REVIEW: “Saw”

REVIEW: “Saw”

Here’s some useless information you may not know about me – I’ve never seen any of the “Saw” movies. At least not in their entirety. I’ve seen bits and pieces here and there but not enough to tell them apart or to even care. Frankly it’s a brand of horror that doesn’t appeal to me … Continue reading →

REVIEW: “Get Out”

REVIEW: “Get Out”

Comedian Jordan Peele’s directorial debut “Get Out” has certainly reeled in a ton of high praise. The former Comedy Central sketch series star also wrote the screenplay for this wild mish-mash of genres, influences, and ideas. Peele clearly aims to make a movie that can be several different things at once (one of his film’s … Continue reading →

REVIEW: “1922”

REVIEW: “1922”

“I believe there’s another man inside every man – a stranger, a conniving man”. This early line of dialogue in Zak Hilditch’s “1922” sets the table for this simmering psychological horror-thriller. It taps into the mentality of the film’s fascinating lead character and lays the parameters for the mental chaos that follows. You could call … Continue reading →

REVIEW: “The Dark Tower”

REVIEW: “The Dark Tower”

For ten years a movie adaptation of Stephen King’s wildly popular “Dark Tower” series of novels has been in the works. An impressive carousel of big names have been linked to the project – directors J.J. Abrams and Ron Howard; actors Javier Bardem, Russell Crowe, Liam Neeson, and Viggo Mortensen. But script issues and studio apprehension kept the project on the … Continue reading →

REVIEW: “Maudie”

REVIEW: “Maudie”

The heart-wrenching yet inspirational true story of folk artist Maud Lewis seems tailor-made for the movie biopic treatment. At the same time it’s a type of story that demands a sensitive and sure-handed approach. There are several examples of films that lost themselves in sentimentality and showiness when attempting to work with similar material. Aisling … Continue reading →

REVIEW: “Wind River”

REVIEW: “Wind River”

Screenwriter Taylor Sheridan is developing an impressive reputation. His first film script was for 2015’s stellar “Sicario” and he followed it up with last year’s “Hell or High Water”.  A deep-south crime thriller, “Hell or High Water” (despite a plot hole or two) would earn him an Academy Award nomination and highlight Sheridan’s gift for telling character-driven stories with a … Continue reading →