Tag Archives: movies

New on Home Video: “Constantine” on 4K Ultra HD + Digital

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Warner Brothers Discovery Home Entertainment is celebrating the 20th Anniversary of “Constantine” by bringing it to 4K Ultra HD for the very first time. The superhero horror film is based on the “Hellblazer” graphic novels from DC Comics and features Keanu Reeves as the titular protagonist John Constantine. It’s the feature film debut for Francis Lawrence who put together a dark and stylish supernatural adventure. Upon release, “Constantine” didn’t get the critical love it deserved. But over time people have rightly warmed up to it.

This cool new 4K Ultra HD edition of “Constantine” comes with a digital copy and will be available to purchase on February 18th. See below for a full synopsis of the film as well as release info including a list of special features.

About the Film:

Year: 2005

Runtime: 121 Minutes

Director: Francis Lawrence

Screenwriters: Kevin Brodbin, Frank Capello

Cast: Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton, Pruitt Taylor Vince, Djimon Hounsou, Gavin Rossdale, Peter Stormare, Max Baker, José Zúñiga, Francis Guinan, April Grace

Rating: R for violence and demonic images

Based on the DC Comics/Vertigo “Hellblazer” graphic novels and written by Kevin Brodbin and Frank Cappello, “Constantine” tells the story of John Constantine (Keanu Reeves), a man who has literally been to hell and back.  When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles.  Caught in a catastrophic series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.

Special Features:

“Constantine” Digital release and Ultra HD Blu-ray disc contains a new special feature along with previously released special features:

  • New Feature – Two Decades of Damnation
  • Commentaries
  • Channeling Constantine
  • Conjuring Constantine
  • Holy Relics
  • Shotgun Shootout
  • Hellscape
  • Warrior Wings
  • Unholy Abduction
  • Demon Face
  • Foresight” The Power of Pre-Visualization
  • A Writer’s Vision

 

“Constantine” Ultra HD Blu-ray disc contains the additional previously released special features:

  • Director’s Confessional
  • Demon Face

 

New on Home Video: “Play It Again, Sam” on Blu-ray

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Kino Lorber Studio Classics is bringing the delightful comedy “Play It Again, Sam” to home video in a fantastic new Blu-ray edition. Released in 1972, “Play It Again, Sam” follows a neurotic and insecure film journalist and recent divorcee (played by Woody Allen) who is inspired by the ghost of Humphrey Bogart to get back into the dating game. Allen wrote the screenplay but it’s directed by Herbert Ross (“Funny Lady”, “The Turning Point”, “Footloose”, “Steel Magnolias”).

This handsomely packaged Blu-ray special edition of “Play It Again, Sam” will be available to purchase on February 11th. See below for a full synopsis of the film as well as release info including a list of special features.

About the Film:

Year: 1972

Runtime: 86 Minutes

Directors: Herbert Ross

Screenwriters: Woody Allen

Cast: Woody Allen, Diane Keaton, Tony Roberts, Jerry Lacy, Susan Anspach, Jennifer Salt, Joy Bang,

Rating: PG

Woody Allen’s wonderful comedy was his first film with Diane Keaton, a relationship that would continue to produce great films like “Sleeper”, “Love and Death”, “Annie Hall” and “Manhattan”. Allen plays Allan, a fanatical movie buff with an outrageous recurring hallucination: Humphrey Bogart (Jerry Lacy) offering tips on how to make it with the ladies. His married friends Dick and Linda (Tony Roberts and Diane Keaton) fix him up with several eligible young ladies, but his self-confidence is so weak that he’s a total failure with them all. Eventually Allan discovers that there is one woman he’s himself with: Linda, his best friend’s wife. The final scene is a terrific takeoff on Casablanca’s classical ending, complete with roaring plane propellers, heavy fog and Bogie-style trenchcoats. “Play It Again, Sam” was penned by Woody Allen, based on his own 1969 Broadway play, and directed by Herbert Ross (“The Goodbye Girl”, “California Suite”).

Special Features:

Product Extras : 

  • Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative 
  • NEW Audio Commentary by Screenwriter/Producer Alan Spencer and Author/Film Historian Justin Humphreys 
  • Theatrical Trailer 
  • Optional English Subtitles

New on Home Video: A Spaghetti Western Double Feature – “Kill Them All and Come Back Alone” + “The Hellbenders” on 4K Ultra HD

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Kino Lorber Studio Classics has released a terrific spaghetti western double feature on home video. This special edition includes Enzo G. Castellari’s “Kill Them All and Come Back Alone” and Sergio Corbucci’s “The Hellbenders”, both on 4K Ultra HD for the very first time. Kino Lorber continues to be an industry leader in the preservation of classic cinema on physical media. They prove it again with this handsomely packaged collection.

This 4K Ultra HD two-film special edition is now available to purchase. See below for a full synopsis of both films as well as release info including a list of special features.

