Top 5 Performances of 2013 – Lead Actress

A light painting of the year 2013 written against a black background

Today I’m continuing my look at the best performances from the 2013 movie year. I’ve already shared my favorite supporting performances so today we start looking at the leads. Last year the ladies provided us with such a strong and diverse body of work that spanned a variety of genres. Narrowing it down to just five was excruciating but it had to be done. So without further delay, here are my five favorite 2013 performances by a female in a leading role:

#5 – Greta Gerwig – “Frances Ha

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Greta Gerwig is an actress that has drawn a wide variety of reactions. Some don’t care for her very peculiar style of acting. Others (like myself) really appreciate her work and find her to be really good in the right role. This is a perfect role for her. The way Gerwig captures the awkward and slightly neurotic nature of Frances is brilliant and without her strong performance the entire film would fall apart. Gerwig makes us laugh but also sympathize with her lack of direction. This is a small film that some may not respond to. I really liked it and Gerwig was the main reason for that.

#4 – Sophie Nélisse – “The Book Thief

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Yet another performance from “The Book Thief” makes one of my lists. Emily Watson and Geoffrey Rush were fantastic in supporting roles but the movie would never work without the amazing lead performance from 13-year old Sophie Nélisse. The Canadian teen actress not only steals our heart but she shows an amazing level of acting talent. Nélisse will amaze you with how she masters a German accent and with how she is able to express raw emotion in a film that is dependent on it. Leonard Maltin called her a “revelation” and that she “is mature beyond her years”. I couldn’t have said it better myself.

#3 – Amy Seimetz – “Upstream Color”

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This is probably the one performance on my list that most people have yet to see. Well trust me, you need to watch “Upstream Color” to appreciate the amazing work from Amy Seimetz. This is a film unlike anything else that came out in 2013 and Seimetz is asked to do so many difficult and challenging things by writer and director Shane Carruth. She is the heart and soul of this complex and layered film. So much of the story unfolds through her performance and so many clues to the film’s deeper mysteries are directly tied into what she projects on the screen. It’s an incredibly demanding performance and Seimetz doesn’t miss a step.

#2 – Amy Acker – “Much Ado About Nothing

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I understand that ‘awards time’ is almost custom fitted for certain actors and actresses and Amy Acker didn’t have a chance at gaining a nomination. But I still believe she gives one of the best performances of the year in Joss Whedon’s “Much Ado About Nothing“. It was a special challenge to take the Shakespearian language and bring it to a modern setting but Acker doesn’t struggle a bit. She projects such warmth from her character while also being quite funny when the scene calls for it. It’s such a well-rounded performance and one that I hope gains her more attention and more starring roles. She deserves it.

#1 – Cate Blanchett – “Blue Jasmine

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Again, this may be the obvious pick but for me it’s the right one. All of us who love and follow movies know that Cate Blanchett is a great actress. Yet considering all of her wonderful work, this may be her best. In Woody Allen’s “Blue Jasmine” she plays a woman who has fallen from a rich socialite to a penniless destitute and who moves in with her blue-collar sister. She is an emotional wreck and the way Blanchett displays it amazed me. This character has so many self-destructive emotional levels that we vividly see in this committed performance. It’s unforgettable and one of the real standouts of 2013.

HONORABLE MENTIONS: Julia Louis-Dreyfus (“Enough Said“), Sandra Bullock (“Gravity“), Catherine Frot (“Haute Cuisine“)

So there are my favorite performances by a lead actress. Only the lead actors remain. What lead actress performance would you have included? See one here you disagree with? Please share your thoughts in the comments section below.

REVIEW: “Only God Forgives”

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I’m one of the few people who didn’t fall in love with the film “Drive”. Director Nicolas Winding Refn and star Ryan Gosling garnered a ton of critical praise for their 2011 crime drama. While I liked the movie, overall I felt it was lightweight with very little underneath its stylized surface. Well let me say “Drive” has nothing on Refn and Gosling’s latest collaboration “Only God Forgives”. This film takes all of “Drive’s” missteps and amplifies them x10. Even worse, it doesn’t have a strong Albert Brooks-like performances to save it from its hollow and lifeless end result.

