REVIEW: “Blackhat”

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Michael Mann is a director that usually catches my attention. The 71-year old Mann has made several films over the years that I deeply love – movies like “The Last of the Mohicans” and “Heat”. It’s my strong affection for his good films that enables me to overlook his bad ones like “Miami Vice” and “The Keep”. The big question for me is which kind of movie is “Blackhat”? Does Mann give us another signature rock-solid thriller, or does this film qualify as a disappointing clunker?

So far it hasn’t been a good ride for “Blackhat”. Very few critics have given the film high marks and it’s already been considered a box office bomb. Unfortunately the criticisms have merit and it doesn’t take long to understand why the film was dumped in the January movie release graveyard. The most disappointing thing is that the film has a very timely and relevant concept. But that concept drowns in vast chasms of monotony and lethargy.

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Chris Hemsworth steps back from his popular Marvel superhero persona to play an incarcerated computer hacker named Nick Hathaway. After a cyberterrorist triggers an explosion at a Chinese nuclear power plant, Hathaway agrees to help the FBI and the Chinese government catch the perpetrator in exchange for having his sentence commuted. After about two lines of political wrangling and negotiations Nick is out of jail and the internet manhunt begins.

Hathaway (who looks like he’s been at a GQ photo shoot instead of a penitentiary) is joined by an old friend and Chinese cyber officer named Chen Dawai (Leehom Wang), FBI Agent Carol Barrett (Viola Davis), and Dawai’s sister Lien (Tang Wei) who out of the blue becomes Hathaway’s lover. The group tracks their target from the United States to China to Malaysia. Mann knows how to shoot locations and some of the film’s best moments involve his camera sweeping over a landscape or tracking down tight alleys. It’s certainly a better alternative than the constant shots of people staring at computer screens.

Speaking of that, we get plenty of scrolling digits and keyboard tapping. Computers obviously play a key role in the story, but it seems like we spend an eternity logging in, logging out, typing in the code, and so on and so on. I’m sure a lot of it is realistic. In fact Wired magazine reported that hackers and security experts both commended the movie for its accurate portrayals. But honestly, after a while I didn’t care. There was just too much of it for me and sometimes it would grind the movie to a halt.

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No such thing could be said about the action. Mann has always had an incredible eye for action sequences and it is no different here. And at times the action scenes actually jolted me back into the movie. Mann’s camera movements, his strategic angles, his intense use of sound and of his surroundings – all of these create some truly spectacular action scenes. Without question, the action is the star of the movie and I wish we had gotten more of it and less of the plodding story.

“Blackhat” is a movie built around a good idea and strengthened by some fantastic pulse-pounding action. But ultimately it sinks due to its tiresome, long-winded story. Even the ever likable Chris Hemsworth can’t help it. He seems completely out of character, struggling with whatever kind of weird accent he’s going for, and I never felt a charismatic spark from him. His performance will undoubtedly have people questioning his abilities in roles outside of the superhero genre. I don’t know, chances are he was simply bored like I was through a lot of this movie.

VERDICT – 2 STARS

YOUR VOICES: On your most anticipated film of 2015

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Your Voices is a simple concept created to encourage conversation and opinions between movie lovers. It works like this: I throw out a certain topic and I’ll take time to make my case or share my opinions. Then it’s time for Your Voices. Head to the comments section and let fellow readers and moviegoers know your thoughts on the topic for that day!

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If even half of the potentially great movies deliver, 2015 is going to be a fabulous year at the theater. So many movies, from big tentpole blockbusters to small independent films, have caught my attention and my excitement. So simply picking one would normally be difficult. But that’s not the case this year. You see, there is a new Star Wars movie on the way, and there’s no possible way on earth that any movie could excite me more than it.

I know that “Star Wars: Episode VII – The Force Awakens” might be an obvious popular choice, but for me it’s legit. I saw the original trilogy during its first theatrical release. As a kid I spent more time with my Star Wars toys than with my friends. I had everything – action figures, vehicles, shirts, lightsabers, blasters, storybooks, comics, etc. etc. etc. And of course the movies. They were what opened up the world of cinema for this bright-eyed imaginative kid. “Star Wars” has been an intimate part of my life since I was a young boy.

Considering that, naturally I would be excited that a new “Star Wars” installment is hitting theaters this year. Of course there are reasons to be cautious. For the most part I like J.J. Abrams, but he does make me a little nervous. Also can this film launch an exciting new chapter after the pitch-perfect ending of Episode VI? I could list several more questions or concerns I have, yet none of these things dampen my excitement for seeing a new Star Wars film. My expectations are high and my fingers are crossed. Now I just have to wait until December 18th! But what about you? Now it’s time for YOUR VOICES.

YOUR VOICES: What is your most anticipated film of 2015?

Now it’s time for Your Voices. With so many 2015 movies to consider, which one would you call your most anticipated? Please share Your Voices on today’s question. I’d love to hear from you in the comments section below.

