So many fellow movie bloggers love doing Top 10 lists of their favorite films at the end of each year. I’m no different. I love looking back at the all the movies I saw and putting together my favorites. But I also like throwing out some random accolades for achievements and in some cases underachievements for the 2013 movie year. So now, in no certain order, I give you the 2nd Annual K&M Random Movie Awards for the year 2013 (a very random name for a very random awards special). Enjoy the list and click on the film title if you would like to read that movie’s full review.

BIGGEST SURPRISE OF 2013 – “The Way, Way Back“

Several movies caught me by surprise in 2013. I never expected one of them to be #3 on my Top Films of 2013 list. Such was the case with “The Way, Way Back”. Loaded with humor and heart, this wonderful film managed to take some fairly familiar situations and topics and inject them with an intelligent freshness that I loved. Add a hilarious performance by Sam Rockwell and you have one of my favorite films of the year.

BIGGEST LETDOWN OF 2013 – “Iron Man 3“

When talking about my biggest letdown I’m not referring to the worst movie of the year. I’m speaking of a movie that I had incredibly high hopes for but that ultimately let me down the most. That’s unquestionably “Iron Man 3”. With the wonderful Robert Downey, Jr. and a great supporting cast, I felt this was a sure thing. But the serious warping of a key Iron Man villain and a rather forgettable finale left me frustrated. This should have been much better.

BEST ANIMATED FILM OF 2013 – “Despicable Me 2“

Ok, let me admit this up front. I’m mainly including this category as a joke. I’ve only seen one animated film this year and it was “Despicable Me 2”. I adored the first film and this sequel didn’t measure up to it. But I still thought it was good, wacky fun. Are there better animated features out there this year? It’s very possible. I just haven’t seen them. That doesn’t say much for this award, does it?

BEST FIGHT OF 2013 – Spock vs Kahn

Several fight scenes ran through my mind as I pondered this category. The one that I kept coming back to was the throwdown between Spock and Kahn at the end of “Star Trek: Into Darkness“. After a really cool foot chase the two hook up on a high-speed barge. It’s a pretty spectacular scene as the two use their slightly superhuman abilities to pound each other. It’s a ton of fun.

MOST UNINTENTIONALLY FUNNY FILM OF 2013 – “Only God Forgives”

I know fans of “Drive” were hoping for something special when Ryan Gosling and Nicolas Winding Refn teamed up again for “Only God Forgives”. I can’t imagine this mess was what they envisioned. I found myself laughing several times at the stylish overkill employed by Refn. Gosling’s ever-present poker face apparently infected other characters and the long, slow walks down long, mood-lit hallways grew laughably bad. This thing was a stinker.

BIGGEST SURPRISE PERFORMANCE OF 2013 – Andrew Dice Clay

My pick for the biggest surprise performance of 2013 was a no-brainer. Who on earth saw Andrew Dice Clay coming? The man who made his name being an obnoxious and brash standup comic blew me away as a humble, blue-collar working man. It’s a small role but it was one of the real treats from “Blue Jasmine“. I don’t know what to expect from Dice Clay in the future but this performance should catch some attention.

COOLEST CAR OF 2013 – “The Great Gatsby“

Hollywood loves cool cars and we see a ton of them each year. This year was no different. But while several cars came to mind when considering this award, there was one clear winner for me – Jay Gatsby’s bright yellow 1929 Duesenberg. Man I love that car. They were known as luxury vehicles and they cost a fortune which was right up Gatsby’s alley. I can’t say I blame him.

BEST VILLAIN OF 2013 – Michael Fassbender

Villains, villains, villains. Each movie year we see them in all shapes and forms. None in 2013 were as vicious and unnerving as Michael Fassbender in “12 Years a Slave“. He plays a brutal slave owner without a shred of moral conscience. Fassbender goes all in and fully embodies this truly detestable human being. It’s a great performance and one of the many strengths of this moving film.

