REVIEW: “Fright Night” (2011)

Hollywood is head-over-heels in love with remaking movies from the 80’s right now. So far we’ve had everything from “Footloose” to Total Recall” remade with a modernized story and gloss. Many more already have release dates or are in production. As someone who grew up in the 80’s watching the original pictures, I’m still waiting for one of these recent remakes to really blow me away and make it feel worthwhile.

So along comes “Fright Night”, a 2011 version of the 1985 vampire film that I truly loved. The original was a fun and occasionally creepy horror flick that played around with elements of vampire, werewolf, and haunted house movies. It had its share of old-school special effects and classic horror cheese while also maintaining a thoroughly compelling narrative. So I had a natural curiosity and concerns about the remake. Would the Hollywood modernization process be able to capture what made the original so entertaining? Well, not exactly.

The remake’s story is built upon the clever premise of the original “Fright Night” film. Charley Brewster (Anton Yelchin) and his mother Jane (Toni Collette) live in a small suburb of Las Vegas. An attractive single man named Jerry Dandrige (Colin Farrell) moves into the house next door. Over time we find out that Dandrige is a vampire and Charley, his mother, and his girlfriend Amy (Imogen Poots) are right in his new neighbor’s crosshairs.

There aren’t many other significant ways that this “Fright Night” resembles the original. One of my biggest disappointments with this film was with how little effort went into building more tension between Charley and Dandrige. The original spent a lot of time with Charley trying to convince his mother, friends, and the police that his neighbor was a killer responsible for the disappearances of many area women. This made for several creepy confrontations between the two. This version gives us only a scene or two of this, choosing instead to jump headfirst into more action-based horror that seems specifically designed for 3D rather than deeper storytelling.

Charley’s predicament is so dire that he seeks the help a Las Vegas horror illusionist Peter Vincent (David Tennant). This Peter Vincent is a boozing, profane, and abusive jerk void of any of the sympathetic charm that made Roddy McDowall’s character so memorable. There was nothing at all in this character that was the least bit interesting. To be fair, it’s not that Tennant’s performance is bad. This is a writing issue that’s a direct result of a story direction choice. This is an instance of modernizing a great character from the original story with pretty poor results.

The movie is plagued by several fairly generic characters outside of Charley. Poots is good as Charley’s girlfriend but she isn’t given much to do. Charley’s mom is about as shallow as they come and then there are a couple of his friends that are just thrown in. Then you have one of the first film’s more memorable characters “Evil” Ed (this time played by Christopher Mintz-Plasse). Here he’s actually developed into a fairly sympathetic character before quickly being thrown aside. Farrell is fun and sometimes charismatic, but he’s only asked to talk in a creepy tone, wipe his mouth and lick his fingers after “feeding”.

The special effects were a big part of what made the first film such fun. It had some over-the-top gore but it fit in perfectly with the story. Here the effects are fine although in several places the CGI is clearly evident. And with the exception of a pretty spectacular car chase sequence, there isn’t much that has stuck with me. And this leads into the fact that this “Fright Night” just isn’t scary at all. There are a couple of loud jump scares but in terms of actual creepiness, nope.

I know it seems like I made a lot of comparisons between the original movie and this new version of “Fright Night”. I try not to do that. Maybe I’m just too big of a fan of the original to help myself. But I also think this film has flaws that keep it from being as good as it could be. The decision to spend far more time on horror-based action actually strips the picture of the spookiness that made the first picture so much fun. It’s not boring and there are a few good laughs scattered throughout. There’s also a fantastic cameo from Chris Sarandon (Dandrige from the first film) that really hit the spot. But in the end, I’m still waiting for an 80’s remake to blow me away.

VERDICT – 2.5 STARS

5 PHENOMENAL FOOTBALL MOVIES

With the NFL and college football underway I thought I might as well do the exact same thing I did at the start of the baseball season. This week’s Phenomenal 5 will be looking at football movies. This was an interesting list to put together and when the final cut was made, I was surprised to see the variety (something I aim for with these lists). So here they are, five football movies that I thoroughly enjoyed. Now I know there are a few popular ones that didn’t make it therefore I wouldn’t call this the definitive list. But there’s no questioning that these five football films are certainly phenomenal.