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THE EVER-PRESENT STARE…

The film is set in Bangkok where Gosling’s character Julian runs a kickboxing promotion which is a front for a drug dealing operation he runs with his brother Billy (Tom Burke). But Julian’s main job is staring. That’s all he does for 99% of the movie. Much like in “Drive”, Gosling gives another bland, poker-faced performance that never shows a hint of emotion. It’s frustratingly cold and dry – something Refn clearly has a fondness for. For me it grows old and it doesn’t add an ounce of depth to the character. Get used to them because Gosling’s eye-rolling blank stares and emotionless demeanor are ever-present regardless of the situation.

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Get used to this stare from Gosling. It never goes away.

Not to be outdone, Vithaya Pansringarm plays the corrupt police Lieutenant Chang who has Billy killed after he rapes and murders a woman. Chang is brutal, has a god-complex, slow walks like a zombie in a trance, and has a weird fascination with singing in nightclubs. Sounds like a well-rounded chap doesn’t he? I know Refn was shooting for some unique stylistic approach to the Chang character but quite honestly I started laughing whenever he would show up. He is in a constant state of slow motion and he has this one single expression throughout the film. He comes across as a stiff cardboard cutout that will occasionally commit acts of graphic violence.

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See? Still staring.

And speaking of violence, there is a lot of it in “Only God Forgives”. The movie becomes a story of revenge one-upmanship especially when Julian’s wacko mother (Kristin Scott Thomas) shows up to avenge her first born. Thomas is a fine actress but she gets mauled by this lurid over-the-top character she plays. Her men kill one of Chang’s men then he kills one of hers in some gruesome fashion. Rinse and repeat. Refn splatters blood on walls, sprays blood out of gaping wounds, makes us watch an unsettling torture scene, etc. etc. etc. I’m not one that is automatically put off by scenes of graphic violence but none of these felt as if they served a purpose. I figure Refn had something he was trying to say but it never resonated with me.

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Seen this look before? Yep, it’s the stare…

While Refn may not like strong narratives, deeper characters, or good dialogue he certainly loves mood lighting, long hallways, and gaudy wallpaper. We get a ton of that stuff in “Only God Forgives”. It’s the ultimate example of style over substance. I found the whole exercise to be a pretentious and self-aware mess. I will say that Refn does show hints of brilliance when it comes to framing shots. He also can build tension in a scene when he is able to restrain himself. But those attributes can’t save this film from its dullness and overindulgence. Some will see it as a beautiful piece of stylistic cinema. Personally, I see it quite differently.

VERDICT – 2 STARS

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By the way, still staring…

REVIEW: “Jack Ryan: Shadow Recuit”

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It’s rare to find a fun and entertaining film on the front end of the movie year. January is notorious for being the month where studios empty their cupboards of held-over films with low expectations. That’s why “Jack Ryan: Shadow Agent” is a breath of fresh air. It may not have the best title, but it is an able action thriller. It’s a good ‘kick back and have a good time’ movie that is a nice change of pace from the heavier, deeper films we get during awards season.

This is the fifth movie from the Jack Ryan film series but the first since 2002’s “The Sum of All Fears”. It’s a reboot that also serves as an origin story for Jack. Chris Pine takes the lead once played by Harrison Ford, Ben Affleck, and Alec Baldwin. We first see him on the campus of the London School of Economics. The terrorist attacks of 9/11 inspire him to leave college and join the Marines. A series of uncontrollable events soon has him working as a financial intelligence analyst for the CIA. Kevin Costner plays his boss Thomas Harper who in many respects serves as Jack’s mentor.

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All of that leads to Jack’s first foray into the world of geopolitics. He uncovers a potential plot by a powerful Russian businessman named Cheverin (Kenneth Branagh). He travels to Moscow and soon finds himself more than just an analyst. The mission soon goes bad and Jack becomes a full-fledged field operative. Harper pops back up and Jack’s fiancé Cathy (Keira Knightley) soon finds herself in the middle of the chaos. It all plays out in a hail of bullets, car crashes, and big booms.