MOST UNFAIRLY MALIGNED FILM OF 2013 – “To the Wonder“

Whenever you get a Terrence Malick film you are destined to get a wide range of thoughts and reactions. Such was case with “To the Wonder”. But many went into the film seeking to compare it to his previous gem “The Tree of Life”. While stylistically the two films take the same approach, “To the Wonder” is its own story and I found it to be very effective. Tender, romantic, brutal, and heartbreaking – all set to Malick’s gorgeous visual style. This is film deserving of more attention and respect than it received.

MOST OVERLY EXALTED FILM OF 2013 – “Her“

Please don’t pull on the stones just yet! I really liked many things in Spike Jonze’s original tech-romance “Her”. Unfortunately there were several things within the film that kept me from praising it as most have. The snails pacing in the second half along with some tone-killing “comedy” choices and a few throw-away scenes really hurt the film for me. It’s not a bad movie. I just don’t think it capitalizes on its strengths.

BEST SPECIAL EFFECTS OF 2013 – “Gravity“

In this day and age of spectacular special effects it’s an accomplishment to be praised as the best of the year. “Gravity” is certainly deserving of that high praise. Alfonso Cuaron’s visual masterpiece is one of the most incredible cinematic experiences I had all year. The special effects sucked me in from the opening scene and I was immersed in this symphony of sight and senses. What a beautiful film.

BEST HAIR OF 2013 – “American Hustle“

Clearly one of the most important and prestigious awards of 2013. Yet how could I narrow it down to just one person? I mean look at the cast of David O. Russell’s “American Hustle”. Christian Bale has the most dynamic comb-over in movie history. Bradley Cooper’s super-tight curls are unmatched. Jennifer Lawrence’s hair flops all over the place. And I have no idea what you call Jeremy Renner’s do. All of these take home an award for their brilliant follicle contributions to the 2013 movie year. Call it a hair ensemble.

STUPIDEST SCRIPT OF 2013 – “Getaway”

My gosh, if this dopey script can get made into a feature film surely I can write something and make it big! I don’t know if there was a more stupid or amateurish script in 2013 than “Getaway”. Ethan Hawke what were you thinking? This is some of the lamest writing I’ve seen in a long time. The characters are terrible, the action is repetitive, and the plot is almost nonexistent. If you haven’t seen “Getaway”, consider yourself blessed!

BEST CAR CHASE OF 2013 – “Snitch“

“Snitch” was an action thriller starring Dwayne “The Rock” Johnson that fell through the cracks. It’s actually a decent movie with some good action and a nice supporting cast. It also features a fantastic chase scene. It features Johnson driving an 18-wheeler down a busy interstate with members of a drug cartel hot on his heals. We get high speeds, big crashes, and some great camera work. It’s a lot of fun.

BEST CHILD PERFORMANCE OF 2013 – Sophie Nélisse

As much as I loved Tye Sheridan’s performance in “Mud”, the child acting standout of the year was Sophie Nélisse in “The Book Thief“. This is an underappreciated film which is unfortunate. To miss it is to miss an incredible performance by young Nélisse (12-years old at the time of filming). She’s playful, emotional, and mature beyond her years. It’s such great work and I can’t wait to see what she does next.

WORST ENDING OF 2013 – “The Call”

I’m not going to go into full spoiler mode here but let me just say that the ending of the Halle Berry thriller “The Call” is one of the dumbest things I have seen. I suppose this revenge-fueled ending is meant to be empowering to women. The problem is they never considered how the finale co-exists with common sense. I’m trying to be vague but let me just say it’s one of the most poorly thought out endings I’ve seen in a while.

CREEPIEST CHARACTER OF 2013 – Uncle Charlie (“Stoker“)

I really like Matthew Goode as an actor and his turn as the creepy Uncle Charlie in Park Chan-wook’s “Stoker” is so much fun. The story is clearly influenced by Hitchcock’s brilliant “Shadow of a Doubt” with Goode handling the character first played by Joseph Cotten. I wouldn’t say “Stoker” matches Hitchcock’s gem but it’s still a good film and Goode captures that unsettling creepiness that I loved.