About “Kill Them All and Come Back Alone”:

Year: 1968

Runtime: 100 Minutes

Directors: Enzo G. Castellari

Screenwriters: Tito Carpi, Francesco Scardamaglia, Joaquín Romero Marchent, Enzo G. Castellari

Cast: Chuck Conners, Frank Wolff, Franco Citti, Leo Anchóriz, Ken Wood, Alberto Dell’Acqua, Hercules Cortez

Rating: R

From Enzo G. Castellari, the legendary director of “Street Law”, “The Big Racket”, “Keoma” and “The Inglorious Bastards” comes this action-packed spaghetti western starring screen and television great Chuck Connors (“The Big Country”, TV’s “The Rifleman” and “Branded”). In 1864, a mercenary Clyde McKay (Connors) leads a squad of tough-as-nails cutthroats on a mission for the Confederate high command to infiltrate an enemy fortress and steal millions in gold from the Union Army. Frank Wolfe (“Once Upon a Time in the West”) co-stars in this fully restored first-rate tale of betrayal and revenge.

About “The Hellbenders”:

Year: 1967

Runtime: 92 Minutes

Directors: Sergio Corbucci

Screenwriters: Ugo Liberatore, José Gutiérrez Maesso, Albert Brand

Cast: Joseph Cotten, Norma Bengell, Julián Mateos, Gino Pernice, Ángel Aranda, Claudio Gora, María Martín, Aldo Sambrell, Al Mulock

Rating: NR

From Sergio Corbucci, the legendary director of “Django”, “Navajo Joe”, “The Great Silence” and “The Mercenary” comes this classic spaghetti western starring screen icon Joseph Cotten (“The Third Man”, “Duel in the Sun”) as the fanatical patriarch of a family of ex-Confederate killers who massacre an army convoy carrying millions in cash to finance an invasion of the North. But before they can re-ignite the Civil War, they’ll have to smuggle a coffin crammed with the stolen cash across a frontier enflamed by lust, violence and extreme vengeance. Aldo Sambrell (“For a Few Dollars More”) and Al Mulloch (“The Good, the Bad and the Ugly”) co-star in this fully restored western shocker. “The Hellbenders”—also known as “The Cruel Ones”, Features a rousing score renowned composer Ennio Morricone (“A Fistful of Dollars”).

Special Features:

Product Extras : 

  • 2020 UHD SDR Masters by StudioCanal 
  • Includes Both the 99-Minute English and 100-Minute Italian Cuts of KILL THEM ALL AND COME BACK ALONE 
  • Audio Commentaries (Both Films) by Filmmaker Alex Cox, Author of 10,000 Ways to Die: A Director’s Take on the Italian Western 
  • Theatrical Trailers (Both Films) 
  • KILL THEM ALL – Triple-Layered UHD100 Disc 
  • THE HELLBENDERS – Dual-Layered UHD66 Disc 
  • Optional English Subtitles

FIRST GLANCE: “Jurassic World Rebirth”

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Studios are ramping up promotion for their big summer blockbusters. Yesterday it was Disney and Marvel Studios teasing The Fantastic Four. Today it’s Universal Studios releasing the first full trailer for “Jurassic World Rebirth”, the seventh feature film in the Jurassic Park franchise. While the previous two films made a lot of money, they left a lot to be desired. Thankfully “Rebirth” gives us reasons to be optimistic starting with the first trailer.

“Rebirth” is a standalone sequel to 2022’s “Jurassic World Dominion”. It’s story takes place five years after “Dominion” and follows a top-secret mission back to the island of Jurassic Park. Team leader Duncan Kincaid (Mahershala Ali), Covert Operative Zora Bennett (Scarlett Johansson), and paleontologist Henry Loomis (Jonathan Bailey) are among the group searching for DNA that can be used in a number of medical cures. Of course they find much more than they bargained for mostly in the form a dangerous mutated dinosaurs.

The cast is a good one and helps make the film intriguing. But what excites me most is Gareth Edwards directing. He has delivered big with each of his last three films, “Godzilla” (2014), “Rogue One: A Star Wars Story” (2016), and “The Creator” (2023). After seeing the new trailer, there’s no reason to believe he won’t deliver once again.

“Jurassic World Rebirth” tromps into theaters on July 2nd. Check out the trailer below and let me know if you’ll be seeing it or taking a pass.

REVIEW: “Companion” (2025)

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The new horror film “Companion” is the latest entry into the ever-growing artificial intelligence genre. Much of what has come down the assembly line has been throwaway entertainment (“M3GAN”, “Subservience”, etc.). But occasionally we get something interesting and unexpected. “Companion” falls somewhere in between. It has just enough creative juice to stand out from the crowd. Yet it’s not as original or insightful as it clearly wants to be.

“Companion” is the feature film debut for writer-director Drew Hancock. His movie falls in line with several others from this current phase of modern horror that simply aren’t that interested in actual scares. “Companion” isn’t the slightest bit creepy, chilling, or unsettling. In fairness, Hancock doesn’t hide his intentions. He’s just as much interested in delivering a black comedy and a twisted revenge fantasy. So don’t go into it expecting to be on the edge of your seat.

Image Courtesy of Warner Bros. Pictures

Unfortunately as Hancock admirably attempts to corral all of his ambition, his film stumbles in areas that are hard to miss. For starters, “Companion” begins with what would have been quality table-setting if its first major reveal hadn’t been routinely spoiled during its promotion. Yet to the movie’s credit, it still manages to entertain while we wait for its story to catch up with what we already know.

