5 Phenomenal Movies That I Like But No One Else Does

movie_theatre - Phenom 5

Ok, I’m opening myself up to tons of mockery and ridicule but that’s the nature of the Phenomenal 5 right? After a break for the holidays I thought it would be fun to start back up with a list that should have people letting me know how nutty my taste in movies can sometimes be. I’m listing five phenomenal movies that I really like and but that few others do (ok “phenomenal” may be a stretch but just go with it). There have been several movies over the years that I (and apparently I alone) have really liked. In fact, I bet we all have some of those films in the backs of our minds. I mean just here recently I took some good ribbing over my positive review of “Snow White and the Huntsman”. Well you won’t find it on this list but I’m offering up five flicks that I’ve seen multiple times and still thoroughly enjoy, even if no one else does.

#5 – “WATERWORLD”

Waterworld

It’s not that “Waterworld” is hated, but it’s safe to say that few people really appreciate the movie as much as I do. Everyone knows the story. At the time, “Waterworld” was the most expensive movie ever made and it never actually made a profit until well into it’s home video release. I’ve always believed this played into the reason why it never left much of an impression. It’s certainly doesn’t feature the most polished storytelling but as for creative post-apocolpyptic sci-fi goes, I found it to be a lot of fun. It didn’t do Kevin Costner’s career any favors. And it’s still laughed at by some and deemed utterly forgettable by others. But I feel “Waterworld” is clever and unique and still a lot of fun.

#4 – “JOHN CARTER”

John Carter

I honestly still struggle in understanding the backlash against this year’s “John Carter”. Like “Waterworld”, it wasn’t the most even movie that you’ll see, but it was far from terrible. And to be honest, I had a great time watching it on the big screen with my son. It also held up well after a second viewing. This isn’t a movie that has any chance of making it on my top 10 of 2012, but I thought it to be a visual feast of cool effects and futuristic creativity. I also found myself interested in the story throughout even though there were a few rough patches. This movie was slammed by critics and moviegoers alike, but it’s a movie that I liked and I can appreciate despite its smattering of flaws.

#3 – “STAR WARS EPISODE 1: THE PHANTOM MENACE”

STAR WARS

Okay, it’s probably safe to say that not everyone hates this movie. But it’s also safe to say that millions of Star Wars fans took great issue with Episode I. In fact, many people still blast this film as a devilish plot to kill the Star Wars franchise. I certainly don’t consider it to be as good as any of the three films in the original trilogy. But it does feel like a Star Wars movie to me and it has its own special moments that set it apart. Yes, I dislike Jar-Jar and yes, midichlorians are absurd. But the space sequences never looked better and it probably gave us the best light saber duel in the entire franchise. It was a no win situation for Lucas, but for me he pulls it off.

#2 – “CLASH OF THE TITANS”

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Talk about a movie that I spent a lot of time defending! With the exception of my lovely wife and 10-year old son, I don’t think I found another person that I know who liked it. It was criticized for everything from the cheesy dialogue to Sam Worthington’s haircut. But I still think people completely missed what this movie was aiming for. I grew up adoring the “Sinbad” movies, “Jason and the Argonauts”, and of course “Clash of the Titans”. This remake was a simple tip of the hat to that past movie genre. It wasn’t trying to be new or groundbreaking. It was a fun, creature-filled action romp that took me back to my childhood. It’s sequel is utter crap, but I still proudly stand by this one. And I still think is does more things right than it will ever be given given credit for.

#1 – “THE TIME MACHINE”

TIME MACHINE

I really like every movie that I’ve mentioned, but this is the one film on the list that I truly love. It’s hard to explain especially because I recognize that this film has flaws. But for me it’s a great example of how a great lead performance and a handful of wonderful scenes can lead to a genuinely memorable experience. Look, I admit the special effects are sometimes laughable and it flies a little off the rails in the second half. But I love Guy Pearce’s performance and I buy into everything his character is doing and feeling. It’s authentic and heartfelt from the opening sequence to the beautiful final shot. And while most people have dismissed this movie, it still moves me each time I watch it.