BEST OPENING SCENE OF 2013 – “World War Z“

The first 15 minutes of the zombie action film “World War Z” still stands as my favorite opening scene in 2013 (barely beating out “Gravity”). We aren’t given a back story or origin of the zombie outbreak. Instead we are thrown into the first moments of the outbreak just as the main character and his family are. I thought it worked wonderfully and it set the movie up in a way I found to be very effective.

BEST FINAL 10 MINUTES OF 2013 – “Captain Phillips“

Paul Greengrass and Tom Hanks collaborated to make one of the years most thrilling films. “Captain Phillips” is filled with fantastic intensity, great performances, and a final 10 minutes that was unforgettable. Within those final minutes lies the gripping climax to the film along with one of the most emotional scenes of the year. Tom Hanks gives what may be 2013’s best 10 minutes of acting in a sequence than cut me to the bone. This was such a sensational ending.

BEST ACTION SEQUENCE OF 2013 – “The Hobbit: The Desolation of Smaug“

There were many great action sequences to consider but only one could be the winner. After a lot of back-and-forth I finally settled on the thrilling barrel escape in Peter Jackson’s “The Hobbit: The Desolation of Smaug”. This wild and frantic scene features the dwarves escaping the wood elves via empty barrels down a raging river. Orcs, elves, and violent waters add to this incredible and action-packed sequence.

BEST FILMMAKING DEBUT OF 2013 – Ryan Coogler

While the docudrama “Fruitvale Station” did have a few issues that seasoned filmmakers would have avoided, it is still an amazing piece of work. Most surprising is that it comes from a first time filmmaker. Ryan Coogler wrote and directed this film based on the 2009 killing of 22-year old Oscar Grant in Oakland, California. It’s raw and intense, but it’s also a well shot and well conceived film that has gathered some much deserved attention.

BEST HORROR MOVIE OF 2013 – “The Conjuring“

Horror movies are all over the place and it’s rare to find a really good and satisfying one. Perhaps that’s why I was so happy to find “The Conjuring”. The movie is a more traditional 1970s style horror picture that stays away from the gore and plays with your senses. It’s well directed by James Wan and it features two great lead performances from Patrick Wilson and Vera Farmiga. It’s horror done right.

BEST ROMANTIC COMEDY OF 2013 – “Much Ado About Nothing“

I’m not what you would call a Joss Whedon acolyte but movies like this could change that altogether. I loved this sharp, witty, and original take on Shakespeare and Whedon deserves a ton of credit. He directed the film, co-produced it, wrote the screenplay, edited it, and even handled the score. Amy Acker is just wonderful as is Alexis Denisof and the fun assortment of side characters. “Much Ado” was a delightful surprise.

WORST SEQUEL OF 2013 – “A Good Day to Die Hard“

How could this be allowed to happen? One of the most celebrated action franchises shouldn’t go out like this. The “Die Hard” films started back in 1988. Two fantastic sequels and another pretty good one followed. But this thing is terrible. The action is numbing and the storyline never kept my attention. It’s corny and dumb and it doesn’t have one memorable scene or line. That’s something every other “Die Hard” film had. What a disappointment.

BEST SMALL PERFORMANCE YOU MAY HAVE MISSED – Ray McKinnon (“Mud“)

“Mud” was one of my favorite films of the year and it featured a fantastic cast. One underrated actor who I always love seeing on screen is Ray McKinnon. Here he plays the father of young Ellis (Tye Sheridan). It’s a wonderful performance. McKinnon does such a great job giving us a fallible but well-intentioned man who really resonated with me. McKinnon is great and deserves more notice.

FUNNIEST PERFORMANCE OF 2013 – Sam Rockwell (“The Way Way Back“)

I’m fairly picky when it comes to comedy, but that certainly didn’t effect my love for Sam Rockwell in “The Way, Way Back”. He is hilarious and he had me laughing every time he would show up. There is a touch of classic Bill Murray is his delivery that I loved. He also shows a wonderful comedic timing that so many “comedians” lack. As I mentioned earlier, this film was a huge surprise for me as was Rockwell’s hysterical performance.

