SPOILER WARNING: If you haven’t seen “Once Upon a Time in Hollywood” be warned. Quentin Tarantino movies are no strangers to controversy and you could say the notorious filmmaker has courted that kind of attention throughout his career. Sometimes his provocations are potent and edgy. Other times they are rooted in ridiculous amounts of excess … Continue reading
First Glance: “The Irishman”
It goes without saying that a new Martin Scorsese movie that brings together Al Pacino, Robert DeNiro, Joe Pesci, and Harvey Keitel is destined to grab attention. It certainly grabbed mine when it was first announced months ago. The film is considered a passion project for Scorsese and currently sits as the most expensive movie … Continue reading
REVIEW: “Stockholm” (2019)
“Stockholm” begins by informing us it is “based on an absurd but true story”. Truer words have never been spoken. This off-beat movie from writer-director Robert Budreau is one part heist film, one part black comedy and all parts utter absurdity. I think that’s why I liked it as much as I did. The film … Continue reading
First Glance: “The Lighthouse”
Robert Eggers blew me away with his 2015 debut feature “The Witch”. It was a period horror picture that showed the filmmaker’s incredible knack for tone management and methodical tension-building. His latest film looks to be offering a different twist on the horror genre but with the same visual ambitions and gripping atmosphere. I can’t … Continue reading
REVIEW: “Escape Room”
Hollywood has discovered a goldmine in modestly budgeted yet surprisingly lucrative horror-thrillers. Production companies such as Blumhouse can churn these films out at little cost and make a ton of money in return. These movies never end up among the highest grossing films, but they draw a big enough audience to earn substantial profits. “Escape … Continue reading
REVIEW: “Once Upon a Time in Hollywood”
You can say this about Quentin Tarantino – he’s consistent. His settings and timelines may change, but regardless of the movie you still see a filmmaker unshakably devoted to his style. It’s so pronounced that you’ll hardly see him step outside of his self-defined box or sway too far from his brand. Take his recent conversations … Continue reading