“SHERLOCK HOLMES: A GAME OF SHADOWS” – 2 STARS

“Sherlock Holmes: A Game of Shadows” is the sequel to the hugely popular 2009 action adventure mystery film. Robert Downey, Jr. and Jude Law return as Holmes and Watson as does director Guy Ritchie. Unfortunately the uniqueness, humor, and charm of the first film are all but missing in the sequel. “A Game of Shadows” feels like it hits the same notes over and over and it certainly lacks the freshness of the first picture. It feels bland and generic and even the loud injections of explosions, gunfire, and fist fights can’t break the monotony.

That’s a pretty harsh way to open a review and in all honesty the movie is not all bad. The story pits Holmes and Watson against Professor Moriarty played wonderfully by Jared Harris. Moriarty is a man of great power and is involved in all sorts of criminal activity including terrorist bombings, assassinations, and corrupt business dealings. As with most villains of this type, Moriarty has a much bigger plan at work and the story takes Holmes and Watson through numerous twists and turns, some of which make almost no sense, in their efforts to stop their arch-enemy. The best scenes in the film are the one-on-one conversations between Holmes and Moriarty but sadly we don’t get many of them.

The movie has a few genuinely funny moments. When not bogged down with the sometimes bloated screenplay, Downey, Jr.’s kookiness certainly pulls in a few laughs. There are also a couple of more sequences that are quite funny. But there are several attempts at humor that just fall flat and at times feel out-of-place. Some of these attempts feel cheap and I especially grew tired of certain undertones than seem to run throughout the film. It definitely doesn’t maintain the humor of the first picture.

“A Game of Shadows” won’t do anything to endear itself to fans of the classic characters. But it not only takes the characters further and further away from the source material. I thought this version of Holmes and Watson were quite different from what we saw in the first movie. We get glimpses of the wacky relationship from the previous picture but not enough to drive the film. It overextends itself in so many directions that it seems to have forgotten what made the first film so enjoyable.

I liked the first Sherlock Holmes movie. It was fresh, funny, and quite entertaining. This second installment falls well short of the mark and even with it’s occasional laugh and pulse-pounding action sequences, I couldn’t get past the convoluted plot, cheap gags, and off-balanced direction. If they do decide to try for a third film in the franchise, I for one think they should look to another director. For me, Ritchie’s vision has run it’s course and I can’t see myself sitting through another film that offers as little as “A Game of Shadows”.

Top 10 Most Anticipated Films of 2012

TOP 10 MOST ANTICIPATED FILMS OF 2012

2011 gave us some memorable movies but overall it wasn’t the best year for film lovers. But fear not, 2012 seems to have a fantastic lineup of potentially great films. The year’s lineup is loaded with big-budget sequels, action-packed ensembles, trilogy finales, historical dramas, and much more. Here are my Top 10 Most Anticipated Films of 2012:

#10 – “THE BOURNE LEGACY”

The fourth installment of the popular Bourne series brings with it some major changes. Tony Gilroy directs but the biggest draw for me is the addition of Jeremy Renner in the lead role. Renner plays Aaron Cross and is joined by fellow cast members Rachel Weisz, Edward Norton, Albert Finney, Scott Glenn, and Oscar Isaac. I’m a huge Renner fan and if anyone can capture the intensity of a Jason Bourne styled character, it will be him.

#9 – “THE GREAT GATSBY”

There have been several adaptations of F. Scott Fitzgerald’s “The Great Gatsby”. 2012’s big screen version brings a strong cast including Leonardo DiCaprio, Carey Mulligan, Joel Edgerton, and Tobey Maquire. It’s set for a December 25th release which often times indicates that the film is aimed at awards season. Here’s hoping that this classic story gets a classic treatment in 2012.

#8 – “DJANGO UNCHAINED”

Speaking of stellar casts, how can you not be excited about a film that features the talents of Jaime Fox, Leonardo DiCaprio, Christoph Waltz, Samuel L. Jackson, Kurt Russell, Sacha Baron Cohen, Joseph Gordon-Levitt, and Don Johnson? Quentin Tarantino writes and directs this film described as a spaghetti western but I’m sure with a Tarantino twist. With Tarantino you never know what to expect but it’s always new, fresh, and unlike anything you have seen before.

#7 – “PROMETHEUS”

If you enjoyed the “Alien” pictures (particularly the first two), then you have to be excited about Ridley Scott’s “Prometheus”. While it’s said to definitely be connected to the “Alien” movies, “Prometheus” is essentially its own story and as a Ridley Scott fan, I can’t wait to see what he has in store for us. Michael Fassbender, Noomi Rapace, Guy Pearce, and Charlize Theron only make the prospects sweeter. The teaser trailer looks moody, mysterious, and downright creepy. I can’t wait.

