Star Wars fans can be a surly, cynical, and often overly protective bunch. Trust me, I’m not saying that as some outside observer with his nose in the air. I myself am a proud, passionate, card-carrying member of that bunch. I adore Star Wars and it is indelibly etched into my entire life story. I … Continue reading
Blind Spot Review: “The King of Comedy”
In the entirety of director Martin Scorsese’s diverse filmography few of his pictures stand out quite like “The King of Comedy”. It’s a tough movie to grasp with its peculiar tone and unbridled cynicism. It’s a movie filled with undesirable characters and we are left with practically no emotional connection to any of them. Yet, despite … Continue reading
REVIEW: “Avengers: Infinity War”
There was never any doubt that Disney’s superhero goldmine “Avengers: Infinity War” would make a lot of money. The only suspense was in seeing how much. Turns out more than any other movie ever for an opening weekend and it should easily top $1 billion by its second weekend. That’s a lot of money. With … Continue reading
REVIEW: “Isle of Dogs”
There isn’t much middle ground when it comes to Wes Anderson movies. As is often the case, his films either work for you or they don’t. They definitely work for me. My wife, not as much. But it’s not because she doesn’t try. I’m pretty sure I’ve shown her every Anderson flick and we usually … Continue reading
REVIEW: “A Quiet Place”
From the very outset “A Quiet Place” develops a central conceit which it fully embraces throughout its tight, lean 95-minute runtime. But while it’s undoubtedly a genre flick, this John Krasinski directed horror thriller has more of an emotional punch than you would expect. In addition to directing, Krasinski also co-writes and stars alongside his … Continue reading
Blind Spot Review: “My Night at Maud’s”
“My Night at Maud’s” is technically the third installment in Éric Rohmer’s Six Moral Tales series even though it was the fourth film made. Due to a required Christmas time shoot and prior commitments, lead actor Jean-Louis Trintignant wasn’t available until the following year. That little nugget aside, the film became Rohmer’s first big critical … Continue reading