“Jack Ryan: Shadow Recruit” follows a pretty familiar blueprint. It doesn’t strive to be original and it certainly doesn’t break any new ground. But it does know exactly what it wants to be and that focus helps make this a really fun ride. Kenneth Branagh also directed the film and he did a fine job of delivering a variety of great scenes. Perhaps my favorite is the first meeting between an undercover Jack and a suspicious Cheverin. It takes place in Cheverin’s ultra-modern Moscow office and you can cut the tension with a knife.

We also get quite a bit of action in this picture but I found it to be the right dosage. The shootouts and car chases are often set to beautiful Moscow and New York City backdrops and they are competently shot with a lot of energy. The fight scenes were filmed ala Paul Greengrass style with loads of quick cuts and herky-jerky hand-held cameras. As is often the case with this frantic style, it made it a little difficult to follow what was going on. Personally that drives me nuts. It’s obviously a popular stylistic choice these days but it doesn’t always work for me.

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Chris Pine seems to be getting better and better with each new role. I completely bought into him here because he brings so much more than the normal macho bravado. His Jack Ryan feels like a real person. He is nervous, uncomfortable, and the things happening around him deeply effect him. I appreciated that. But it’s Costner who really steals the show. Now I’ve always been a big Costner fan so I was excited to see his name attached. But he handles this material like the old pro that he is. It’s a great performance despite the few bits of cheesy dialogue. Keira Knightley is another story. She certainly has the American accent down but that’s about it. She has some good moments but there were several times when I had no idea what she was doing. She employs an assortment of weird facial expressions and quasi smiles that were often times distracting. Kate Beckinsale turned down this part when it was offered but I wish she had accepted it. I can see her bringing a lot more to it than Knightley.

Is this a formula that we’ve seen before? Absolutely. But when I’m enjoying myself, I just don’t care. Branagh keeps things rolling at a crisp pace and the time flew by. Some have had problems with the film’s lack of desire to do anything new. I can see that to a point. But when you handle your material well and the results are good, I’m okay with it. This is a straightforward and unapologetic thriller that never tries to be something it isn’t. Most importantly this is good old-fashioned fun and that counts for a lot in my book.

VERDICT – 4 STARS

2013 K&M Random Movie Awards

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So many fellow movie bloggers love doing Top 10 lists of their favorite films at the end of each year. I’m no different. I love looking back at the all the movies I saw and putting together my favorites. But I also like throwing out some random accolades for achievements and in some cases underachievements for the 2013 movie year. So now, in no certain order, I give you the 2nd Annual K&M Random Movie Awards for the year 2013 (a very random name for a very random awards special). Enjoy the list and click on the film title if you would like to read that movie’s full review.

BIGGEST SURPRISE OF 2013 – “The Way, Way Back

Several movies caught me by surprise in 2013. I never expected one of them to be #3 on my Top Films of 2013 list. Such was the case with “The Way, Way Back”. Loaded with humor and heart, this wonderful film managed to take some fairly familiar situations and topics and inject them with an intelligent freshness that I loved. Add a hilarious performance by Sam Rockwell and you have one of my favorite films of the year.

BIGGEST LETDOWN OF 2013 – “Iron Man 3

When talking about my biggest letdown I’m not referring to the worst movie of the year. I’m speaking of a movie that I had incredibly high hopes for but that ultimately let me down the most. That’s unquestionably “Iron Man 3”. With the wonderful Robert Downey, Jr. and a great supporting cast, I felt this was a sure thing. But the serious warping of a key Iron Man villain and a rather forgettable finale left me frustrated. This should have been much better.

BEST ANIMATED FILM OF 2013 – “Despicable Me 2

Ok, let me admit this up front. I’m mainly including this category as a joke. I’ve only seen one animated film this year and it was “Despicable Me 2”. I adored the first film and this sequel didn’t measure up to it. But I still thought it was good, wacky fun. Are there better animated features out there this year? It’s very possible. I just haven’t seen them. That doesn’t say much for this award, does it?

BEST FIGHT OF 2013 – Spock vs Kahn

Several fight scenes ran through my mind as I pondered this category. The one that I kept coming back to was the throwdown between Spock and Kahn at the end of “Star Trek: Into Darkness“. After a really cool foot chase the two hook up on a high-speed barge. It’s a pretty spectacular scene as the two use their slightly superhuman abilities to pound each other. It’s a ton of fun.

