Just a few days ago Netflix stealth dropped a chilling new potboiler called “I Came By”. Co-written and directed by Babak Anvari, this crafty yet overly ambitious thriller has a hard time finding the balance between social politics and straightforward genre filmmaking. Yet it still scratches at some meaty themes, and the genre thriller elements … Continue reading
Movie Poster Spotlight: “The Menu”
The trailer for “The Menu” was a surprising black comedy and horror mash-up that was hard to read. It was tough to tell if it was a genuinely smart satire, a corny genre exercise, or a potential guilty pleasure. Maybe a little of all. But I really did like what I saw, and the early … Continue reading
REVIEW: “Honor Society” (2022)
Director Oran Zegman and screenwriter David A. Goodman team up for “Honor Society”, a high school coming-of-age comedy wedged right between freshly original and disappointingly conventional. It’s a movie with plenty of its own ideas and a charismatic star who helps the film consistently subvert our expectations. But there are also times where it resorts … Continue reading
Jean-Luc Godard (1930 – 2022)
The great Jean-Luc Godard has passed away. A renowned movie critic, screenwriter, and director, Godard was a pioneer and architect of the French New Wave, a film movement of the 1960s that significantly reshaped the way movies were being made. Along with other cinema revolutionaries such as Truffaut, Rohmer, Chabrol, Varda, Rivette, and Resnais, Godard … Continue reading
REVIEW: “Three Minutes – A Lengthening” (2022)
With “Three Minutes – A Lengthening”, Bianca Stigter has given us one of the most compelling documentaries of 2022. The film centers on three minutes of 16mm home movie footage from 1938, shot in the Jewish neighborhood of Nasielsk, Poland. These three brief minutes are full of smiles, joy, and laughter as members of this … Continue reading
First Glance: “The Good Nurse”
Out of the recent flurry of awards season trailers, one that has stuck with me most is “The Good Nurse”. The film comes from Tobias Lindholm who co-wrote two of my favorite movies of the last decade, “The Hunt” and “Another Round”. Here Lindholm directs from a script by Krysty Wilson-Cairns (“1917”, “The Last Night … Continue reading