Tobias Lindholm is the screenwriter behind two of my very favorite movies of the last ten years, 2012’s “The Hunt” and 2020’s “Another Round”. He steps back behind the camera for the first times since 2015 to direct his English language debut, “The Good Nurse”. Though known most for his writing, Lindholm gives way to … Continue reading
First Glance: “A Man Called Otto”
I loved the 2015 Swedish dramedy “A Man Called Ove”, and I remember thinking then that an American remake was all but guaranteed. It actually took longer than I expected to get here, but now we have “A Man Called Otto” from director Marc Forster. And playing the titular curmudgeon is none other than Tom … Continue reading
REVIEW: “Triangle of Sadness” (2022)
The rich and pampered have become a favorite punching bag of filmmakers and studios (it’s hard to miss the baked-in irony of that statement). It makes sense considering the snobbish upper crust elites routinely give us new things to scrutinize and satirize. So you could call them an easy but deserving target. The latest film … Continue reading
REVIEW: “Raymond & Ray” (2022)
Two of my favorite working actors teaming up in an off-beat family dramedy? That’s too much for me to pass up on. And wouldn’t you know it, “Raymond & Ray” turns out to be right up my alley. It’s the kind of slice-of-life movie I’m often drawn to. It doesn’t strive to be innovative, nor … Continue reading
First Glance: “Creed III”
Few movies have surprised me more than “Creed” and “Creed II”. The very idea of jump-starting the “Rocky” franchise by focusing on the son of Apollo Creed seemed like a stretch. As it turned out, Ryan Coogler, Michael B. Jordan, and Sylvester Stallone had a great story to tell, and they followed it up with … Continue reading
REVIEW: “The Road Dance” (2022)
Sexual assault, trauma, war, small town oppression – just some of the weighty themes woven into the very fabric of “The Road Dance”, a handsomely shot old-fashioned melodrama from writer-director Richie Adams. Based on the 2004 novel of the same name by John MacKay, “The Road Dance” handles its sensitive issues with the right amount … Continue reading