So go ahead, get your verbal firearms ready. I’ve made myself an easy target. Which of these movies have I lost my mind defending? How about you? What are some movies that others hate but you adore? Please share your thoughts and please….go easy on me.

Review: “It’s A Wonderful Life” (1946)

 

(Originally Reviewed in 2012)

Out of all the movies we watch each Christmas season, no other holiday film hits me quite like Frank Capra’s “It’s A Wonderful Life”. Over the years this 1946 gem has become a perennial favorite. But this beloved feature can’t be easily pigeonholed as a simple Christmas movie. Its so much more. It’s a tremendous bit of filmmaking full of warmth, some really funny humor, a well-written story, a terrific ensemble, and a heartfelt ending that I still adore. It’s a true motion picture classic that shouldn’t be reserved for just the holiday season.

“It’s a Wonderful Life” is the movie that introduced me to the great Jimmy Stewart. Over the years, he would grow to be one of my favorite actors. Here he plays George Bailey, an adventure-minded young man who desires to shake off the dust of his small hometown and see the world. But in his close-knit community things don’t always go as planned. And in George’s case, circumstances would always arise that managed to keep him in Bedford Falls.

The story (co-written by Capra, Frances Goodrich, and Albert Hackett) is an adaptation of Philip Van Doren Stern’s short story “The Greatest Gift”. It begins close to its end. George as is at the end of his rope and is thinking about taking his own life. But Heaven has heard the many prayers of his family and friends and is set to intervene by sending George’s guardian angel Clarence (Henry Travers) to remind him of the wonderful life he has lived. In order for the plan to be successful, first Clarence needs to know about the man he’s saving. So he (and the audience) are shown how George’s life has unfolded.

WONDERFUL

We’re shown that at a young age George Bailey had a significant influence on Bedford Falls. That influence took off after he finished high school and went to work with his father at the Bailey Building and Loan, the only thing in town the miserly money-grubbing Mr. Potter (Lionel Barrymore) couldn’t get his hands on. It’s George’s fight with Potter that leads to his troubles. But it’s also the thing that leads to an important revelation – he truly has had a wonderful life.

The beautiful and charming Donna Reed plays Mary Hatch who first catches George’s eye at a high school dance. The spark between them is undeniable and over time they marry. Stewart and Reed have a delightful chemistry which is evident in every scene they share. Reed really impresses with her ability to convey the love-sick sweetness of young Mary as well as the motherly concern and maturity of older Mary. Together, she and Stewart are a treat.

The rest of the supporting cast are equally great. Barrymore is pitch-perfect as the story’s despicable antagonist who has he hands around the throats of everyone in town. Travers has a ton of fun playing Clarence, the most unlikely of guardian angels. His back-and-forth’s with Stewart offer some of the film’s best moments. And then there is Thomas Mitchell as the absent-minded uncle Billy. The rest of the cast wonderfully brings life and personality to George’s family and Bedford Falls.

But at the end of the day this is Stewart’s show. He brings depth and personality to George Bailey and portrays him in a way that only Stewart could. He’s the charismatic engine that drives this unforgettable and utterly timeless classic. Surprisingly “It’s a Wonderful Life” wasn’t the most well reviewed movie when it was first released. But over time, especially during the Christmas season, it has earned the high praise it has so richly deserves.

VERDICT – 5 STARS

 

MERRY CHRISTMAS !!!

Merry Christmas

As some of you may have noticed, December is the time of year where my blogging takes a serious hit. Between Christmas parties, church services, family time, and mandatory Christmas movie watching, there just isn’t a lot of time for new content except for the Christmas movie reviews that I’ve been throwing up over the past several weeks. But that will all change at the first of the year particularly when The Phenomenal 5 and The Throwdown returns. Until then it’s lots of food, lots of family, and lots of thankfulness for the blessings I’ve been given.