MOST UNINTENTIONALLY FUNNY FILM OF 2013 – “Only God Forgives”

I know fans of “Drive” were hoping for something special when Ryan Gosling and Nicolas Winding Refn teamed up again for “Only God Forgives”. I can’t imagine this mess was what they envisioned. I found myself laughing several times at the stylish overkill employed by Refn. Gosling’s ever-present poker face apparently infected other characters and the long, slow walks down long, mood-lit hallways grew laughably bad. This thing was a stinker.

BIGGEST SURPRISE PERFORMANCE OF 2013 – Andrew Dice Clay

My pick for the biggest surprise performance of 2013 was a no-brainer. Who on earth saw Andrew Dice Clay coming? The man who made his name being an obnoxious and brash standup comic blew me away as a humble, blue-collar working man. It’s a small role but it was one of the real treats from “Blue Jasmine“. I don’t know what to expect from Dice Clay in the future but this performance should catch some attention.

COOLEST CAR OF 2013 – “The Great Gatsby

Hollywood loves cool cars and we see a ton of them each year. This year was no different. But while several cars came to mind when considering this award, there was one clear winner for me – Jay Gatsby’s bright yellow 1929 Duesenberg. Man I love that car. They were known as luxury vehicles and they cost a fortune which was right up Gatsby’s alley. I can’t say I blame him.

BEST VILLAIN OF 2013 – Michael Fassbender

Villains, villains, villains. Each movie year we see them in all shapes and forms. None in 2013 were as vicious and unnerving as Michael Fassbender in “12 Years a Slave“. He plays a brutal slave owner without a shred of moral conscience. Fassbender goes all in and fully embodies this truly detestable human being. It’s a great performance and one of the many strengths of this moving film.

MOST UNFAIRLY MALIGNED FILM OF 2013 – “To the Wonder

Whenever you get a Terrence Malick film you are destined to get a wide range of thoughts and reactions. Such was case with “To the Wonder”. But many went into the film seeking to compare it to his previous gem “The Tree of Life”. While stylistically the two films take the same approach, “To the Wonder” is its own story and I found it to be very effective. Tender, romantic, brutal, and heartbreaking – all set to Malick’s gorgeous visual style. This is film deserving of more attention and respect than it received.

MOST OVERLY EXALTED FILM OF 2013 – “Her

Please don’t pull on the stones just yet! I really liked many things in Spike Jonze’s original tech-romance “Her”. Unfortunately there were several things within the film that kept me from praising it as most have. The snails pacing in the second half along with some tone-killing “comedy” choices and a few throw-away scenes really hurt the film for me. It’s not a bad movie. I just don’t think it capitalizes on its strengths.

BEST SPECIAL EFFECTS OF 2013 – “Gravity

In this day and age of spectacular special effects it’s an accomplishment to be praised as the best of the year. “Gravity” is certainly deserving of that high praise. Alfonso Cuaron’s visual masterpiece is one of the most incredible cinematic experiences I had all year. The special effects sucked me in from the opening scene and I was immersed in this symphony of sight and senses. What a beautiful film.

BEST HAIR OF 2013 – “American Hustle

Clearly one of the most important and prestigious awards of 2013. Yet how could I narrow it down to just one person? I mean look at the cast of David O. Russell’s “American Hustle”. Christian Bale has the most dynamic comb-over in movie history. Bradley Cooper’s super-tight curls are unmatched. Jennifer Lawrence’s hair flops all over the place. And I have no idea what you call Jeremy Renner’s do. All of these take home an award for their brilliant follicle contributions to the 2013 movie year. Call it a hair ensemble.

STUPIDEST SCRIPT OF 2013 – “Getaway”

My gosh, if this dopey script can get made into a feature film surely I can write something and make it big! I don’t know if there was a more stupid or amateurish script in 2013 than “Getaway”. Ethan Hawke what were you thinking? This is some of the lamest writing I’ve seen in a long time. The characters are terrible, the action is repetitive, and the plot is almost nonexistent. If you haven’t seen “Getaway”, consider yourself blessed!