#6 – “THE AVENGERS”

I’m a long time comic book reader and super-hero fan so Marvel’s “The Avengers” certainly is on my radar. I’ve had loads of fun with the movies focused on the individual heroes and now we get them all together in what could be a really, really good film or a cluttered mess. I’m optimistic especially considering that Marvel has had this in the works well before the individual films were made. That bigger vision could equal one fun summer popcorn flick. Downey, Jr., Evans, Johansson, Hiddleston, Ruffalo, Jackson, Hemsworth, and Renner provide plenty of acting muscle to pull this thing off.

#5 – “THE HOBBIT”

2012 also gives us the first part of Peter Jackson’s “The Hobbit”. As a huge fan of what he did with “The Lord of the Rings” trilogy, I have full confidence that he will give us another exciting experience in Middle-Earth. Many actors reprise their roles including Ian McKellen, Hugo Weaving, Orlando Bloom, Elijah Wood, Cate Blanchett, and Andy Serkis. I fully expect this to be another rousing visual accomplishment and Jackson’s familiarity with the material will be evident. Set for a December release, what a way to end the year!

#4 – “SKYFALL”

I have never been the biggest James Bond fan but that all changed when Daniel Craig took over the role in “Casino Royale”. “Skyfall” is Craig’s third film as 007 and the first since 2008. Adding to the excitement is the casting of Javier Bardem as Bond’s main antagonist. Craig’s Bond has passed over the overtly cheesy dialogue and suave sophistication and replaced it with a tougher, grittier Bond that’s more grounded in reality. I’ve loved his first two films and can’t wait for “Skyfall“.

#3 – “THE WETTEST COUNTY”

The Wettest County” is a film that excites me on the sheer strength of its cast and it’s depression-era setting. It instantly makes my list just for starring personal favorites of mine Tom Hardy, Guy Pearce, and Gary Oldman plus 2011 breakout actress Jessica Chastain. Australian John Hillcoat, also known for 2009’s “The Road”, directs the Nick Cave screenplay. This film has flown under most people’s radar but I see it as loaded with potential and featuring some brilliant talent. “The Wettest County” hits select theaters in August.

#2 – “LINCOLN”

Some have mentioned having “Spielberg Fatigue” but I can’t say that fits me. But to be honest Steven Spielberg isn’t the reason I’m excited about 2012’s “Lincoln”. Daniel Day-Lewis is one of the most gifted actors in film and his last work in 2007’s “There Will Be Blood” was one of the single best performances I have ever seen. Needless to say I can’t wait to see him portray Abraham Lincoln. A fantastic supporting cast has been placed around him featuring Sally Field, Joseph Gordon-Levitt, Tommy Lee Jones, David Strathairn, John Hawkes, Hal Holbrook, and more. If Spielberg keeps himself under control, this could turn out to be a true motion picture classic.

#1 – “THE DARK KNIGHT RISES”

Christopher Nolan has made super-hero movies into more than just summer popcorn pictures. His brilliant “The Dark Knight” wasn’t just a comic book movie. It was a dark and complex film featuring perfect direction, great performances, and impeccable sound and visuals. Nolan’s trilogy comes to an end with “The Dark Knight Rises” and everything points to this being another amazing picture. Joining the cast for the final installment are Tom Hardy, Anne Hathaway, Marion Cotillard, and Joseph Gordon-Levitt. Returning is Gary Oldman, Michael Caine, and Morgan Freeman. Nolan is one of the top directors in Hollywood and there is no reason to think he’s not going to finish his Batman run with a phenomenal final chapter.

Agree or disagree? Maybe there’s a movie you’re looking forward to seeing that didn’t make my list. Leave your comments below and share what you think of the 2012 movie releases.

“THE WOMAN IN BLACK” – 3.5 STARS

No, this is not ‘Harry Potter Does Horror’. Saying that may be the greatest compliment Daniel Radcliffe could receive. Fresh off of the  massive success of the  Harry Potter franchise, Radcliffe begins his adult movie career with “The Woman in Black”, and old school horror film based on Susan Hill’s 1983 novel. The story has been adapted into a play and a TV movie before finally reaching the big screen. It’s old school in the fact that it doesn’t soak the audience with buckets of blood and guts. Instead it relies on mood and tone and in my opinion that’s much scarier than any amount of gore.

“The Woman in Black” was a good choice for Radcliffe. It’s not a role loaded with heavy dialogue or that requires a wide range. But Radcliffe is more than able to handle what’s asked of him. He plays Arthur Kipps, a young lawyer and father who is still struggling to cope with the death of wife during the birth of their son. Arthur’s sadness is not only effecting his relationship with his now four-year old son, but also his job performance at the law firm. His boss gives him one more chance to impress the higher-ups by sending him to a remote English village to handle the final affairs of a woman who died there. As you would guess, upon arrival Arthur is greeted with all sorts of odd behavior from villagers that would rather he leave.

