Well this is the week where millions and millions of dollars will be spent on fresh roses, boxes of rich chocolates, sparkling diamond jewelry, and expensive fancy dinners all in the name of undying love. Ok, let me reword that. This Thursday is Valentines Day – a day where we guys had better have our wives or girlfriends something nice or the following few weeks will not be very pleasant! In the spirit of this wallet-crushing holiday I thought it would be good to focus this week’s Phenomenal 5 on love. So today I’m listing 5 Phenomenal Movie Romances. These are classic onscreen romances that are equally memorable and romantic. Now with so many big screen romances gracing cinema for all these years I would be a real goof to call this the definitive list. But I have no problems calling these five movie romances absolutely phenomenal.

#5 – Jack and Rose (“Titanic”)

While the first half of James Cameron’s epic sized blockbuster “Titanic” wasn’t nearly as good as the second half, it did set in motion a romance that gave the tearjerker finale some huge emotional pop. Jack (Leonardo DiCaprio) is a poor drifter and Rose (Kate Winslet) is a member of the high society upper class. The two cross paths on the maiden voyage of the British luxury liner Titanic. Obviously they come from opposite ends of the social order but you know the old saying – “opposites attract” yadda yadda yadda. A deep and forbidden love develops between them and Rose’s family are none too happy about it. But all of that takes a back seat when the Titanic strikes an iceberg and begins to sink. At no time does their love shine brighter than in their struggle to survive and you can’t help but be moved by it.

#4 – Jesse and Celine (“Before Sunrise” & “Before Sunset”)

No list like this would be complete without including Jesse (Ethan Hawke) and Celine (Julie Delpy). These two young lovers first met on a train from Budapest to Vienna in “Before Sunrise”. Jesse convinces Celine to skip her connecting train to Paris and spend the night walking around Vienna with him. A romantic spark is lit and the two seem like true soul mates but at the end of the film they head their separate ways. They cross paths 10 years later in Paris in “Before Sunset” and their lives have taken on many new changes. But as they spend the day walking and talking we quickly learn that spark never went out. It’s such a wonderful but complicated romance and we’ll get to see them 10 years later in this year’s “Before Midnight”. I can’t wait.

#3 – Nathaniel and Cora (“The Last of the Mohicans”)

Underneath the surface of frontier violence and costly war lies an incredible romance that plays a big part in “The Last of the Mohicans”. Cora (Madelenie Stowe) is an English woman who has arrived in the States during The French and Indian War. She’s rescued by Nathaniel (Daniel Day-Lewis) and his adopted father and brother after a Huron war party tries to kill her. Through Nathaniel she learns a different perspective of the war and how it effects the locals. Even more important to the story, the two develop a love for one another that carries them through blood, battlefields, and tragedy. The way this love story is told through this dangerous and violent environment is beautiful and “The Last of the Mohicans” remains one of my all time favorite films.

#2 – Scarlett and Rhett (“Gone with the Wind”)

There may not be a more difficult and sometimes volatile relationship in film than the one shared between Scarlett O’Hara (Vivien Leigh) and Rhett Butler (Clark Gable). Their fascinating romance takes place during the outbreak of the Civil War. Scarlett is a fiery but spoiled daughter of a plantation owner and Rhett is just the one to tame her…or is he? Rhett is a confident and brash fellow who makes a play for Scarlett. But he’s not her puppet which often times infuriates her. But through their on again/off again relationship there is evidence of a truly passionate love between them. These two take us on a roller coaster ride that’s anything but a soft and tender love story. But it’s without a doubt one of the most mesmerizing romances to ever grace the movies.

#1 – Rick and Ilsa (“Casablanca”)

My favorite movie of all time also happens to feature what I think is the greatest romance in movie history. Humphrey Bogart plays Rick, a club owner in Casablanca during World War 2. His world is turned upside down when Ilsa (played by the stunningly beautiful Ingrid Bergman) reenters his life. We learn the two fell madly in love after first meeting in Paris but circumstances tore them apart. From the first moment their eyes meet again, we know that neither’s feelings have changed. But there are several obstacles keeping them from being together and watching what seems to be an ill-fated romance is simply great cinema. Bogart and Bergman have incredible chemistry and you never doubt their character’s love for each other. This is the quintessential romance in what’s a truly flawless movie.