It’s hard to believe that my little old movie blog is over a year old. It’s even harder to believe that anyone would be interested in my ramblings about these great cinematic escapes that we all adore. I’ve been amazed at the wonderful group of fellow movie lovers that I have met. I can’t express how much I’ve enjoyed reading and discussing movies with you all and I look forward to next year as we discuss everything from our top 10 films of 2012 to our most anticipated films of the new year.

Anyway, I hope each of you have a wonderful Christmas and you enjoy every second you get to spend with your family. Merry Christmas and God bless you all my fellow movieoholics!

REVIEW: “National Lampoon’s Christmas Vacation” (1989)

Fans of the “Vacation” films have followed the Griswold family on a cross-country vacation, a European vacation, and even a Las Vegas vacation. “National Lampoon’s Christmas Vacation” is arguably the funniest of the “Vacation” movies and focuses on their attempt at a “good old-fashioned family Christmas”. Of course anyone familiar with the Griswolds knows this is easier said than done, especially with the well-meaning but blundering patriarch Clark at the helm. For audiences the results are pretty hilarious.

Chevy Chase reprises his role as Clark Griswold. He’s still not the sharpest knife in the drawer, but a he’s good husband and father. As mentioned, this time he sets out to have a traditional family Christmas. That includes venturing out in the wild to find a real Christmas tree, aggressively decorating the outside of his house with Christmas lights, and inviting his parents and in-laws to his home for the holidays. Naturally Clark’s lovable ineptitude ensures that none of his ideas work out as planned, and that’s a big part of the fun.

Beverly D’Angelo returns as Clark’s ever-patient and supportive wife Ellen who (as in every “Vacation” movie) perfectly understands her husband’s propensity for overdoing things. She’s the sometimes calming voice of reason and a perfect complement to her nutty husband. Chase and D’Angelo have always had a terrific chemistry which has always been a strength in every “Vacation” movie.

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Image Courtesy of Warner Bros.

Aside from Clark and Ellen, the movie is filled with an assortment of great and infinitely quotable characters. This time around Juliette Lewis plays their daughter Audrey while Johnny Galecki plays their son Rusty. E.G. Marshall steals several scenes as Clark’s cantankerous father-in-law, Art. Doris Roberts is really good as Ellen’s boozy mother, as is John Randolph as Clark’s supportive father. There’s also William Hickey as the stogie-chomping Uncle Lewis and Mae Questel as the near-senile Aunt Bethany. They arrive later in the film but bring some big laughs with them. And how can I not mention Julia Louis-Dreyfus and Nicholas Guest as the Griswolds’ snooty next-door neighbors.

But the real stand-out is Randy Quaid as cousin Eddie, a character who has earned his pop-culture renown. He and his family show up to the Griswold home uninvited, and that’s when things really turn wacky. Eddie is a dimwitted bum and unashamed moocher, but he’s family nonetheless. Everything from his wardrobe to his mannerisms firmly fit into the ‘crazy uncle’ mold. And then Quaid throws in some zany touches all his own. It’s safe to say he doesn’t just steal scenes, he steals the movie.

Like the other films in the “series”, Clark eventually loses his mind and things go from bad to worse as every one of his good intentions blow up in his face. And we get to shamelessly laugh all the way through. At the same time, the ‘National Lampoon’ tag means you’re going to get innuendo and a handful of gags risqué enough to keep this from being what some will consider “family friendly”. But its laughs are undeniable and the script (written by the late, great John Hughes) hits nearly every note.

“Christmas Vacation” has so many scenes and just as many lines that you just can’t forget. Director Jeremiah Chechik has a blast taking so many of the familiar family and Christmas traditions and accentuating them in a way that only the Griswolds could. It’s hard to believe that “Christmas Vacation” is already 33 years old. Yet during that time the film has evolved into a perennial holiday classic. Who would’ve thought?