BEST CAR CHASE OF 2013 – “Snitch

“Snitch” was an action thriller starring Dwayne “The Rock” Johnson that fell through the cracks. It’s actually a decent movie with some good action and a nice supporting cast. It also features a fantastic chase scene. It features Johnson driving an 18-wheeler down a busy interstate with members of a drug cartel hot on his heals. We get high speeds, big crashes, and some great camera work. It’s a lot of fun.

BEST CHILD PERFORMANCE OF 2013 – Sophie Nélisse

As much as I loved Tye Sheridan’s performance in “Mud”, the child acting standout of the year was Sophie Nélisse in “The Book Thief“. This is an underappreciated film which is unfortunate. To miss it is to miss an incredible performance by young Nélisse (12-years old at the time of filming). She’s playful, emotional, and mature beyond her years. It’s such great work and I can’t wait to see what she does next.

WORST ENDING OF 2013 – “The Call”

I’m not going to go into full spoiler mode here but let me just say that the ending of the Halle Berry thriller “The Call” is one of the dumbest things I have seen. I suppose this revenge-fueled ending is meant to be empowering to women. The problem is they never considered how the finale co-exists with common sense. I’m trying to be vague but let me just say it’s one of the most poorly thought out endings I’ve seen in a while.

CREEPIEST CHARACTER OF 2013 – Uncle Charlie (“Stoker“)

I really like Matthew Goode as an actor and his turn as the creepy Uncle Charlie in Park Chan-wook’s “Stoker” is so much fun. The story is clearly influenced by Hitchcock’s brilliant “Shadow of a Doubt” with Goode handling the character first played by Joseph Cotten. I wouldn’t say “Stoker” matches Hitchcock’s gem but it’s still a good film and Goode captures that unsettling creepiness that I loved.

BEST OPENING SCENE OF 2013 – “World War Z

The first 15 minutes of the zombie action film “World War Z” still stands as my favorite opening scene in 2013 (barely beating out “Gravity”). We aren’t given a back story or origin of the zombie outbreak. Instead we are thrown into the first moments of the outbreak just as the main character and his family are. I thought it worked wonderfully and it set the movie up in a way I found to be very effective.

BEST FINAL 10 MINUTES OF 2013 – “Captain Phillips

Paul Greengrass and Tom Hanks collaborated to make one of the years most thrilling films. “Captain Phillips” is filled with fantastic intensity, great performances, and a final 10 minutes that was unforgettable. Within those final minutes lies the gripping climax to the film along with one of the most emotional scenes of the year. Tom Hanks gives what may be 2013’s best 10 minutes of acting in a sequence than cut me to the bone. This was such a sensational ending.

BEST ACTION SEQUENCE OF 2013 – “The Hobbit: The Desolation of Smaug

There were many great action sequences to consider but only one could be the winner. After a lot of back-and-forth I finally settled on the thrilling barrel escape in Peter Jackson’s “The Hobbit: The Desolation of Smaug”. This wild and frantic scene features the dwarves escaping the wood elves via empty barrels down a raging river. Orcs, elves, and violent waters add to this incredible and action-packed sequence.

BEST FILMMAKING DEBUT OF 2013 – Ryan Coogler

While the docudrama “Fruitvale Station” did have a few issues that seasoned filmmakers would have avoided, it is still an amazing piece of work. Most surprising is that it comes from a first time filmmaker. Ryan Coogler wrote and directed this film based on the 2009 killing of 22-year old Oscar Grant in Oakland, California. It’s raw and intense, but it’s also a well shot and well conceived film that has gathered some much deserved attention.

BEST HORROR MOVIE OF 2013 – “The Conjuring

Horror movies are all over the place and it’s rare to find a really good and satisfying one. Perhaps that’s why I was so happy to find “The Conjuring”. The movie is a more traditional 1970s style horror picture that stays away from the gore and plays with your senses. It’s well directed by James Wan and it features two great lead performances from Patrick Wilson and Vera Farmiga. It’s horror done right.

BEST ROMANTIC COMEDY OF 2013 – “Much Ado About Nothing

I’m not what you would call a Joss Whedon acolyte but movies like this could change that altogether. I loved this sharp, witty, and original take on Shakespeare and Whedon deserves a ton of credit. He directed the film, co-produced it, wrote the screenplay, edited it, and even handled the score. Amy Acker is just wonderful as is Alexis Denisof and the fun assortment of side characters. “Much Ado” was a delightful surprise.

