Tag Archives: movies

“SEEKING JUSTICE” – 3 STARS

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Nicolas Cage’s career has been amazing to watch and I don’t necessarily mean that positively. The once promising actor and Academy Award winner is now known more for his current long streak of bad movies. But yet Cage continues to pump out these pictures every year. That brings us to “Seeking Justice”, his latest film co-starring Guy Pearce and January Jones. This action thriller isn’t the sharpest movie you’ll find nor is it one that will stick with you long after watching it. But I found it to be a fairly entertaining picture and definitely better that Cage’s most recent efforts.

Cage plays Will Gerard, a high school English and literature teacher in New Orleans. He has a great life. He loves his job and he just recently celebrated his wedding anniversary with his lovely wife Laura (Jones). One night as Will is hanging out with his best friend Jimmy (Harold Perrineau), Laura is attacked and raped while walking to her car from a concert. Later, as Will is sitting in the hospital waiting room, he is approached by a mysterious man named Simon (Pearce). Simon tells him he works for an organization that knows who raped Laura and can take care of the rapist in ways the police can’t. In return, Will has to promise to do the organization a small favor at a later date. Will struggles with the decision but ends up saying yes which catapults him into a mess he never anticipated.

The idea behind the story isn’t a bad one and I found myself interested in the whole grief-stricken husband seeking justice from a secret organization thing. Cage actually gives a fairly solid performance as a very ‘anti-action hero’ hero. January Jones is also good individually as his wife. The problem is they have no real chemistry whatsoever and I had a hard time believing in their relationship. Putting that aside, their relationship takes some interesting turns as she copes with her life after such a violent crime and he deals with the decision he made regarding her assailant. Unfortunately these and several other key plot points are never fleshed out. For example, there’s one point in the movie where Laura is just magically over the trauma of her rape. It’s as if the film just decided to drop it altogether. Another example is when Laura finally finds out what Will did. We never see them wrestle over his decision that has put them in such danger. There are several things like this that feel terribly short-changed.

Another issue I had was with the abrupt and almost jarring jumps the movie makes in the first half. This too is related to what feels like shortcuts in the storytelling. There are mammoth emotional holes where the movie skips from one moment to another. And it’s unfortunate because the movie is never boring. There is some good tension and there are some cool twists even though none of them are particularly that surprising. And even though the film ends up taking a pretty conventional path, I still found it kept my interest despite the shortcomings of the script.

I’ve talked about Cage and Jones. Guy Pearce, who is always great, has a lot of fun with his shady Simon character. When I first saw him he reminded me of Paul Newman’s character early on in “The Verdict”. Newman was checking the newspapers for car accident fatalities then attending their funerals where he shamelessly slipped his lawyer business card to the grieving family. Simon hits up Will at the most vulnerable time – an almost predatory approach. Pearce slithers in and out of his scenes and he was the best part of the film even though his character doesn’t have as much mystery behind him as he first leads you to believe.

“Seeking Justice” isn’t a bad movie. In fact it’s a considerable step up for Cage. But is that really saying anything? There are clear issues with the plot and tone and the story ends up with the traditional loud, action-driven finale. But it’s hard to really rail against a movie that did keep my interest throughout and had some really solid moments. Plus Pearce is Pearce which is always a good thing. As I mentioned earlier, “Seeking Justice” isn’t a movie that will stay with you very long, but it does manage to entertain.

REVIEW: “The Master” (2012)

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The last time we saw acclaimed director Paul Thomas Anderson was in 2007 with his sensational drama “There Will Be Blood”. With it he solidified his position as a film critic favorite. Now he’s back with his next movie, “The Master”. As with every other feature film Anderson has made, he both wrote and directed this audacious drama that bounces between captivating and utterly frustrating. There are some award-worthy performances and loads of ambition, just as you would expect from a PTA feature. But while there were moments where I couldn’t take my eyes off the screen, there are others where the story bogs down in the deliberate pacing and slight self-indulgence. Nonetheless Anderson presses all the right critic’s buttons so this will has a good chance to be an awards season contender.

