Complete with an absurdly funny title and a crazy concept, 2017’s “Happy Death Day” was a nice little surprise. It was a waggish and off-beat horror movie that worked mainly due to it being both subversive and self-aware. It played around with several of the genre’s most familiar tropes and it did so with an … Continue reading
REVIEW: “Nancy” (2018)
The 2019 Independent Spirit Awards are just around the corner and when perusing their list of nominees I came across “Nancy”. The film received two nominations, J. Smith-Cameron for Supporting Actress and Christina Choe for Best First Screenplay. After a little digging I found myself really intrigued by the movie’s premise. Choe also directs … Continue reading
First Glance: “Yesterday” Trailer
Now here’s a peculiar but potentially fun movie with a brand new trailer. “Yesterday” is the new film from director Danny Boyle and is written by Richard Curtis (“Love Actually”). It’s concept is a bit nuts. A struggling musician named Jack is hit by a bus and wakes up in a world where The Beatles … Continue reading
REVIEW: “The Wife”
“The Wife” begins as a strategically restrained family drama, but it doesn’t take long to notice its boiling undercurrent of frustration, resentment and discontent. The further we get into the story of Joseph and Joan Castleman the more we feel the tug of inevitability. It’s like a powder keg with a lit fuse. We know … Continue reading
Great Images from Great Movies #9 – “The Tree of Life”
Truly great movies can leave indelible marks. It may be through an emotional connection to the story. It may be through a remarkable performance or a signature scene. But it could also be through the brilliant imagery a film can carve into your mind. That’s what this feature is all about – highlighting great images … Continue reading
REVIEW: “The Man Who Killed Hitler and Then the Bigfoot”
Say what you want to about the film, but you can’t deny that the man behind it certainly went with an attention-grabbing title for his feature film debut. Robert D. Krzykowski’s “The Man Who Killed Hitler and Then the Bigfoot” screams low-budget pulp. Who knew it was actually a meditative character study full of deep feeling … Continue reading