One of my favorite actors, Ciaran Hinds plays Sam Daily, one of the few locals that gives Arthur the time of day. Sam warns Arthur of the superstitious nature of the villagers but it’s clear Sam knows more than even he want’s to believe. Arthur arrives at the creepy mansion of the deceased lady to begin his work. He soon finds that the land is haunted by a mysterious woman in black which leads Arthur to discover the gruesome secret the villagers so desperately try to hide.

There are so many vintage horror elements in “The Woman in Black”. We get everything from ghosts to haunted houses but most important is that the majority of it works. “The Woman in Black” really succeeds with the creep factor. With the exception of a few cheap, loud ,volume burst jump scenes, the movie manufactures its terror through slick camera work, dark and dreary locations, and a genuinely spooky ambience. The story turns out to be far more grim than a simple haunted house ghost story which adds to the intensity. Once the mystery begins to unfold, the story comes together nicely and with the exception of Arthur’s rather far-fetched solution, I liked the way things came together.

“The Woman and Black” isn’t a perfect film but it’s head-and-shoulders above many of the horror pictures Hollywood churns out. There are a couple of cheap frights, a few head-scratching moments, and it does revisit the same boo devices more than once. But it also shows a film can be scary without the senseless blood and guts. It’s look and tone perfectly captured the mood for me and I found myself easily wrapped up in the story. This is a good transition for Radcliffe and a nice film in what is usually a poor movie month.

REVIEW: “Chronicle”

“Chronicle” is another one of those “look what I’ve captured on my hand-held video camera” movies but with a super-powered twist. It takes elements from a wide range of movies from “Hancock” to “Paranormal Activity” and everything in between then mixes them together to form a slightly unique but overall predictable 80 minute package. “Chronicle” does spark some interest early in the film as it takes a different look at the concept of superhuman powers. There are some genuine moments of humor and a wild ending filled with special effects that undoubtedly ate up most of the $15 million budget. But it doesn’t take long to figure most things out and the stereotypical, run-of-the-mill teenaged characters started to lose interest.

The story begins with Andrew (Dane DeHaan), a teenager who is somewhat of a closed off social pariah. He doesn’t have many friends, has a mother who is dying of cancer, and an abusive alcoholic for a father. He just randomly decides to start filming everything in his life with a newly purchased video camera. This develops the perspective that we the audience have throughout the picture. Andrew is convinced to go to a party by his “friend” and cousin Matt (Alex Russell). Matt has enough of a bond with Andrew to want to see him come out of his anti-social bubble, but he’s not enough of a friend to spend time with him at the party. Andrew is approached at the party by Steve (Michael B. Jordan), a popular jock and aspiring politician. Steve has been sent by Matt to find Andrew and bring him and his camera to a weird crater found in the woods. The three boys do some ill-advised exploring and stumble across something not of this planet which gives them super-powers.

The majority of the picture focuses on the three teens and their developing powers. They determine that their powers “works like a muscle” and they can tell they are getting stronger the more they use them. This leads to the obvious “we need a set of rules” (think Spider-man’s “with great power comes great responsibility”). They begin developing their own ideas about how to use their new abilities which leads to several disagreements and eventually bigger problems. You’ll see it all coming well before the ending, but that’s not to say there aren’t some good scenes in the build-up. There were some fun moments just watching the teens act like kids with a new super-powered toy. They responded exactly how you would expect them to – silly, playful, immature, and irresponsible. But they also fall into some of the overused and uninteresting teen movie stereotypes that I found disappointing.

The idea to show this from the perspective of a video camera worked for a time but after a while I was feeling that I had seen this all before. It wasn’t fresh or innovative. And in the third act of the film, the video camera perspective seems to just drop for a few shots then come back. Not sure if it was an oversight, but I found myself trying to figure out which camera perspective I was seeing before eventually saying “forget it”. But the ending action sequence is wild and quite impressive. Downtown Seattle is the location for  the massive explosions, flipping cars, and shattered skyscrapers. It’s so good that it almost makes up for the film’s earlier problems.

“Chronicle” was built off of a good idea, but its one thread of originality isn’t enough to support the entire film. First time director and co-writer Josh Trank does some interesting things with his camera, but it’s mostly lost by his decision to use the hand-held perspective and video documentary approach, an approach that’s been done many times before. There are some good lines in the picture and the final action sequence is fantastic. It’s just a shame that this “fresh” look at super-powers features so many things we’ve seen before.

VERDICT – 2 STARS

TOP 5 BEST LEAD ACTOR PERFORMANCES OF 2011

TOP 5 BEST LEAD ACTOR PERFORMANCES OF 2011

When I look back on 2011, it will be a year where the performances actually outshined the finished films. While several movies became favorites of mine, it was the wide range of high quality acting work that really impressed me. Since we have talked about the ladies, let’s get to my top 5 male leading performances for 2011. Again, it was hard to leave a couple of names off this list, but this is one solid group of actors.