#5 – “INVINCIBLE”

This 2006 football picture is based on the unlikely true story of Vince Papale, a down-on-his-luck bartender who is encouraged to participate in an open tryout for the Philadelphia Eagles. Mark Wahlberg plays Vince who catches the attention of Eagles coach Dick Vermeil (Greg Kinnear). Obviously he makes the team or we wouldn’t have a story but at its heart this is a fun movie for football fans. While Kinnear doesn’t quite make me think of Dick Vermeil, Wahlberg is a lot of fun and “Invincible” is a movie I still enjoy.

#4 – “THE PROGRAM”

“The Program” is certainly a movie with its share of flaws but it’s still one that strikes a chord with many football fans. This movie takes an edgy look at college football through the fictional ESU Timberwolves. It looks at academic fraud, steroids, Heisman pressures, and even ventures into troubled kids dealing with split families and alcoholic fathers. I completely admit that “The Program” tries to do too many things and the writing is sometimes silly. But this is a compelling look at the NCAA program and James Caan is excellent as the head coach trying to balance it all. “The Program” is just a solid football movie, flaws and all.

#3 – “RUDY”

“Rudy” is one sports movie that almost everyone is familiar with. It’s the story of Rudy Ruettiger (Sean Astin), a college kid who is small in size but with a huge heart. He has a dream of playing football for the University of Notre Dame. He first has to overcome the hurdle of being admitted to the university and then he has to make his way onto the practice squad by impressing his coach with his determination and effort. Against all odds, Rudy finds himself not only dressing out for the final home game of the season, but playing to the chants of “Rudy, Rudy”. It’s an utter feel good movie but it’s also a classic football film..

#2 – “THE FRESHMAN”

If you haven’t seen this 1925 silent movie gem you’re missing a real treasure. The great Harold Lloyd plays an enthusiastic but clueless young man who is entering his freshman year at Tate College. To gain popularity with the college crowd and with a young girl that’s caught his eye, Harold decides to join the university’s football team. He goes from being the team’s tackling dummy (literally) to water boy to football hero. It’s a charming and often times hilarious story. Lloyd is great and I’ll never forget the little jig he does as a greeting. Watch the movie and you’ll know exactly what I mean.

#1 – “BRIAN’S SONG”

“Brian’s Song” is amazing for several reasons. First, it wasn’t initially a theatrical release. This ABC Movie of the Week from 1971 tells the story of the friendship between the chatty, wise-cracking Joe Piccolo (James Caan) and the shy, reserved Gale Sayers (Billy Dee Williams). Both are competitors for the same position on the Chicago Bears and their unlikely friendship grows even amid racial tensions and career threatening injuries. Things do turn weepy at the end but it works thanks to the wonderful relationship we watch unfold both on and off the football field. Caan and Williams give really good performances and that helps make this a great football film.

There you go – 5 Phenomenal Football Movies. I know of several that I’m sure some would put on their list. So what about you? What’s your favorite football film?

REVIEW: “House on Haunted Hill” (1959)

I’ve recently spent a lot of time concentrating my movie watching on the horror and science fiction movies of the 1950s. This has proven to be a wonderfully entertaining project that’s allowed me to revisit movies I haven’t seen since I was a child as well as see new films that have been a joy to discover. Such was the case with William Castle’s “House on Haunted Hill”, a movie that I had heard of but never had the opportunity to catch up with. Now after finally seeing it, I can honestly say that I was thoroughly entertained. It’s a solid mixture of eerie tension and classic camp presented through a simple yet effective story.