VERDICT – 4 STARS

REVIEW: “Elf” (2003)

ELF

Christmas movies are their own special brand of films. Much of what makes them good is centered on how well they tie into this wonderful holiday season. You can’t separate them from the holiday, and their success depends on that relationship to Christmas. Jon Favreau’s “Elf” is a perfect example. Soaked with Christmas lore, “Elf” captures the sentimental spirit of Christmas within its clever and often times hilarious story. “Elf” is inseparable from Christmas and your perception of the holiday will naturally impact your perception of this movie. That’s probably why I can forgive its few flaws and appreciate it as a true holiday treat.

Will Ferrell stars which can sometimes throw up a few red flags for me. Ferrell and this movies often follow a fairly overused formula where he plays someone in an absurdly out-of-place position (see movies such as “Semi-Pro” and “Blades of Glory”). But unlike those movies, it really works here. He plays Buddy the Elf, a toymaker at Santa’s workshop in the North Pole. How’s that for a wacky fit?

But there are several noticeable differences between Buddy and his fellow elves, none more glaring than the fact that he’s 6’5 and not very good at making toys. His father, Papa Elf (hilariously played by Bob Newhart, fully decked out in a bright elf costume with green tights) decides it’s time to reveal to Buddy that he’s really a human being. Feeling uncertainty about where he truly belongs, Buddy sets out on a journey to find his real father. His quest takes him to the magical world of New York City.

ELF 1
Image Courtesy of New Line Cinema

It’s here that the absurdity really kicks in. Buddy arrives in the Big Apple in full elf garb where his elf mentality immediately clashes with the concrete jungle. He comes face-to-face with many new and exotic things including New York cabbies, coffee shops, and the Lincoln Tunnel. It’s often hysterical watching Buddy’s elf sensibilities smash up against big city life. The fish-out-of-water script provides plenty of funny moments. Of course it gets a little sappy at the end, and the baked-in holiday cheer means the ending is fairly predictable. But that goes hand-in-hand with Christmas movies. You pretty much know what you’re going to get.

Then there’s the terrific and committed supporting performances. I especially love James Caan as Buddy’s real father, Walter Hobbs. He’s a shrewd children’s book publisher who spends more time at work than with his wife (Mary Steenburgen) and his young son (Daniel Tay). Then there’s Zooey Deschanel as Jovie, a Gimbel’s department store worker who catches Buddy’s eye. Much like Walter, she’s in desperate need of some Christmas spirit, something that Buddy has in spades. Ed Asner is a wonderful fit as Santa Claus, and Faizon Love has several great scenes as the Gimbels toy department manager.

“Elf” is utterly absurd and unashamedly silly and I say that as a compliment. Even if you aren’t a Will Ferrell fan, he’s an absolute blast in this fun and festive holiday treat. It may be handcuffed by its Christmas movie boundaries, and it certainly dips into sentimentality at the end. But it’s such a warm and clever film; one with plenty of good gags and family-friendly laughs. It may not be up everyone’s alley. But for many, it’s a film that has become one of the “must watch” movies of the Christmas season. That’s certainly the case at our house.

VERDICT – 4 STARS

REVIEW: “The Hobbit: An Unexpected Journey” (2012)

the hobbit poster

At the start of the year “The Hobbit” was easily one of my most anticipated films of 2012. But over time my excitement has been tempered by less than flattering reviews and some bad press centered around director Peter Jackson’s decision to stretch this limited material into three feature-length films. But at the end of the day there was no way I was going to miss this movie. I still consider “The Lord of the Rings” one of the greatest movie trilogies of all time so naturally a prequel would be right up my alley. But I was still cautious and maybe a bit skeptical going yet. Could Jackson recapture the magic of his first trip to Middle Earth or is this an example of going to the well one too many times? Well, while maybe not as polished as any of “The Lord of the Rings” films, this is still a wonderfully satisfying fantasy adventure that not only connects to the previous films but charts its own ground with great effectiveness.

First I have to say that I have never read J.R.R. Tolkien’s incredibly popular book. In fact, I am one who prefers seeing the movie first and then reading the book afterwards. So often fans of the books come out of movie adaptations feeling unfulfilled. On the other hand, if I read the book afterwards, it builds upon what I’ve seen on screen. That being said, I’ve heard from many people who have said this film does a good job of sticking close to the source material. That’s quite an accomplishment for Jackson and is something that will most certainly satisfy many more critical viewers.

