes the music as essential to the movie as it is to those kids cruising the streets.

There ya go, 5 Phenomenal Movie Soundtracks not including original scores. What do you think of the list? What did I miss. Please take time to share what you would have included.

5 PHENOMENAL MOVIES FROM 1980

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A few weeks ago I decided to do a Phenomenal 5 centered around the movies of 1987. The choice of the year was completely random but it was a fun list to do. So staying in the 80’s, I’ve decided to look at 5 phenomenal movies from 1980. Over the next several months I plan on sprinkling in several of these lists that look at the best movies the years had to offer. So let’s get started. Naturally, when you’re dealing with an entire year’s worth of movies there are plenty to choose from. Therefore it would be pretty crazy to call this the definitive list. But there’s no doubting that these 5 movies from 1980 are absolutely phenomenal.

#5 – “FRIDAY THE 13TH”

Over time the “Friday the 13th” series became more of a cinematic joke. To be fair, it has been loved by its large number of fans and completely brushed aside by others. It’s sometimes easy to forget that the series was launched by a pretty solid first movie that set the table for Jason Vorhees and his appetite for killing brain-dead teenagers as well as a whole genre of rather mindless slasher flicks. But in the original it’s all about his mother and this first film probably features more genuine scares than the other movies combined. It’s not a flawless movie by any stretch but it is a significant movie for horror fans.

#4 – “THE BLUES BROTHERS”

When I first saw John Belushi and Dan Aykroyd as Jake and Elwood Blues I was just a kid. But I remember thinking they were both hilarious and extremely cool. “The Blues Brothers” is one part comedy, one part musical, and one part amazing, blow you away, car chase. The brothers are trying hard to save the orphanage they grew up in from being closed down. Their “mission from God” puts them at odds with neo-nazis, a crazed bazooka-wielding Carrie Fisher, and every single Illinois law enforcement officer in the state. The result is a wonderful and wild ride that’s still fun today.

#3 – “AIRPLANE!”

“Airplane!” remains to this day one of my favorite comedies of all time. It’s absurd, brash, and over-the-top and I love it. The hilarious cast makes this nutty material work, none better than Leslie Nielsen, Peter Graves, and Lloyd Bridges. “Airplane!” is a steady barrage of corny jokes and gags and the movie never (and I do mean never) takes itself seriously. This parody of the big-budget disaster pictures is still funny today and I can’t name a modern comedy that comes anywhere close to delivering the laughs of this true comedy classic.

#2 – “THE SHINING”

While I’m not a big Stanley Kubrick fan, he knocks it out of the park with the chilling horror thriller “The Shining”. Jack Nicholson shines as the caretaker of a creepy hotel with a very disturbing history. He and his family are trapped in the hotel after a huge snowstorm and soon the supernatural presence sensed by his ESP endowed son makes itself known. “The Shining” features so many memorable scenes and it’s still as spooky as when I first saw it. This is one of the best adaptations of a Stephen King novel and even though it was met with very mixed reviews at first, it’s now considered a horror classic.

#1 – “THE EMPIRE STRIKES BACK”

Call me a fanboy, I don’t care. But for my money, “The Empire Strikes Back” is one of the greatest sequels in cinema history. Yes, I’m a huge Star Wars fan so my judgement may be tainted, but this film blew me away when it first hit the theaters in 1980. In fact, I was only 9 years old but I still remember seeing it on the big screen and being amazed by the special effects and deeply wounded by the sad and up-in-the-air ending. But there is a great story that unfolds as the movie progresses and for me this was the film that really gave the series a sense of weighty importance. I’ve seen this movie so many times and if I’m surfing the channels and see it on TV, I’m probably going to stop and watch it again. It’s that good.

There ya go – 5 phenomenal movies from the year 1980. What did I miss. Hey, even if you weren’t born then you’ve probably seen several that I didn’t mention. Please take time to share your thoughts.

“STAR WARS EPISODE 1: THE PHANTOM MENACE” 3D – 4 STARS

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There is perhaps no better monument to geekdom than the Star Wars franchise. George Lucas’ sprawling epic and personal cash cow has leapt outside the bounds of movies and into television, novels, comic book series, and more. That doesn’t even count the loads of money brought in through toys and other merchandise. So Star Wars certainly has it’s fan base and it always will. But you don’t have to be a Star Wars fan to appreciated the monumental accomplishment that “Star Wars” was when it hit theaters in 1977. It was a ground-breaking film in regards to its visual style and special effects. The film spawned two sequels, “The Empire Strikes Back” and “The Return of the Jedi”, both of which were immensely popular with the fans.