WORST SCENE IN AN OTHERWISE GOOD MOVIE – “Fruitvale Station“

I’m a fan of Ryan Coogler’s “Fruitvale Station”. The first-time director really impresses with this powerful and relevant docudrama. But there is one scene that stands out, not for its brilliance, but for its terrible, heavy-handed bit of foreshadowing. Let’s just call it ‘the dog scene’. It just doesn’t work and a more seasoned director would have probably avoided it altogether. It may slightly blemish the film but it certainly doesn’t dull it’s power.

BEST USE OF MUSIC FOR 2013 – “Inside Llewyn Davis“

Joel and Ethan Coen do a lot of things right when making movies. One of those things is their use of music and this is on display in “Inside Llewyn Davis”. Set during the early 1960s New York City folk music scene, music obviously plays a big part in the film. But the numbers are just perfect and add to the incredible sense of time and place. Each was filmed live (no post-scene dubbing) which made them all the better. These are great tunes and there is a great use of them in the film.

BEST FILM TITLE OF 2013 – “Upstream Color”

Shane Carruth’s complex and inventive mind trip “Upstream Color” was so much fun to watch and dissect. It also has what I think is an incredible cool title. It sounds cool on its own but after you see the film once or twice the title takes on an even better meaning. This certainly isn’t an award that the Oscars will soon consider adopting, but I had to throw it out there. I just love that title.

WORST FILM TITLE OF 2013 – “White House Down”

As if the movie wasn’t bad enough, “White House Down” is also burdened with one of the worst movie names period. I remember when I first heard about the film I assumed it was a spoof. I expected it to be a dopey parody of some sort but to my surprise they were being serious. It just sound ridiculous and I’m sure no one would relate it to “Black Hawk Down”. I just wish this was the only bad thing about this dreadful film.

BEST 3D OF 2013 – “Gravity“

I’m a pretty vocal critic of 3D. I’ve voiced my frustration at this obvious gimmick to increase theater ticket prices which usually visually hurts a film instead of help it. But sometimes we get movies that remind us that the technology can be great. In 2013 “Gravity” was that movie. Talk about an incredible immersive experience. The 3D was brilliantly utilized and never hurt the movie. It made it better and that’s a rare feat these days.

BEST ENSEMBLE CAST OF 2013 – “Mud“

It would be easy to give this award to a movie like “American Hustle”, but for me “Mud” was the best ensemble cast of the year. While it may not feature a laundry list of top-tier names, it features a cast that perfectly fits with what the story needs, and I mean perfectly. Matthew McConaughey, Tye Sheridan, Reese Witherspoon, Sam Shepard, Michael Shannon, Sarah Paulson, Ray McKinnon, and Joe Don Baker are all tremendous and they are a big reason that “Mud” is so good.

WORST PERFORMANCE BY A BIG STAR – Will Smith (“After Earth“)

Ryan Gosling fought hard for this award but ultimately Will Smith proved too good..err bad for him. Smith has always been a bit overrated in my eyes and this performance does nothing to change that opinion. He grunts and grumbles through the entire picture supposedly portraying a stern military type. But he is so flat and so bad. Jaden got a Razzie nomination and rightfully so, but his dad should have been right there with him.

BEST CINEMATOGRAPHY OF 2013 – “Nebraska“

“Gravity” could easily have won this category. The cinematography was dynamic and made the film an unbelievable experience. But there is such a beauty and artistry to Phedon Papamichael’s work in “Nebraska”. The black-and-white tracking shots, the amazing atmospheric still shots – there are so many gorgeous scenes that bring this midwestern setting to life. I absolutely loved it and it added so much to the film.

That does if for the 2nd annual K&M Random Movie Awards. How you had some fun with it. Please take time to share any of your picks for these totally random categories. See you next year!

