Screenwriter Taylor Sheridan is developing an impressive reputation. His first film script was for 2015’s stellar “Sicario” and he followed it up with last year’s “Hell or High Water”. A deep-south crime thriller, “Hell or High Water” (despite a plot hole or two) would earn him an Academy Award nomination and highlight Sheridan’s gift for telling character-driven stories with a … Continue reading
REVIEW: “Now You See Me 2”
I suppose somewhere out there was an audience anxiously awaiting a follow-up to 2013’s wildly uneven “Now You See Me”. Still, you can call it the sequel I never expected. But modern day trends seem to indicate that when you bring in over $350 million at the box office against a $75 million budget chances … Continue reading
REVIEW: “Macbeth”
Easily one of William Shakespeare’s most renowned plays, “Macbeth” is believed to have been first performed 1606. Since then it has been adapted to nearly every form of media. The tragedy deals with several themes but at its core it examines unbridled ambition and the destruction it brings if unchecked. Director Justin Kurzel along with a … Continue reading
REVIEW: “King Arthur: Legend of the Sword”
As a movie fan here is a scenario I have experienced more than once: I see a trailer for a big studio picture and immediately say to myself “This movie is in trouble”. Then I learn of its $175 million production budget and I say “Make that BIG trouble”. And then critics begin dropping a slew of scathing reviews (not always a … Continue reading
REVIEW: “The Circle”
Nestled somewhere deep inside of “The Circle” lies an interesting concept for a movie. Maybe it was bad creative choices. Maybe the Dave Eggers novel didn’t translate well from book to screen. I’m guessing it’s a combination of both that shortchange this film adaptation. There are certainly some filmmaking decisions that don’t pan out and … Continue reading
REVIEW: “Alone in Berlin” (2017)
For me the strengths of Vincent Perez’s “Alone in Berlin” are fairly obvious – a unique and heart-wrenching true story and two superb acting talents as its leads. That was more than enough the keep me attached to this slow-boiling World War 2 drama. Brendan Gleeson and Emma Thompson play Otto and Anna, a German husband and wife living in … Continue reading