HOBBIT

From a motion picture perspective, I was pleasantly surprised at how the film grabbed me and pulled me back into the amazing visual world created in the first trilogy. Right off the bat you feel a beautiful sense of nostalgia as Jackson revisits some very familiar places. There are also many familiar faces such as Frodo (Elijah Wood), Gandolf (Ian McKellen), Lord Elrond (Hugo Weaving), and Galadriel (Cate Blanchett). The movie’s presentation is also very familiar and Jackson’s strong camerawork and amazing locations were strikingly similar to the earlier films and that’s a good thing. Even the story does a good job of connecting itself to the previous trilogy. We see holes filled in and things set in motion that play out within “The Lord of the Rings” films. All of this really worked for me.

But the movie also sets out on its own path, a path which makes it uniquely different from the earlier trilogy. I was concerned because perhaps my least favorite part of the original trilogy was the early part of the first film which takes place in the Shire. I was leery at the thought of this film containing even more of that. But that’s not the case at all. Bilbo Baggins’ adventure with Gandolf and a group of dwarves into the world outside of the shire begins quickly and the remainder of the film follows a formula that’s fairly similar to “The Fellowship of the Ring”. Yes, there is a lot of tablesetting as we are introduced to new characters and the quest is define. But all of that should be expected especially for a big epic-scaled adventure trilogy such as this. We are also introduced to a few new characters including a young Bilbo Baggins nicely played by Martin Freeman. This is his story although it isn’t until later into the film that it really feels like it. We are also introduced to the most intriguing character of the movie Thorin brilliantly played by Richard Armitage. Thorin Is the leader of the company of dwarves and is the heir to a sacred land that the dwarves hope to reclaim. He’s a brave leader who is crippled by some heavy emotional baggage. He’s a blast to watch.

But this leads me into some of the problems with the film. The dwarves are a focal point of the film but we hardly get to know any of them. There are 13 dwarves in all but honestly I can only remember a small handful of them. And I couldn’t tell you much about them and wouldn’t know them by name. They simply feel underdeveloped and some of them seem to be nothing more than tag-alongs. Another issue I had with the film has to do with the quality of its heavy doses of CGI. There are some scenes that are simply breathtaking and will remind you of the great special effects work from “The Lord of the Rings”. But there are other times when the visuals look so transparently computer-animated. That’s usually not a big deal to me but here it seems so blatantly obvious in more places than I would have expected.

The Hobbit: An Unexpected Journey

I also have a couple of issues with the film that deals more closely to the script. For some reason, Jackson incorporates several scenes featuring bathroom humor that’s not the least bit funny. He throws in burps, snot, bird poop, and posterior gags that aren’t vulgar but they feel cheap and terribly out of place. It’s a strange direction for Jackson to go in and it doesn’t work well at all. This story also lacks the sense of peril that the first films had. Now I don’t want to fall into the trap of going to far in comparing this trilogy to the original trilogy. This is its own film and this trilogy should be judged on its own merits. But one of the things that made “The Lord of the Rings” so enthralling was the scale of the threat that hung over the entire series. In this movie the threat feels more personal and therefore not as significant. In other words, the stakes don’t feel as high which kept it from having the real sense of importance and urgency.

But I don’t want to leave the impression that I feel this is a bad or even mediocre movie. Quite the opposite, this is an exciting and intense fantasy adventure that had me from its opening moments. Even more impressive is the fact that it’s two-hour and 45 minute running time flew by for me. I was never bored. I was never checking my watch. It excited me. It thrilled me. It also had me remembering how much fun Peter Jackson’s Middle Earth really is. It has its obvious stumbles, stumbles that keep it from being as great as it could have been. But I am all on board with this series and I can’t wait to see what lies ahead in the next chapter. Some may be critical of Jackson, but for me he’s done so many things right with this material that I can easily give him the benefit of the doubt.

VERDICT – 4 STARS