Oh it’s that time of the year again. It’s Oscar season. A time where movie fans get to celebrate the past year in film by watching the Academy give awards to movies that will forever be connected to film history. Movies are a subjective form of entertainment so it’s rare for the Academy to get everything right in our own eyes. But sometimes they should be applauded for recognizing quality films and they should be chided when they completely blow it. This year the Academy again deserves to be applauded but they most certainly deserve to be chided as well. Here are my thoughts on the Oscars hits and misses:

• Let me get this out of the way first, WHERE ON EARTH IS “INSIDE LLEWYN DAVIS“? I look at the nine Best Picture nominees and several are what I would call lesser films. Even more, several of the films chosen, while good films, aren’t the kind of movies that will be talked about in ten years. “Inside Llewyn Davis” will be and it deserves to be. For me this will go down as one of Oscar’s worst snubs.
• While I’m voicing frustration, where on earth is Oscar Isaac? Talk about an incredible multi-layered performance. Excuse me while I make an unpopular statement – I would much rather see Isaac nominated for “Inside Llewyn Davis” than Leo DiCaprio for “The Wolf of Wall Street”. Isaac was brilliant and not only acted but performed his own music. Maybe he doesn’t have the star power the Academy is looking for. What a shame.
• Sticking to the Best Actor category, I’m happy for Christian Bale and his nomination for “American Hustle“. The Golden Globes snubbed him and put their attention on Lawrence, Adams, and Cooper. For me Bale was the lifeblood of that film. Loved his work there.
• And lets not leave the Best Actor category just yet. How is Mads Mikkelsen not on this list for his near perfect performance in “The Hunt“. Look, I was never expecting him to make it, but he is another name that I would have loved to have seen instead of Leo.
• Does Meryl Streep just automatically get a nomination regardless of the film? To be fair I haven’t seen “August: Osage County”. But many critics (who usually adore her) were calling her performance too loud and overdone. Yet here we are, another Oscars and another nomination for Streep.
• No real surprises in the Best Supporting Actress category other than Julia Roberts (slightly). But this is Jennifer Lawrence’s statue to win. Is she deserving? Personally I don’t think so. She isn’t bad in “American Hustle” but the material doesn’t offer her a lot of range until a little later in the film. Still the Academy loves her and the much more deserving Lupita Nyong’o will go home empty-handed.
• Big fan of Michael Fassbender’s work in “12 Years a Slave” and I would love to see him win the Oscar for Best Supporting Actor. I’m also happy for Bradley Cooper, an actor who is getting better and better. And hats off to Barkhad Abdi. I loved seeing him at the Globes and he deserves a trip to the Oscars.
• Surprised that “Blue is the Warmest Color” didn’t at least get an Oscar nomination in the Foreign Language Film category. I’m also surprised to see Asghar Farhadi’s “The Past” get snubbed. Personally “The Hunt” is the movie I’ll be rooting for but “The Great Beauty” may pull off yet another upset.
• “Gravity” had a really nice morning. It’s my favorite film of the year but for some reason I don’t see it taking home the big prize. I would love to see Cuaron get Best Director and the film win Best Picture. But for some reason this doesn’t feel like the Academy’s cup of tea.
• I still think that Oscar night will be a good one for “12 Years a Slave“. Not my favorite film of the year and certainly not perfect. But it is powerful stuff featuring some standout performances. It’s also one of the few nominated movies that has staying power. So call that my early prediction: “12 Years a Slave” will win Best Picture.

So there are a few random thoughts on this morning’s Oscar nominations. What say you? What did the Academy get right and what did it get wrong? Agree or disagree with my takes? I’d love to hear from you in the comments section below. Now on to March 2nd!