But one of the greatest stirs within the Star Wars community came in 1993 when Lucas announced he would be making a new trilogy, a prequel to the first three films. They would connect directly to the original trilogy and complete Lucas’ vision for the saga. In 1999, “Star Wars Episode 1: The Phantom Menace” was released. There has probably never been a movie released that has been under more scrutiny and breakdown that Episode 1 when it arrived in theaters. Fanboys and critics alike looked for chinks and flaws while never being able to keep from comparing it to the original trilogy. This has made judging Episode 1 on its own merits almost impossible. But Episode 1 had a lot on its plate and while I did find it to be the weakest of the six Star Wars pictures, after seeing the re-release, it still grabbed me and brought me back to the universe that I have always loved.

Since Lucas’ intent was to connect the two trilogies into one cohesive saga, I was always curious to see how he would start everything. In Episode 1, Lucas sets everything in motion by focusing on, of all things, politics as the biggest weapon of manipulation used to bring about the tragic events that we all know will unfold. We also get a look at the Jedi in their prime. We spend most of the time with Jedi Master Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor) as they go from political negotiators to planet liberators. A young Natalie Portman plays a Naboo queen who has a major impact on events. Another key part of the film is the introduction to Anakin Skywalker (played wonderfully by Jake Lloyd), a young child slave on Tatooine who we know later becomes Darth Vader. Lucas’ focus on Anakin in the first three films ends up reshaping the actual focus of the overall saga, and for my money in a good way.

As a whole, the structure of “The Phantom Menace” is pretty impressive. It was a daunting task to make three films that could connect directly to the previous trilogy and do so in a way that’s both cohesive and that survives the mythological scrutiny it faced from fanboys. Episode 1 does a nice job of putting the key characters in place while only occasionally getting bogged down in the almost mandatory setup scenes needed to launch the story. It’s nicely written and with the exception of a few hiccups, I found myself still pulled right back into the saga even after all these years.

Several new characters are introduced. Some of them work really well while others, not so much. The hatred for the Jar Jar Binks character was well documented and understandable. For me the problem wasn’t so much with the character, but with Lucas’ overkill in using him as “comic relief”. Lucas overplayed his hand and the result was an annoying and distracting character. On the flip side is the sinister Darth Maul physically played by Ray Park (his voice was done by Peter Serafinowicz). Not only was he one of the coolest looking Star Wars characters of all but his lightsaber fight with Obi-Wan and Qui-Gon still blows me away.

There’s no doubt that Lucas wants to show off the benefits of the new technology available to him in “The Phantom Menace”. In many ways it’s a good thing but in other ways it works against the film. I felt in some instances the movie becomes a barrage of “watch this” CGI moments. There are several scenes that could have easily been left out and the film would have been better for it. But there are also many scenes where the special effects present Star Wars in a new, more jaw-dropping light. The pod races on Tatooine is breath-taking and the space scenes are amazing. Most of the CGI characters move and fit flawlessly into the scenes with human actors. John Williams is back with an incredible score that gives us tiny tastes of the music from the original trilogy. Williams also creates new music that feels as though it want to interconnect with the original music as the story progresses. It works beautifully.

The one significant change for the re-release of Episode 1 is that the film is in 3D. The only problem is that it didn’t feel that significant at all. There are a few scenes where the 3 D works well, the pod races and space battles come to mind. There are also other instances where more depth is given to the scenes. But as a whole, the 3D isn’t particularly impressive. In fact, the 3D trailer that I saw earlier doesn’t reflect what you get from the full film. Now I’ll be honest, the 3D wasn’t the main draw for me. I mainly wanted to go and experience Star Wars on the big screen with my son. But if you’re going expecting a fantastic 3D experience you’ll probably be disappointed.

At the end of the day, “Star Wars Episode 1: The Phantom Menace” brought me right back into this magical universe that I’ve always loved. Again, Episode 1 is probably the weakest of the six films but I have a hard time railing on it as many others tend to do. It has it’s share of flaws but it also has it’s share of excitement and grandeur. But most importantly, it looks, sounds, and feels like a Star Wars picture and it sets the table for the rest of this glorious saga.