#5 – Owen Wilson (Midnight in Paris)

I’m as surprised at this as anyone else. I’m not the biggest Owen Wilson fan. I’ve often times found him over the top and just too goofy for my taste. But while we get hints of the Owen Wilson we’ve seen in past movies, in “Midnight in Paris” he seems more controlled and tempered while still being genuinely funny. I really liked Gil Pender and appreciated how Wilson brings him to life. Woody Allen’s influence can certainly be seen, but Wilson makes the character his own and sells him beautifully.

#4 – George Clooney (The Descendants)

I wasn’t as crazy about Alexander Payne’s “The Descendants” as most people, but there’s no denying the brilliant work from George Clooney in the lead role. Clooney honestly makes everyone else who shares a scene with him better. He doesn’t dominate the scenes or call unmerited attention to what he’s doing. It’s a very real and organic performance and one that definitely deserves the attention it has received.

#3 – Mel Gibson (The Beaver)

I was a bit surprised to see Mel Gibson shunned this awards season. Hollywood and the Academy are extremely selective in terms of forgiveness regardless of how much hypocrisy their selectivity exposes. I’m not trying to be a Gibson sympathizer, but his performance in “The Beaver” is not only one of the best performances of the year, but some of the best work of his career. Obviously Gibson knows what it means to be a damaged man but to see it played out with such authenticity on screen was truly stirring. More people should give “The Beaver” a chance. If you do, Gibson’s performance can’t help but be appreciated.

#2 – Jean Dujardin (The Artist)

From the first moment you see Jean Dujardin on screen in “The Artist”, you know you’re seeing something special. His precision and detail in bringing a silent movie character to life goes well past nostalgia. He brought more life to his George Valentin character with the handicap of no voice work than nearly every other performance of 2011. He certainly pays homage to a bygone era of filmmaking. But he also conveys the humor and drama from his character in a way that blew my mind. A truly brilliant performance.

#1 – Michael Shannon (Take Shelter)

Even with such great acting as I’ve already mentioned, no one effected me more than Michael Shannon in “Take Shelter”. He undoubtedly delivers one of the most painfully tragic performances I’ve seen in years. His depiction of mental illness is unique in that his character sees what’s coming. He has seen it in his mother and his biggest concern is on how it will effect his own family. It’s a crushing and emotional performance that was head-amd-shoulders above anything else I saw in 2011. It’s such a shame that he has gone overlooked.

Agree or disagree? Please leave a comment or share your top 5 of 2011.

REVIEW: “Yojimbo”

Classic Movie SpotlightYojiMboAkira Kurosawa’s 1961 classic Yojimbo is a Japanese samurai film that’s not only beautifully hypnotic entertainment but is a master’s class on camera work and film making. Kurosawa creates a gritty and audacious period picture that manages to mix action with small bits of dark comedy while constantly showing off his technical savvy.

Yojimbo was heavily influenced by American westerns from the Japanese village’s dusty, deserted main street to the face-offs reminiscent of classic western one-on-one gun duels. Even more interesting is that it went on to be the inspiration for other westerns including Sergio Leone’s A Fistful of Dollars, which is almost a scene by scene replication instead of a remake. Both films tell the story of a mysterious stranger who enters a small town ran by two brutal, warring gangs. Instead of heeding the advice of a local resident, the stranger sees there’s money to be made in the village by playing both sides. Even Clint Eastwood’s Fistful character seems specifically patterned after Yojimbo’s samurai all the way down to his constant beard scratching.

Toshiro Mifune gives an impeccable performance as the solemn wandering samurai. He and Kurosawa collaborated for 16 films with Kurosawa once saying of Mifune  ”I am proud of nothing I have done other than with him”. Their creative chemistry is evident in Yojimbo with Kurosawa really focusing on Mifune’s strength of communication through expressions and mannerisms. This is a strong performance.

Yojimbo looks and sounds amazing. Masaru Sato’s magnetic score starts with the opening credits and resonates throughout the picture. The cinematography is fascinating with some cleverly staged camera angles, near perfect camera movement, and beautiful wide-framed shots. The story is pretty basic but very efficient with the exception of a few too many conversations over sake at the restaurant. Yet it’s never boring and more often times mesmerizing.

Yojimbo earns it’s recognition as a classic. With each viewing I gain a better appreciation for the movie and for Kurosawa’s brilliant vision. It’s easy to see why another great director like Sergio Leone would be inspired by Yojimbo. It’s a true motion picture  accomplishment and you don’t have to be a cinephile to appreciate it. If you haven’t seen it, make time to. Then follow it up by watching A Fistful of Dollars. You’ll not only see a great film but also appreciate it’s influence.

VERDICT – 5 STARS

5 STARSs

5STAR K&M