The great Vincent Price stars as a mysterious millionaire named Frederick Loren. Imagine that, Price playing a mysterious character. Loren has rented a house with a very violent history and has invited five individuals to spend the night there. He bribes each with the possibility of making $10,000 each. All they have to do is live through the night. The entire thing is painted to be some type of twisted party for his wife Annabelle (Carol Ohmart). But soon the guests are terrorized by several unexplained occurrences and they begin to question whether or not the house is haunted or if they are in the middle of something much more sinister.

Of course we ask ourselves why these people would ever agree to come to such a creepy place to begin with. But in the opening of the movie, as the five are each brought to the house in their own hearse, we learn that each has their own important need for the money. As the story unfolds, I found myself being suspicious of several of the people while never being able to finger any of them. That’s a mark of good, suspenseful storytelling. Now I have to admit, as with many of these movies I kept thinking of better methods the group could use to ensure their survival. But that’s nitpicking. Afterall, wouldn’t things be really boring if they all used their brains?

The movie has several creepy effects that I must admit were quite gruesome considering the time the movie was released. Admittedly there were also some dated special effects that I couldn’t help smile at, but that were also part of the charm of watching these classic horror pictures. Castle’s inventive techniques were quite clever despite the small budget he had to work with. The atmosphere is pitch perfect and I found it easy to get lost in the spooky old house where the entire movie takes place.

Castle was known for his affection for horror and his numerous low-budget B-movies became a fixture in 1950s cinema. One thing that audiences often times experienced when watching one of Castle’s pictures was some type of theater gimmick. When “House on Haunted Hill” was released, moviegoers were treated to a floating skeleton that floated across the theater during a certain moment in the film. While we don’t get to experience that type of old-school fun when we watch the film, it’s still a highly entertaining piece of classic horror filmmaking wrapped up in a tight, compact 75 minute package.

“House on Haunted Hill” is a great example of how much fun the horror films of that period could be. Sure there’s some cheesy, stilted dialogue, the story is simple, and the effects aren’t going to satisfy someone expecting the best. But it’s a lesson in classic horror led by the master himself, Vincent Price. And considering much of the so-called “horror” that we get today, this was even more refreshing.

VERDICT – 4 STARS

THE THROWDOWN: Han Solo vs. Indiana Jones

Wednesday is throwdown day at Keith & the Movies. It’s when we take two movie subjects and pit them against each other and see who’s left standing. Each Wednesday we’ll look at actors, actresses, movies, genres, scenes, and much more and see how they stand up one-on-one. And it’s not just my opinion that counts. I’ll share my take and then open up the polls to you. Visit each week for a new throwdown. Vote each week to decide the true winner!

Harrison Ford has the honor of being the centerpiece of the very first Keith & the Movies Throwdown. This week it’s Ford’s two most iconic roles putting on the gloves and duking it out. It’s the scoundrel turned hero of the Star Wars universe Han Solo taking on everyone’s favorite whip-weilding archeologist Indiana Jones.

HAN SOLO vs INDIANA JONES

Harrison Ford really took off in the 8o’s mainly thanks to two fantastic roles that were a part of two fantastic franchises. Han Solo was and is my favorite Star Wars character. Ford’s cocky and wisecracking smuggler was compelling from the first moment you see him onscreen. He has many memorable moments with his furry best friend Chewbacca and his relationship with Princess Leia provides some romance as well as some of the series’ funniest scenes. But Han doesn’t just talk the tough talk, he walks it too and a case could be made that his story of redemption is one of the most intriguing of the franchise.

Then you have the great Indiana Jones, an archeologist with a snapping whip and a knack for ticking off Nazis and cultists. Indy crosses the globe in search of some of the biggest treasures all while finding himself in some of the stickiest situations. But like a true action hero, he gets out of his predicaments through some of the wildest means. With the exception of the most recent Indiana Jones picture, these moves were filled with cool action and some great humor and I still get giddy whenever I see Indy in a pit full of snakes, holding on to a collapsing swinging bridge, or running from a giant boulder.

There are your choices. Now it’s time for you to vote. Both are characters that I have affection for going all the way back to my youth. So now I place them in your hands. Cast your vote and share your thoughts. Han Solo or Indiana Jones?