No one can deny Anderson’s filmmaking skills. “The Master” looks every bit of an epic, landmark film. There are a number of scenes that stand out due to their framing and camera work alone. Anderson uses several amazing tracking shots, sometimes shifting focus three or four times while still maintaining a single fluid shot. He also uses several fantastic locations which he captures through his stylish and precise lensing. I also have to mention the way he recreates America in 1950 both narratively and visually. The wardrobes, hairstyles, furnishings, etc. all fit perfectly, right down to the smallest details. Anderson takes no shortcuts on selling the audience on the period and that’s one of the reasons it’s so easy to connect with the story.

It’s in this 1950 America that we are introduced to Freddie Quell. He’s played by Joaquin Phoenix who gives the performance of his career. While not as breathtaking as Daniel Day-Lewis in “There Will Be Blood”, Phoenix is magnetic portraying a man emotionally scarred from his time in World War 2, or at least that’s what I presume. Freddie’s life is in shambles. He’s a raging alcoholic who resorts to drinking his own concoctions made from paint thinner and any other chemical he can get his hands own. He also has a twisted sex disorder that pops up here and there. His alcoholism is destroying his life and ends up playing an important part in the film. On the other hand, his sex addiction felt terribly underwritten and is only explored by adding a handful of uncomfortable scenes that quite frankly I could have done without. But as I said, Phoenix is brilliant and should be in prime position for an Oscar nomination.

Freddie ends up crossing paths with the charismatic leader of a group called “The Cause” named Lancaster Dodd (wonderfully played by Philip Seymour-Hoffman). Dodd is a self-proclaimed philosopher and intellectual with a steady and devoted group of followers. He also has a way with words which draws Freddie to him and his movement. Dodd takes a special liking to Freddie, at one point calling him his guinea pig but clearly growing more fond of him. Dodd is able to suppress Freddie’s mental issues to the point where Freddie begins to buy into his teachings. But his inner turmoil resurfaces on several occasions making him more and more conflicted.

The story often moves with an amazing rhythm and Phoenix and Hoffman share some mesmerizing scenes together. But for such a hyped picture, I was surprised to see the overall lack of plot. “The Master” features some of the best scenes you’ll see in the theaters this year, but honestly, there’s not a lot that happens within the film’s long running time. But a bigger problem with “The Master” is that for the entire film Anderson keeps the audience at arm’s length from what we are seeing. We’re never allowed to fully get to know the characters who truly are the driving forces behind the entire story. Anderson wants us to do a lot of guesswork and come to our own conclusions. But for me, a little less ambiguity and more intimacy with the characters would have been a big plus.

Overall there is a lot to like about “The Master”. Anderson’s style of filmmaking is about as good as you will find and it really stands out here. The movie looks and feels right at home in post-World War 2 1950 and the cinematography will blow you away. The film is also helped by tremendous performances from Phoenix and Hoffman and I didn’t even talk about Amy Adams’ strong work. Expect to hear all of their names when the Oscar nominations are announced. But while Anderson’s story is good, it doesn’t pack the punch that it’s going for. While it’s fascinating to watch these characters, I couldn’t help but want more. That, combined with a few pacing issues and a couple of scenes it could have done without, keep this from being the Best Picture frontrunner many are touting it as.

VERDICT – 3 STARS

THE THROWDOWN : John Doe vs. Hannibal Lecter

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Wednesday is throwdown day at Keith & the Movies. It’s when we take two movie subjects and pit them against each other and see who’s left standing. Each Wednesday we’ll look at actors, actresses, movies, genres. scenes, and so much more and see how they stand up one-on-one. And it’s not just my opinion that counts. I’ll share my take and then open up the polls to you. Visit each week for a new throwdown. Vote each week to decide the true winner!

Many movies are made by their villains. Some are loud, in-your-face, and charismatic. Others slither under the surface and their presence is felt even as they are rarely seen. In other words, there are a wide variety of movie villains. In today’s Throwdown we are looking at two of the sickest and creepiest villains to ever hit the big screen – John Doe from “Se7en” and Hannibal Lecter from “The Silence of the Lambs”. The question is which one of these truly messed up killers is the sickest and creepiest. Your votes will decide.