But as the story progresses you begin to see its seemingly tight story slowly begin to unravel. By the end the movie struggles to stay on the rails, hampered by glaring plot holes and leaving us with obvious questions that never get unanswered. Meanwhile its overall message is a familiar one that hinges on a few popular well-worn themes without really expressing anything about them that we haven’t seen before.

The story centers around a group of friends who gather at a secluded lake house for a weekend getaway. They’re possibly some of the dumbest characters you’ll encounter on a screen this year. The lone exception is the sweet yet timid Iris (Sophie Thatcher) who arrives with her boobish boyfriend Josh (Jack Quaid). Waiting for them at the house are Josh’s friends Kat (Megan Suri) and her Russian sugar daddy Sergey, and Eli (Harvey Guillén) who brought along his significant other, Patrick (Lukas Gage).

It’s best that you know as little as possible going in. But since it was such a big part of the promotion I’ll go ahead and say it – we learn pretty early on that Iris is actually an AI-driven robot that Josh purchased from a tech company. He’s able to control her through an app on his phone that allows him to adjust everything from her intelligence to her affection to her aggression. Here’s the catch – she doesn’t know she’s a robot which means she doesn’t realize the emotions she feels is little more than programming.

Image Courtesy of Warner Bros. Pictures

But everything comes to light when an act of violence leaves one person dead. Soon after, a shocked Iris learns the truth about her existence. She also learns that Josh and his friends aren’t who she thought they were. Wacky plot turns and lukewarm reveals follow, sometimes making sense but not always. And as more twists are thrown at us, things only get sillier and bloodier. Of course that’s not always a bad thing. But here, none of it feels rooted in anything worthwhile.

There’s enough bonkers material in “Companion” to make for some breezy entertainment and Hancock smartly (and thankfully) moves us along at a fairly swift pace. But it’s hard to turn a blind eye to its shortcomings which only seem to mount the farther we go. And there’s not enough meat to its message or satirical bite to give the story the punch that it desperately needs. “Companion” is in theaters now.

VERDICT – 2.5 STARS

REVIEW: “Into the Deep” (2025)

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As icy temperatures have most of my area in a deep freeze, I was certainly open to a relaxing summer movie set on the warm seas. Enter “Into the Deep”, the latest in the ever-growing shark thriller sub-genre. This particular one comes with a fun addition that longtime film fans will certainly enjoy. The cast features Richard Dreyfuss who (of course) also starred in the most well-known shark movie of all time, “Jaws”.

While that makes for a fun connection, it goes without saying that “Into the Deep” is no “Jaws”. In fairness it’s no “Jaws the Revenge” either. To the credit of director Christian Sesma and screenwriters Chad Law and Josh Ridgway, this deep-water thriller has some interesting ideas. Yet the film turns into a mostly forgettable shark movie that’s hampered by shaky execution and some noticeable budget constraints.

Image Courtesy of Saban Films

Cassidy (Scout Taylor-Compton) is an oceanographer who has been haunted by nightmares since losing her father to a horrific shark encounter when she was a little girl. Her husband Gregg (Callum McGowan) comes up with the not-so-good idea of returning the the scene of his wife’s trauma to dive for gold believed to be in an old shipwreck. Easily convinced to face her lifelong fears, Cassidy agrees to accompany her husband which (of course) proves to be a terrible idea.

Gregg gets them a ride on a tub captained by his old friend Benz (Stuart Townsend) who is accompanied by his two paper-thin and underdeveloped chums, Itsara (Lorena Sarria) and Ed (David Gray). Once out to sea, the group gears up for their first dive. But to no surprise, its interrupted by a shiver of hungry great white sharks who immediately attack our hapless divers. They manage to make it back to the boat but not before one of them is seriously injured.

As the terrified friends try to figure out what to do, they’re surprised by a boat of heavily armed pirates led by a cold-blooded and borderline cartoonish American named Jordan (Jon Seda). He and his menacing entourage are in the area to retrieve 80 kilos of heroin from the ocean floor, and the last thing they need are some pesky divers finding it before they do.

Image Courtesy of Saban Films

Surprisingly, the story’s main tension shifts to be between Cassidy’s bunch and the drug-running pirates. But the sharks are never too far out of the picture and soon make their presence known again in a ferocious yet unintentionally comical way. Where does Richard Dreyfus fit in you ask? He plays Cassidy’s grandfather, Seamus who is mostly relegated to a series of ham-fisted flashbacks that do more to slow the movie down than add anything impactful.

I’m guessing most people will come to “Into the Deep” for the wild shark action. Unfortunately it mostly underwhelms. You hate to be too hard on a movie with such obvious budget limitations. But it’s impossible to look past the shoddy visual effects which are highlighted by some of the worse (and admittedly hilarious) digital blood you’ll see. Sadly once you take away what should have been one of the movie’s biggest strengths, you’re left with nothing to help you overlook its other blemishes.

VERDICT – 2 STARS