So those are my five phenomenal movie romances. Now I want to hear your thoughts. What did I miss or where did I go wrong. Take time to comment and share you favorite movie romance.

James Fenimore Cooper’s novel “The Last of the Mohicans” was first adapted for the big screen in 1912. Other versions of the story appeared at theaters in 1936 and 1963. But then in 1992 Michael Mann delivered not only the best version of the classic story but also one of the most well-crafted and cinematic period piece films you’ll find. Mann gives us a gritty frontier action picture placed in a beautiful yet worn-torn setting. But an equally strong component of the film is the passionate love story interwoven throughout the picture. It’s a romance that never feels tacked on or disingenuous. In fact, it fuels much of what drives the narrative all the way to its powerful final 10 minutes.

The film stars Daniel Day-Lewis as Nathaniel Hawkeye, adopted white son of Chingachgook (Russell Means). Joined by Uncas (Eric Schweig), Chingachgook’s only blood son, the three find themselves involved in The French and Indian War that they are desperately trying to avoid. After tracking a Huron war party the three rescue Cora (Madeleine Stowe) and Alice (Joghi May) Munro, daughters of a British Colonel stationed at Fort William Henry. Realizing more Hurons will be coming, they agree to lead the daughters and Major Duncan Heyward (Steven Waddington) to the fort. From there relationships develop, jealousy and deception is revealed, and the horrors of a new kind of war take center stage.

The casting is proven good by some truly wonderful performances throughout the movie. Lewis is fantastic as Nathaniel and his onscreen chemistry with Stowe is quite good. Their romance feels genuine even though it feels a little hurried. Lewis is also good in the action sequences as is Schweig and Means. The action is beautifully shot and choreographed and the three actors have absolutely no trouble selling it. Also fun to watch is the great Wes Studi as Magua, a twisted Huron warrior who wants to kill as many “grey hairs” as possible. Everyone is good in the film and even the smaller performances ting with authenticity.

This film version isn’t ardently faithful to Cooper’s novel but in many ways it’s an improvement on it. Mann and co-writer Christopher Crowe put together an energetic and fast-paced adaptation. It ruggedly portrays the demanding and taxing frontier life and sharply contrasts that with the aristocratic, prim and proper attitudes of the English and French. It’s that monarchist arrogance and sense of entitlement that meets the sharp and violent reality of the frontier. It also doesn’t shy away from giving the action a gritty and sometimes bloody presentation. But with the exception of one particular scene, the violence never feels gratuitous. Instead it feels like an accurate representation of what that crude and sometimes brutal combat would be like.

I also have to mention how wonderful the movie looks. I mentioned how beautifully shot the action sequences are but the same could be said for the entire picture. Filmed in North Carolina’s Blue Ridge Mountains, the movie features so many scenes of natural beauty that it’s impossible not to be drawn in. The gorgeous locations mixed with Dante Spinotti’s stunning cinematography gives the setting an uncharted and untouched look. And it’s impossible not to be impressed by his clever camera angles and perfectly executed long shots that give so many scenes an undeniable cinematic flare.

And speaking of presentation, I have to mention the incredible score by Trevor Jones and Randy Edelman. Of all of the movie scores I have heard, and there are plenty of great ones out there, none has added as much to a film or effected me more that Jones’ and Edelman’s work here. From the percussion-driven music during the battle at Fort William Henry to the emotional period string arrangement playing during the finale, every note hits perfectly. But most importantly, the score adds to the mood and tone of almost every scene.

Michael Mann’s “The Last of the Mohicans” is an example of wonderful filmmaking from title to credits. Some may not respond as strongly to its straightforward storytelling or its occasionally intense violence. But I love it’s fast and fluid pacing, realistic frontier depiction, and heartfelt romance. The performances are great throughout led by more strong work Daniel Day-Lewis. It’s also a technical achievement featuring stunning visuals, remarkable sound, and a soundtrack that still moves me to this day. This is a unique historical period film that has a feel all its own. It won me over when I first saw it in the theater in 1992 and it’s one of the few movies that I can watch again today anytime or anywhere.