Here are the list of Oscar Nominees:

Best Supporting Actor
Barkhad Abdi – Captain Phillips
Bradley Cooper – American Hustle
Michael Fassbender – 12 Years A Slave
Jonah Hill – The Wolf of Wall Street
Jared Leto – Dallas Buyers Club

Supporting Actress
Sally Hawkins – Blue Jasmine
Jennifer Lawrence – American Hustle
Lupita Nyong’o – 12 Years a Slave
Julia Roperts – August: Osage County
June Squibb – Nebraska

Original Song
Alone Yet Not Alone – Alone Yet Not Alone
Happy – Despicable Me 2
Let It Go – Frozen
The Moon Song – Her
Ordinary Love – Mandela: Long Walk to Freedom

Adapted Screenplay
Before Midnight
Captain Phillips
Philomena
12 Years a Slave
The Wolf of Wall Street

Original Screenplay
American Hustle
Blue Jasmine
Dallas Buyers Club
Her
Nebraska

Best Animated Feature Film
The Croods
Despicable Me 2
Ernest & Celestine
Frozen
The Wind Rises

Best Documentary Feature
The Act of Killing
Cutie and the Boxer
Dirty Wars
The Square
20 Feet From Stardom

Best Foreign Language Film
The Broken Circle Breakdown
The Great Beauty
The Hunt
The Missing Picture
Omar

Best Director
David O. Russell – American Hustle
Alfonso Cuaron – Gravity
Alexander Payne – Nebraska
Steve McQueen – 12 Years a Slave
Martin Scorsese – The Wolf of Wall Street

Best Actress
Amy Adams – American Hustle
Cate Blanchett – Blue Jasmine
Sandra Bullock – Gravity
Judi Dench – Philomena
Meryl Streep – August: Osage County

Best Actor
Christian Bale – American Hustle
Bruce Dern – Nebraska
Leonardo DiCaprio – The Wolf of Wall Street
Chiwetel Ejiofor – 12 Years a Slave
Matthew McConaughey – Dallas Buyers Club

Best Picture
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
12 Years a Slave
The Wolf of Wall Street

I can hear the voice of Andy Williams singing “It’s the most wonderful time of the year”. That’s how I feel about Christmas. What can I say? I’m a big kid at heart. But I had to take time to wish all of my movie blogging pals, generous readers and followers, and die-hard movie lovers a merry and blessed Christmas. I know I said this same thing during Thanksgiving but I truly appreciate each and every one of you. Thanks for the reading, visiting, commenting, and sharing. Thanks for everything you all have added to this itty bitty movie blog. It’s been a ton of fun for me and you all are a big reason for that. So Merry Christmas and I hope God blesses you with a fantastic 2014. It’ll be here before you know it!

The Keith & the Movies Valhalla is a place of tribute for those movies that I hold in the highest regard. These are films that embody everything that is great about motion pictures. These are the best of the best – movies that I truly love and that stand above the rest. There are many great movies that won’t find their way into these sacred halls. But here you will find those films that I believe personify brilliance in filmmaking, storytelling, and entertainment. These glorious 5 star accomplishments are worthy of special recognition as the very best. Ok, enough of the high drama! In other words, these are my favorite movies of all time, ok?

IT’S A WONDERFUL LIFE (1946) – Could there be a better time than this to induct what I believe is the best Christmas movie ever made? But here’s the thing. Not only is “It’s a Wonderful Life” a bonafide Christmas classic. It’s also an incredible film period. I still remember the first time I saw this gem from Frank Capra. Yet like all great movies, it still has a wonderful effect on me today even after numerous viewings.

There are so many things that make “It’s a Wonderful Life” great. The fabulous story, the fun batch of characters, and some really strong performances. Jimmy Stewart is one of my favorite actors and he perfectly realizes the character of George Bailey. He’s funny, believable, and carries the bulk of the load. But there is also great work from the gorgeous Donna Reed, Lionel Barrymore, Henry Travers, Thomas Mitchell, and many more. It’s hard to believe that “It’s a Wonderful Life” was poorly received when it was first released and it initially recorded a loss for RKO. But it would soon become a timeless classic. Stewart would later call “It’s a Wonderful Life” his favorite film he made. I may be inclined to agree.

“It’s a Wonderful Life” is the eighth inductee into the Keith & the Movies Valhalla. But there are more amazing movies to come in the near future so stay tuned. What are your thoughts on this Jimmy Stewart classic? Is it worth the accolades it’s received or is it an overrated picture? You now know my opinion. I’d love to hear yours. Take time to share your comments below.