David Fincher’s grisly but calculated thriller “Se7en” features detectives Brad Pitt and Morgan Freeman trying to find a serial killer who is patterning his murders off of the Seven Deadly Sins. The two discover each disturbing crime scene but we never completely see the killer, John Doe, until the last few scenes of the film. Kevin Spacey plays this truly twisted murderer who shows up at the police station soaked in the blood of two different people. I won’t give away the end but let’s just say the pure evil John Doe provides one of the most shocking and gruesome endings to a thriller you’ll find. Spacey’s John Doe doesn’t appear in every scene but he permeates every scene and he is chilling, even in his absence.

Everyone knows Hannibal Lecter mainly due to Anthony Hopkins Oscar-winning performance in “The Silence of the Lambs”. Forget about the Hannibal spin-off films, “The Silence of the Lambs” is where Lecter staked his claim as a sick and twisted character. Hopkins is perfect for the role and he manages to mix Lecter’s immense intelligence with his sheer gruesome and murderous side. His manipulative and cryptic conversations with Jodie Foster are mesmerizing and even before he makes his big escape later in the film he’s extremely unnerving. Hannibal Lecter has several memorable lines and memorable scenes and it’s impossible to watch him and not remember him.

So which of these two intelligent yet twisted psychos is the creepiest. You get to decide. Leave your comments below but don’t forget to click below to cast your vote.

“THE CABIN IN THE WOODS” – 3.5 STARS

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I love a good horror movie. But there’s no denying that the horror genre has been struggling and just isn’t as strong as it used to be. Well leave it to Joss Whedon and Drew Goddard to take the genre, turn it on its head, and give it a good shake. Their film “The Cabin in the Woods” is far from conventional even though it certainly starts that way. But the fact is Whedon and Goddard are setting up the audience for what turns out to be a horror comedy that ranges from satirical to a full-blown critique of what the horror genre has become. Goddard directs, Whedon produces, and both write this bit of welcomed freshness that isn’t a perfect film but it certainly works on many levels.

It’s impossible to watch “The Cabin in the Woods” without seeing tips of the hat to several horror movie classics. You’ll also quickly recognize many of the same tropes and devices used in the genre for years. Whedon and Goddard dabble in the familiar territory of slasher movies, zombie flicks, ghost stories, torture porn, and even creature features. But its simply impossible to go into much detail without spoiling the film. Let’s just say that all of these ingredients fit very well into what “The Cabin in the Woods” is trying to do. And trust me, you’ll start out in very familiar territory but things quickly change as the story progresses.

Tell me if you’ve heard this before: five college friends set out to a remote cabin in the woods for a weekend of partying and frolicking. We have the big jock (Chris Hemsworth), the sultry blonde (Anna Hutchison), the studious good guy (Jesse Williams), the dope head (Fran Kranz), and the straight-laced, level-headed heroine (Kristen Connolly). These are all characters we’ve seen over and over in horror films. But here they are used intentionally and with good reason. Obviously their little getaway isn’t going to end well and we get little hints of that along the way. As things begin to go bad, we see these characters making some of the same bone-headed decisions that they always make in these pictures. But the bigger difference here is with the consequences and more specifically who’s behind them. That’s as far as I’m willing to go in describing the story. It’s best to go into the film simply knowing that there is more to it than what you’re introduced to. Just know that things go nuts in the final act and the audience, especially horror fans, will find it an entertaining challenge to process all that we are given.

But the movie does have a few issues that keep it from being a great film. The most glaring issue for me was with the gaping plot holes scattered throughout the story. There were instances where the film changed course while leaving unfinished business behind . There are also a couple of times where certain characters drop off the map. I know I’m being incredibly vague here for fear of spoiling things, but let’s just say the story requires you to sometimes brush aside what seems like useful information. The ending also requires a very abrupt acceptance of what you’re seeing. Don’t get me wrong, it’s lots of fun and it will have you wanting to watch the movie again. But it’s so out-of-the-blue that when the credits start to roll you have to accept what you’ve seen and just go with it.

I didn’t mention one of “The Cabin in the Woods” strongest features – it’s humor. There are some really funny moments in this picture and I found myself laughing out loud on more than one occasion. On the flip side, the movie isn’t scary at all which I found to be a bit disappointing. But then I asked myself if Whedon and Goddard cared if it was scary or not. In the end, this is one part homage and one part critique of a genre that has seen better days. Looking at the movie from that perspective makes it a very satisfying horror experience. And even though it stumbles with its storytelling in a few places, the undeniable freshness, good humor, and blood-soaked final act make it all worthwhile.