WORST SEQUEL OF 2013 – “A Good Day to Die Hard

How could this be allowed to happen? One of the most celebrated action franchises shouldn’t go out like this. The “Die Hard” films started back in 1988. Two fantastic sequels and another pretty good one followed. But this thing is terrible. The action is numbing and the storyline never kept my attention. It’s corny and dumb and it doesn’t have one memorable scene or line. That’s something every other “Die Hard” film had. What a disappointment.

BEST SMALL PERFORMANCE YOU MAY HAVE MISSED – Ray McKinnon (“Mud“)

“Mud” was one of my favorite films of the year and it featured a fantastic cast. One underrated actor who I always love seeing on screen is Ray McKinnon. Here he plays the father of young Ellis (Tye Sheridan). It’s a wonderful performance. McKinnon does such a great job giving us a fallible but well-intentioned man who really resonated with me. McKinnon is great and deserves more notice.

FUNNIEST PERFORMANCE OF 2013 – Sam Rockwell (“The Way Way Back“)

I’m fairly picky when it comes to comedy, but that certainly didn’t effect my love for Sam Rockwell in “The Way, Way Back”. He is hilarious and he had me laughing every time he would show up. There is a touch of classic Bill Murray is his delivery that I loved. He also shows a wonderful comedic timing that so many “comedians” lack. As I mentioned earlier, this film was a huge surprise for me as was Rockwell’s hysterical performance.

WORST SCENE IN AN OTHERWISE GOOD MOVIE – “Fruitvale Station

I’m a fan of Ryan Coogler’s “Fruitvale Station”. The first-time director really impresses with this powerful and relevant docudrama. But there is one scene that stands out, not for its brilliance, but for its terrible, heavy-handed bit of foreshadowing. Let’s just call it ‘the dog scene’. It just doesn’t work and a more seasoned director would have probably avoided it altogether. It may slightly blemish the film but it certainly doesn’t dull it’s power.

BEST USE OF MUSIC FOR 2013 – “Inside Llewyn Davis

Joel and Ethan Coen do a lot of things right when making movies. One of those things is their use of music and this is on display in “Inside Llewyn Davis”. Set during the early 1960s New York City folk music scene, music obviously plays a big part in the film. But the numbers are just perfect and add to the incredible sense of time and place. Each was filmed live (no post-scene dubbing) which made them all the better. These are great tunes and there is a great use of them in the film.

BEST FILM TITLE OF 2013 – “Upstream Color”

Shane Carruth’s complex and inventive mind trip “Upstream Color” was so much fun to watch and dissect. It also has what I think is an incredible cool title. It sounds cool on its own but after you see the film once or twice the title takes on an even better meaning. This certainly isn’t an award that the Oscars will soon consider adopting, but I had to throw it out there. I just love that title.

WORST FILM TITLE OF 2013 – “White House Down”

As if the movie wasn’t bad enough, “White House Down” is also burdened with one of the worst movie names period. I remember when I first heard about the film I assumed it was a spoof. I expected it to be a dopey parody of some sort but to my surprise they were being serious. It just sound ridiculous and I’m sure no one would relate it to “Black Hawk Down”. I just wish this was the only bad thing about this dreadful film.

BEST 3D OF 2013 – “Gravity

I’m a pretty vocal critic of 3D. I’ve voiced my frustration at this obvious gimmick to increase theater ticket prices which usually visually hurts a film instead of help it. But sometimes we get movies that remind us that the technology can be great. In 2013 “Gravity” was that movie. Talk about an incredible immersive experience. The 3D was brilliantly utilized and never hurt the movie. It made it better and that’s a rare feat these days.

BEST ENSEMBLE CAST OF 2013 – “Mud

It would be easy to give this award to a movie like “American Hustle”, but for me “Mud” was the best ensemble cast of the year. While it may not feature a laundry list of top-tier names, it features a cast that perfectly fits with what the story needs, and I mean perfectly. Matthew McConaughey, Tye Sheridan, Reese Witherspoon, Sam Shepard, Michael Shannon, Sarah Paulson, Ray McKinnon, and Joe Don Baker are all tremendous and they are a big reason that “Mud” is so good.