5 PHENOMENAL JIMMY STEWART FILMS

One of my favorite movie actors of all time is the great Jimmy Stewart. Throughout his career which spanned almost 60 years, Stewart compiled an incredible resume full of some truly classic movies. Known as an everyday man, Stewart had a great charisma and a wonderful likability on-screen. But his greatness wasn’t just restricted to the movies. He had an impressive military career serving his country during World War 2 and the Vietnam War. But keeping with his movies, I thought I would show this great actor some love by looking at five phenomenal movies of his. Now it’s hard to call this the definitive list. But I have no problems saying that these five Jimmy Stewart films are simple phenomenal.

#5 – “Mr. Smith Goes to Washington”

This is the movie that made Jimmy Stewart into a big time movie star. “Mr Smith Goes to Washington” is the story of a simple but honest man who is sent to Washington to fill the position of a recently deceased Senator. Supposedly Stewart’s character would be easy to control and corrupt but that doesn’t turn out to be the case. This gem from Frank Capra caused a huge stir in Washington with several Senators and other government officials slamming it for daring to address possible corruption in our system. Regardless, Stewart is fantastic and his performance earned him a much deserved Oscar nomination.

#4 – “Vertigo”

Heralded by many (including the new Sight and Sound Magazine’s Greatest Movies list) as the best film of all time, this Hitchcock and Stewart collaboration has reached an iconic status. Personally, I don’t see it as the best movie of all time or even the best Hitchcock film but there’s no denying how wonderful Stewart is in the picture. The story is intriguing and suspenseful although at times slow and with a unfullfilling conclusion. But watching Stewart handle the material is a joy and I still say that his performance is the best thing about the film.

#3 – “The Philadelphia Story”

In 1940, Jimmy Stewart played in one of my favorite romantic comedies of all time – “The Philadelphia Story”. Teaming up with greats Cary Grant and Katharine Hepburn, Stewart still shines as a reporter who ends up in a tangled and sometimes hilarious web of love with Hepburn in the center. Grant and Hepburn are just as good as you would expect but I love Stewart’s performance. This is a great film and Stewart won his only Best Actor Academy Award for this role.

#2 – “It’s a Wonderful Life”

By now everyone knows “It’s a Wonderful Life” because of its status as a Christmas classic and I certainly wouldn’t take anything away from that. But it’s also a brilliant movie that’s driven by Jimmy Stewart’s fantastic work as George Bailey. From his onscreen chemistry with the gorgeous Donna Reed to his believable fall and eventual rise, Stewart owns every scene. He’s surrounded by a superb supporting cast and Capra’s direction is spot-on. But “It’s a Wonderful Life” wouldn’t be the classic it is without Jimmy Stewart.

#1 – “Rear Window”

While “Vertigo” gets most of the love between Stewart’s collaborations with Alfred Hitchcock, “Rear Window” is my personal favorite movie from Stewart as well as my favorite Hitchcock film. Elaborately staged and at times incredibly tense, “Rear Window” confines Stewart to one room where he becomes a voyeur, peeping into the lives of his numerous neighbors. He soon suspects one neighbor of foul play and as the story unfolds we wonder if he’s right or if he’s allowed his snooping to manufacture something that’s really not there. Stewart has a tricky role but he nails it and this is one of those movies that I can sit down and watch at any time. Stewart and Hitchcock at their best.

There ya go folks. My 5 phenomenal Jimmy Stewart movies. So what are your thoughts on this tremendous actor? Are you a fan or is he not your cup of tea? Please share your thoughts.

“LAWLESS” – 4 STARS

Just seeing the list of great names attached to “Lawless” easily made it one of my most anticipated films of 2012. I’m a huge fan of Tom Hardy, Guy Pearce, Jessica Chastain, and Gary Oldman. The thoughts of them in a Prohibition-era action flick had me giddy with excitement. But I also had one serious concern about the movie and that was Shia LaBeouf in the lead role. I’ve never been impressed with his acting and I couldn’t help but wonder if he could hold his own in the company of such great talent. While LaBeouf was certainly better than I expected, he was swallowed up by some really strong performances around him. But thankfully that wasn’t enough to keep “Lawless” from being a highly entertaining piece of American pulp.