5 PHENOMENAL MOVIES FROM 1981

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I recently did a Phenomenal 5 on the movies of 1980. Well now it’s time for 1981. As a kid of the 80’s, there are so many of these films that strike a nostalgic chord with me. There are also many genuinely classic pictures that came out of the decade that still stand up today. As I look at these years I’ve decided to allow both nostalgia and classic movies to influence my choices. That was never more evident than with my picks for the year 1981. Of course, with so many movies released that year, I couldn’t call this the definitive list. But there is no denying that these 5 movies from 1981 are certainly phenomenal.

#5 – “AN AMERICAN WEREWOLF IN LONDON”

1981 wasn’t the greatest year for movies but it did give us some memorable ones including “An American Werewolf in London”. This crazy mix of horror and comedy follows two American backpackers vacationing through the English countryside. They are attacked by a werewolf which kills one and leaves the other in a London hospital. But everyone knows that if you’re bit by a werewolf you’ll turn into a werewolf and so this story goes. The film features some truly fantastic special effects and Academy Award winning makeup. But one thing that set this apart from most horror pictures is its clever sense of humor from the dialogue to the various moon-oriented songs. It definitely mixes laughs with its buckets of gore.

#4 – “CLASH OF THE TITANS”

I wouldn’t normally think a fantasy film starring Harry Hamlin would be a good experience. But when you throw in Laurence Olivier, Burgess Meredith, and special effects from the master of stop-motion animation Ray Harryhausen, I’m automatically onboard. This mythological fantasy picture pits our bushy haired hero Perseus against an awesome assortment of creatures including Medusa and of course the mighty Kraken. Sure the movie is campy and loaded with cheese. But there were many of these fantasy movies that hit the theaters during the 70’s and 80’s and “Clash of the Titans” is one of the best of them.

#3 – “THE ROAD WARRIOR”

“The Road Warrior” was the second film in the Mad Max series and it was the movie that put Mel Gibson on the international map. This Australian action picture from George Miller creates one of the most impressive postapocalyptic landscapes in the movies. Gibson’s Max is a tough-as-nails ex-cop who ends up helping a group of settlers who are being terrorized by a murderous gang. The film features some amazing action, none better than the breath-taking vehicle chase scene at the end that still rivals anything else like it. This isn’t a movie that will appeal to everyone but it’s one I thoroughly enjoy.

#2 – “THE EVIL DEAD”

“The Evil Dead” remains one of my favorite horror pictures of all time and to this day it still creeps me out. Two friends and aspiring filmmakers Sam Raimi and Bruce Campbell made “The Evil Dead” with a tiny budget of around $350,000. Now it’s blossomed into a cult classic with two really good sequels. A group of college kids head out to spend their spring break in a cabin in the woods. Once there, they discover The Book of the Dead and end up unleashing a horde of demons who begin killing them off one-by-one. It’s unashamedly gory but intensely creepy. It’s also a great example of quality filmmaking without the benefit of boatloads of money. And of course Campbell is a blast to watch. This is without a doubt a horror movie classic.

#1 – “RAIDERS OF THE LOST ARK”

Without a doubt, one of my favorite movies from the 80’s was Steven Spielberg’s “Raiders of the Lost Ark”. Not only was this a classic action picture but it introduced one of the most iconic cinema heroes of all time – Indiana Jones. Harrison Ford makes Indiana great through his pitch-perfect performance, rugged grit, and cracking whip. The movie features one of the greatest action-fueled character introductions you’ll find as Indiana and a young Alfred Molina venture into a deadly cave to retrieve a golden head. But his true adventure starts after he finds out the Nazis may have found the lost Ark of the Covenant. Indy races off to find it before the Nazi’s do and encounters a great assortment of friends and villains along the way. Brilliant construction, amazing action sequences, and just the right amount of humor help make this a true movie classic.

There are my five picks of phenomenal movies from 1981. Do you see one that I missed? Disagree with my selections? Please take time to share your thoughts.