WORST PERFORMANCE BY A BIG STAR – Will Smith (“After Earth“)

Ryan Gosling fought hard for this award but ultimately Will Smith proved too good..err bad for him. Smith has always been a bit overrated in my eyes and this performance does nothing to change that opinion. He grunts and grumbles through the entire picture supposedly portraying a stern military type. But he is so flat and so bad. Jaden got a Razzie nomination and rightfully so, but his dad should have been right there with him.

BEST CINEMATOGRAPHY OF 2013 – “Nebraska

“Gravity” could easily have won this category. The cinematography was dynamic and made the film an unbelievable experience. But there is such a beauty and artistry to Phedon Papamichael’s work in “Nebraska”. The black-and-white tracking shots, the amazing atmospheric still shots – there are so many gorgeous scenes that bring this midwestern setting to life. I absolutely loved it and it added so much to the film.

That does if for the 2nd annual K&M Random Movie Awards. How you had some fun with it. Please take time to share any of your picks for these totally random categories. See you next year!

REVIEW: “August: Osage County”

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“August: Osage County” is a hard pill to swallow. It’s based on a Pulitzer Prize-winning play of the same name and could be categorized as a dysfunctional family drama with pinches of dark comedy. It features a star-studded cast led by Meryl Streep and Julia Roberts and a premise that may have a lot of appeal to some audiences. But underneath all of the big acting from big stars lies a coarse and abrasive film that never knows when to pull back the reins. It ends up being a movie I could never wrap my arms around.

Tracy Letts (who also penned the play) writes the screenplay and John Wells (better known for his television work) directs the film. It’s set in Osage County, Oklahoma during a sweltering hot August. Violet (Streep) is a mean and contentious women suffering from mouth cancer and a heavy addiction to pain pills. Her husband Beverly (Sam Shepard) is a calmer sort who seeks refuge in his books and liquor. One day Beverly hires a caretaker for his wife and soon after disappears.

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Distraught over her husband’s disappearance, Violet calls in her family and a parade of family dysfunction follows. First to arrive is her sister Mattie Fae (Margo Martindale) and her husband Charles (Chris Cooper). Shortly after, Violet’s three daughters come. Barbara (Julia Roberts) is a shrill carbon copy of her mother. She’s at odds with her mom for leaving home and moving to Colorado. Karen (Juliette Lewis) is the spacy middle daughter who hasn’t been home in years. And there is Ivy (Julianne Nicholson), the youngest daughter and the only one who lives close to home. Each of these characters have a wheelbarrow full of flaws and baggage that all comes into play as the film moves along.

But if that assortment of maladjusted individuals wasn’t enough, we also have Barbara’s husband Bill (Ewan McGregor) who apparently has an eye for younger women and their daughter Jean (Abigail Breslin) who is bearing the fruits of their horrible parenting. Then there is Karen’s fiance Steve (Dermot Mulroney), a phoney and moral-free Florida businessman. Oh and then there is Charles and Mattie Fae’s awkward son Little Charles (Benedict Cumberbatch) who may have a weird little secret.

It’s almost impossible to like any of these people. With the exception of the caregiver, practically every character reveals an appalling secret, spits out hateful insults, or does something vile. And the film is relentless. It bludgeons you to death with one dysfunctional family scene after another. I found it to be smothering. The story never allows any breathing room or provides any variation with its characters. And the constant barrage of bad behavior and disgraceful revelations is a bit ridiculous. It’s as if Letts wants to trump one disgraceful act or insult with another. And so on and so on…

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Again, the cast is a laundry list of big names and the performances are good. However many of the scenes are so big and the characters so loud that it can be difficult to really appreciate the performances. It’s one of those cases where the material hurts what the actors are doing. Streep is fine as the venom-tongued Violet but she is so big and brash. It’s definitely how the character is written but Streep does her share of scene chewing. Julia Roberts has been applauded for her work but it too is a loud and showy performance. Roberts is never overmatched by the character and she shows brilliance in some scenes. But the character is crassly written and some of her dialogue is so over the top. The other performances aren’t getting the same attention, but they’re generally good when the screenplay allows them to be.

