Alyssa Milano plays a crime novelist helping police find her sister’s murderer in the new Netflix thriller “Brazen”. Based on the 1988 novel “Brazen Virtue” by Nora Roberts, this by-the-numbers murder mystery makes an effort, but it’s never able to get above room temperature. Admittedly, some of the unintentional silliness is actually kinda fun. But … Continue reading
REVIEW: “Scream” (2022)
I still remember that December night in 1996. The late Wes Craven’s “Scream” had already been out a little over a week. I somehow convinced my wife of barely over a year to go see it with me. She didn’t like horror movies. I grew up on them. Thankfully we left the theater that night … Continue reading
First Glance: “Against the Ice” (2022)
Mark this down as another movie that looks right up my alley. Danish filmmaker Peter Flinth teams with Nikolaj Coster-Waldau to give us one of those “based on an unbelievable true story” movies. In addition to its compelling historical bend, the movie also looks to be a gripping and possibly terrifying survival story. The first … Continue reading
REVIEW: “The Wasteland” (2022)
The slow-boiling, atmosphere-heavy psychological horror film “The Wasteland” is among the first of Netflix’s 2022 offerings. It’s also a great way to kick off the movie year especially for horror fans. Set in 19th century Spain, the movie’s rich period setting brings with it a distinct folk horror flavor. But the psychological edge is just … Continue reading
First Glance: “Studio 666”
The Foo Fighters, rock-n-roll, a new album, a bloodthirsty demon-possessed David Grohl decapitating someone with a cymbal. What’s unusual about that? All of those things and more are thrown into the new trailer for “Studio 666”, a horror comedy written by Grohl and starring the members of the rock band Foo Fights. Talk about a … Continue reading
Movie Poster Spotlight: “To Live and Die in LA”
When I first started this feature my intent was to highlight classic movie posters just as much as new ones. But end of the year movies and awards season got me off track. What better way to get back on track than this beauty? When released in 1985, William Friedkin’s neo-noir thriller received mixed reviews … Continue reading