One of the good things about seeing “The Meg” is that you pretty much know exactly what you’re going to get. I give the filmmakers credit for not even attempting to hide what they are going for – goofy, preposterous and a whole lot of Jason Statham. It all comes down to whether it has … Continue reading
REVIEW: “Night of the Living Dead”
In a 2017 discussion of George Romero’s “Night of the Living Dead”, Chicago based film critic Josh Larsen offered some food for thought: can a young modern film fan watch this horror classic for the first time and have the same reaction as moviegoers did during its original 1968 release? Could it possibly have the … Continue reading
REVIEW: “Halloween” (2018)
David Gordon Green’s “Halloween” is yet another entry into the four-decade-long slasher franchise sure to drive continuity hounds insane. If you’re into chronology finding a link through every Halloween movie is all but impossible. Case in point: If you’re loyal to the original order you have “Halloween” 1-6. Maybe you choose the two “H2O” movies … Continue reading
Blind Spot Series – “Picnic at Hanging Rock”
I’ve always been a fan of Australian filmmaker Peter Weir. A quick scan of his filmography reveals a unique variety of movies. Just consider 1985’s “Witness”, 1989’s “Dead Poets Society”, and 1998’s “The Truman Show”. Since then Weir has made just two other films – one of my personal favorites 2003’s “Master and Commander” and … Continue reading
REVIEW: “The Guardians” (2018)
As Frenchmen fought on the blood-soaked battlefields of World War I women were often left to maintain their family’s farm and ultimately their livelihood. To do so required backbreaking work tending to cattle, plowing fields and harvesting crops. “The Guardians” is a female-driven French drama offering a fresh wartime story of one such family. Writer/director Xavier … Continue reading
REVIEW: “Bad Times at the El Royale”
It’s hard to watch Drew Goddard’s new neo-noir crime-thriller and not think of Quentin Tarantino. For better or for worse “Bad Times at the El Royale” plays like a Tarantino picture. It leans heavily on its style, its characters are a shady lot, violence comes in bloody bursts, and the whole thing is a bit … Continue reading