I’ve heard that the stage version of “August: Osage County” is very good. Sadly I don’t think it has translated well to the big screen. This is a crude and unyielding adaptation that has a powerful and potent potential. The idea is appealing and every so often we get glimpses of what I hoped the film to be. Unfortunately I was put off by these characters, their endless dysfunction, and their profane spite. This was a tiresome watch and tough movie to endure. It’s a shame because with this much talent I was expecting more.

VERDICT – 2 STARS

Top 5 Performances of 2013 – Supporting Actor

A light painting of the year 2013 written against a black background

A few days ago I gave my Top 5 performances by a supporting actress from the 2013 movie year. Now it’s time for the guys. The Best Supporting Actor category was extremely difficult to narrow down. 2013 was full of great supporting work from a host of great actors. There were some really great performances worthy of this list that I hated to leave off, but such is the nature of these goofy lists. So lets get to my five favorite performances by an actor in a supporting role:

#5 – Andrew Dice Clay – “Blue Jasmine

DICE CLAY

When most of us hear the name Andrew Dice Clay we think loud, obnoxious, and brash. This one time successful standup comic was armed with an off-colored gimmick and a bad attitude. But that’s no where to be found in what I think is the most suprising performance of 2013. Dice Clay has a small role in Woody Allen’s “Blue Jasmine” but he is amazing as a humble, blue-collar guy who you can’t help but like. There is such a grounded and natural feel to his portrayal and it’s such a departure from his past work. Even with his limited screen time I thought Dice Clay was a real highlight of the film.

#4 – Geoffrey Rush – “The Book Thief

RUSH BOOK THIEF

As I’ve mentioned before, “The Book Thief” is a moving film anchored by some great performances. Of the great work showcased in the movie it’s Geoffrey Rush who swept me away. His foster-father character was the antithesis to Emily Watson’s stern, abrasive foster-mother. He is meek, gentle, and sympathetic. Rush captures all of this through a subtle and grounded performance that injects a lot of heart into the movie’s grim surroundings. Rush has always been a top-notch actor which is why his fine performance here didn’t surprise me at all.

#3 – Sam Rockwell – “The Way, Way Back

Rockwell

One the biggest surprises of 2013 in terms of performances came from Sam Rockwell in “The Way, Way Back“. I’ve always thought Rockwell was a pretty good actor but the quick wit and amazing comedic timing in this performance blew me away. He had me laughing during every scene yet he brought more to the character than just humor. It’s also worth noting that in a film featuring so many great performances he steals ever scene he is in. I perked up every time he showed up with his slouchy attire and goofy strut. Rockwell was always an actor I could take or leave. Well now I’m sold. This performance really won me over.

#2 – Michael Fassbender – “12 Years a Slave

FASSBENDER

In a movie loaded with some of the best performances of 2013, the best may be Michael Fassbender’s turn as a brutal, maniacal slave owner in Steve McQueen’s “12 Years a Slave“. Fassbender has established himself as one of the more versatile actors in the business and he has taken on a variety of different and demanding roles. I am a huge fan of most of his work but this would rank near the very top. Fassbender goes all in as one of the most vile and detestable screen “villains” I’ve ever seen. He never makes it a caricature. It’s a believable portrayal that makes it all the more uncomfortable. It’s such a committed performance from a great actor.

#1 – Matthew McConaughey – “Mud

MUD

Matthew McConaughey may have gotten top billing in Jeff Nichols’ deep south thriller “Mud“, but by description he is really a supporting character. The McConaughey renaissance continued in 2013 and his work as a mysterious stranger living on a river island was a highlight of the year. He is perfectly cast and he creates one of the most captivating characters of the year. The southern drawl, the gritty look, the air of mystery – McConaughey brings it all. His performance is a vital ingredient to the film’s success and it’s an undeniable reminder that McConaughey is an incredible actor when he picks good material.

HONORABLE MENTIONS: Bradley Cooper (“American Hustle“), Jake Gyllenhaal (“Prisoners“) Barkhad Abdi (“Captain Phillips“), James Gandolfini (“Enough Said“),

So what do you think? These are my favorite supporting actor performances. Now I would like to hear yours. Please take time to share them in the comments section below. And remember, next week we look at lead actresses!