Australian John Hillcoat, also known for “The Road” and “The Proposition”, directs the film with fellow Aussie Nick Cave handling the screenplay. Their story is set in the hills of Franklin County, Virginia and follows the Bondurant boys – three brothers who make their living bootlegging moonshine during the Prohibition years. Forrest (Hardy) is the tough, hard-nosed leader of the bunch. Howard (Jason Clarke) works alongside Forrest. Then there’s Jack (LaBeouf) who at one time is described as “the runt of the litter”. The brothers get by alright with their own system of running moonshine, at least until a vicious Special Agent Rakes (Pearce) is sent in to clean up the hills. Rakes immediately clashes with Forrest and before long the hills erupt into violence.

Of the brothers’ stories, its Forrest’s that’s considerably more entertaining even though Jack’s takes up more of the movie. Forrest is a tough-as-nails brute but he also knows how to handle their business. Hardy chews up every scene he’s in with his grunts and mutterings as well as his intimidating stares and low-key dialogue. He’s also not afraid to use brutality with his brass knuckles or razors. But even he is tamed a bit by Maggie (Chastain), a former dancer who moves to the community to escape the troubles of the big city. Boy did she pick the wrong place. I enjoyed the romance that developed between the two. Chastain gives a great performance and she matches Hardy scene for scene and line for line.

The same can’t be said for LaBeouf and his Jack character. As I alluded to, LaBeouf is better than I expected and, to be fair, he’s at times quite good. But he just can’t hold his own especially when alongside Hardy. He is helped by the story which doesn’t build his toughness beyond the bounds of believability. It fact it’s his weakness and desire to prove himself to his brothers that turns out to be the most compelling part of his character. He’s attracted to a local minister’s daughter (Mia Wasikowska) and the two eventually fall for each other. But overall their romance feels inconsequential and adds little to the story. On the other hand, I did enjoy his scenes with his friend Cricket (wonderfully played by Dane DeHaan of “Chronicle” from earlier this year). And he also encounters a powerful mobster named Floyd Banner played by Gary Oldman. Oldman is really good even though he’s given almost nothing to do.

But the biggest delight is Guy Pearce. He’s sensational as the creepy and psychotic special agent who abuses his power and who will stop at nothing to take out those who cross him. Pearce’s high hairline with its accentuated part down the middle, shaved eye brows, and prim and proper wardrobe gives him a distinct eccentric look. But it’s also Pearce’s mannerisms, unhinged chuckles, and the way he carries himself the gives the character a sinister presence. He has some of the film’s best scenes, none better than the tension-filled first meeting between Rakes and Forrest. Pearce is simply fantastic and this is an Oscar worthy supporting performance.

Another huge plus for “Lawless” is the incredible production design. The movie features such a realistic and atmospheric recreation of the hilly, poverty-stricken, 1930’s moonshine territory. Every scene is soaked with period details and the lush, vibrant locations make everything feel authentic. Hillcoat’s unfiltered Franklin County is rusty, dirty, and dangerous. From the opening credits I found myself completely drawn in by the period look. The wardrobes, the automobiles, the rundown shacks – everything contributes to the pitch-perfect aesthetic.

“Lawless” is a tough, bloody, and violent action picture that’s very honest in what it’s trying to be. The story is simple and nothing will catch you by surprise. But it’s also compelling and the characters are easy to invest in. The movie does hit a little lull in the middle and we actually get a skip ahead montage to set up the simply ok ending. But the film still packs plenty of pop and there are some tremendous performances that will stick with you, particularly from Tom Hardy and Guy Pearce who may have given us the best villain in the movies this year. “Lawless” is both poetic and visceral and even though it just misses being a real classic, it’s still a true Southern Gothic treat.