REVIEW: “Red Dawn” (1984)

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I’m not sure if there was any movie in the 80’s that I watched more than “Red Dawn”. How my VHS copy was able to withstand the multiple viewings during my teen years is beyond me. This 1984 war film from director John Milius is a unique, almost “what if” story anchored in 1980s world politics. With the trailer of the upcoming remake already released, I felt it was the perfect time revisit what was one of my favorite movies of its decade. “Red Dawn” was a popular movie that stirred lots of conversations particularly for those craving something political to harp on. It was also criticized for its violence which at that time was considered heavy. In fact, the movie has the distinction of being the first film to receive a PG-13 rating from the MPAA.

But how is the movie itself? Even more interesting, how does “Red Dawn” hold up after all these years? I thought a cool way to help me determine this would be to watch it with my son and see how he responded after his first viewing. It was pretty telling to see him have a similar reaction to the one I had over 25 years ago. For my son, it was an exciting action movie. For me, it’s still a really good film built around good characters that holds up exceptionally well. For those looking, there are certainly things to nitpick. But I find the film’s few weaknesses easy to overlook considering how well conceived and well structured the movie is. And even after all these years I found myself excited when I was supposed to be excited and emotional when I was supposed to be emotional. For me it still pulls the right strings.

“Red Dawn” begins with one of my personal favorite openings of any movie. It doesn’t waste time and gets right into the meat of the story. In the small town of Calumet, Colorado, Jed Eckert (Patrick Swayze) drops his younger brother Matt (a sane and stable Charlie Sheen) and friend Aardvark (Doug Toby) off at school. It’s just another normal September morning. But later during history class, their teacher notices a large group of paratroopers landing outside. He walks out to see what’s going on and is shot dead as the students watch from inside. The paratroopers then open fire on the school as kids scramble to get away. Jed drives up amid the chaos and picks up Matt and Aardvark along with Robert (C. Thomas Howell), Daryl (Darren Dalton), and Danny (Brad Savage). The boys tear through town and then head for the mountains to hide out.

One of the most compelling things about the story is that these are just kids. We’re constantly reminded that we aren’t dealing with trained soldiers but kids who are suffering through fear, panic, and eventually loss. In fact, after seeing the new trailer, one of my biggest concerns about the upcoming remake is that the kids come across as a cool special ops-like team. But a big part of what propels the original is their fear – fear of their circumstances, fear of losing their families, fear of death. But they are forced to overcome their fears and when the harsh reality of this new war-torn country shows itself to them, they’re forced to grow up fast.

As the movie unfolds, the kids have to fight back. There’s no deeply strategic military influence to their actions. It’s strictly guerilla warfare against what we find out are Russian and Cuban forces. They take on the moniker “Wolverines”, named after the school’s sports mascot, and begin complicating things for the enemy army by attacking caravans, freeing prisoners, and sabotaging strategic checkpoints. The action is very well done and it progresses from bows and arrows and hunting rifles to mounted machine guns and RPGs. But what’s really impressive is how the group progresses. The way it’s presented, I had no trouble believing that these kids had adapted as the stakes got higher. Sure, some of the shouts of “Wolverines” are cheesy, but the action is thrilling and it’s truly pertinent to the story.

The boys end up taking on the two granddaughters of a local rancher, Erica (Lea Thompson) and Toni (Jennifer Grey). At first there is some tension between the girls and the guys but soon they’re fighting right alongside of each other. They also are joined by a United States Air Force pilot (Powers Boothe) whose plane is shot down in their area. He gives them a better understanding of the gravity of the war as well as some much-needed experience that pushes their “operation” a little further. These characters mix in well and it doesn’t take long before you actually feel invested in them as well. They each have their place in the story and I still found myself caring for them especially when things begin to go bad for the group.

The entire idea behind “Red Dawn” can certainly be viewed as preposterous. But there is still a grounded and sincerely human element to the film that doesn’t feel a bit outlandish. Again, the politics of the 80’s and the international tensions of the time plays a key part in setting up the story and understanding them will definitely make the movie feel more real. But overall this is an action picture. It takes an intriguing story built around an interesting concept and some good chemistry and creates a movie that feels very 80’s-ish while also still holding up today. I’m still skeptical about the remake, but I have no qualm with calling the original “Red Dawn” a really good movie.

VERDICT – 4.5 STARS

4-5-stars