(Original reviewed 12/4/2012)

While there have been two serviceable remakes, neither come close to the magic of the original “Miracle on 34th Street”. This 1947 Christmas picture has become a stalwart for Christmas movie watchers each and every year. But while most modern Christmas movies are cheap and gimmicky, “Miracle on 34th Street” rightfully holds its place as a true Christmas classic as well as an incredibly well-made film. It’s also one of the few seasonal pictures to get recognition from the Academy Awards. It won four Oscars, was nominated for Best Picture, and is a movie that deserves the accolades and treasured status it has received.

George Seaton directed and wrote the script which begins on Thanksgiving day. The beautiful Maureen O’Hara plays Doris, a cynical single mother who works for Macy’s and is in charge of their Thanksgiving Day Parade. As she frantically works to get the parade under way, she discovers that her Santa Claus is drunk off his feet. Desperate to find a replacement for the big finale of the parade, she convinces a passerby named Kris (Edmund Gwenn), who strikingly looks the part, to fill in. His convincing work eventually earns him a spot as Macy’s department store Santa. His only quirk? He claims to be the real Santa. But Doris’ bosses overlook that after seeing their customers positive reaction to him.

But the core of the story and the most satisfying component of it revolves around the relationship between Kris, Doris, and her young daughter Susan (Natalie Wood). Susan is just like her mother, cynical and skeptical about all sorts of things, most notably the existence of Santa Claus. Kris sets out to not only convince Susan that he is Santa Claus but to convince Doris that there are many things in life worth believing it. Helping him along the way is Fred Gailey (John Payne), a struggling attorney who is also attracted to Doris. Fred uses the crafty old technique of getting close to the daughter in order to get close to the mother. He and Doris eventually hit it off even though his willingness to believe in things sometimes clashes with her stubbornness.

I really like the chemistry between O’Hara and Payne. Their developing relationship is easy to buy into especially thanks to O’Hara’s cautious confidence and Payne’s witty self-deprecating humor. Both give spot-on performances. Also, young Natalie Wood is fantastic. She wonderfully portrays Susan and her childlike innocence combined with her inherited skepticism. And then there is Edmund Gwenn who is still the most convincing Santa Claus I’ve seen on film. His undeniable sincerity and infectious charm flows from every scene he’s in and his Oscar was well deserved. The movie also gives us great supporting roles such as Porter Hall as Macy’s psych evaluator and the movie’s chief antagonist, James Seay as a nursing home doctor and friend to Kris, and Jerome Cowan as a district attorney given an certain impossible task. The cast is fantastic from start to finish.

“Miracle on 34th Street” is a nice mix of holiday sentimentality (in a good way) and genuine feel-goodness. But it’s also a wonderfully written story that’s flawlessly realized through sharp direction and the perfect cast. It’s easy for some to dismiss Christmas movies as shallow seasonal escapism. But there are those special gems that are simply great movies. They show us that sense of style and craft that remind us of how good movies can be. This is one of those films.

VERDICT – 4.5 STARS

It can’t only be reviews, Phenomenal 5 lists, and commentaries, right? Know Your Movies is all about having fun. Here’s how it works: I’ll share a single shot from a movie. It can be extremely serious or completely absurd. After that I’ll provide you with three hints. The rest is up to you. Hop in the comments section and share your guess as well as any thoughts or memories you have on the movie, actor/actress, or the scene. It should be a blast.

Today’s image is from a film that has become a true classic. So here’s the shot. Three hints will follow.

Hint 1: Released in 1946

Hint 2: Was considered a flop when first released

Hint 3: The film originated from a greeting card

Now head to the comments and share your guess. Pretty obvious, right? I would also love to hear your thoughts on the film, the scene, or anything else related to it. The correct answer will be announced first on my Twitter feed (@KeithandMovies for those who want to follow). Now feel free to guess and discuss this movie classic.