REVIEW: “Taken 3”

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It’s the start of the 2015 movie season so you know what that means. It’s time for a Liam Neeson action flick. For several years we have gotten a Neeson action movie early in the year, mostly February. While they are usually forgotten by the end of the year, they do provide some decent escapist fun. Well, except for “Taken 2” which was an awful film, but it was also released in September. Now we get “Taken 3” and we get it in January. Will that early-year Neeson ‘magic’ give us yet another entertaining but forgettable thriller or does this film belong in the same crap bowl as “Taken 2”?

I can’t say I’ve been optimistic about “Taken 3”. Luc Beeson returns as co-writer and producer. Olivier Megaton returns to direct. In “Taken 2” these guys captured none of the first film’s edgy, butt-kicking entertainment. Instead they gave us a dopey and preposterous sequel filled with sloppy and undecipherable action scenes. With them back on board how could I expect anything different?

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The story follows the same basic blueprint as the other two movies. We spend the first 20 minutes or so getting reacquainted with these characters. Bryan Mills (Neeson) is still a fun loving father who loves a good bagel and owns a ‘particular set of skills’. He still has a close relationship with his ex-wife Lenore (Famke Janssen) and with his daughter Kim (Maggie Grace). Lenore has been having marital problems with her husband Stuart (Dougray Scott) which has rekindled her affections for Bryan.

One day Lenore texts Brian and asks him to meet her at his apartment. When he arrives he finds her dead in his bed. The police immediately bust in and Bryan becomes the chief suspect. Thanks to a series of head-scratching decisions and amazing conveniences Bryan sets out to find who is responsible for his wife’s murder. Hot on his heels is LAPD Detective Franck Dotzler (Forest Whitaker) who wants to take him in. Clues, close calls, car chases, and fistfights follow as Bryan tries to get to the killer before the police get to him.

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The good news is “Taken 3” is better than the last film but not by a wide margin. There are just some things you have to expect. Beeson is going to give you some excruciating lines and some laughably bad plot contrivances. I swear, the guy writes some of the most simplistic and obvious dialogue. You can also expect Megaton to hack his action scenes to pieces and then paste them together in a headache-inducing collage of fast-paced images. His ridiculous quick cuts make following the action an impossible chore. He does slow it down a tad in the second half and that helps things a little.

I always enjoy Liam Neeson but for the first time he actually looks his age. Maybe it was how the fight scenes were shot. Maybe he was tired or uninterested. Whatever it is Neeson looked slow and limited. On the other hand he has that gravelly-voiced charisma and he can often make the most absurd scenes entertaining. He is asked to do a lot of that in “Taken 3” and in the end he makes it a lot more watchable than the last film. But as long as Beeson and Megaton are attached, it will be a silly and shallow series that even Neeson himself can’t fully save.

VERDICT – 2.5 STARS

3rd Annual Random Movie Awards

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It’s awards season again and so many of us have shared our favorite movies for the past year. But I also like throwing out some random accolades for achievements and in some cases underachievements for the 2014 movie year. These are mostly categories that you won’t see at the Globes or the Oscars. No! Only in the illustrious 3rd Annual K&M Random Movie Awards for the year 2014 (a very random name for a very random awards special). Enjoy the list and click on the film title if you would like to read that movie’s full review.

Best Chase Scene of 2014 – “The Grand Budapest Hotel“

Regardless of how many times I see it or even think about it, the snowy mountain chase sequence from “The Grand Budapest Hotel” cracks me up. Willem Dafoe races down the mountain on skis with Ralph Fiennes and his lobby boy following on a sled all done in a wacky stop-motion Wes Anderson style. Brilliant!

Coolest Car – Dodge Challenger (“Nightcrawler“)

There were several cool cars to consider this year but none were sweeter than Lou Bloom’s red and black Dodge Challenger from “Nightcrawler”. After Lou’s “business” blooms (pun absolutely intended), he spends some cash on a slick, cool sports car that is a true attention grabber. Maybe I need to become a videographer!

Worst Movie Title – “Dawn of the Planet of the Apes“

While I wouldn’t call this as idiotic as last year’s winner “White House Down”, it doesn’t exactly roll off the tongue. In fairness I haven’t been able to come up with a better alternative, but saying “of the” twice in one movie title sounds pretty dopey.

Best Small Movie that More People Need to See – “Blue Ruin“

Several small independent films made some waves this year and that’s always a good thing. For my money none were better than the tiny budgeted “Blue Ruin”. But the film showed that you don’t need billions of bucks to succeed if you have a good script, good actors, and a very skilled director.

Best Horror Film – “The Babadook“

I didn’t see a lot that impressed me out of the horror genre this year. “The Babadook” changed that. It is such a smart and tricky horror picture. It leads us down one path and then pulls the rug out from under us. The film becomes something different and even more compelling. I like some brains with my horror. 😉

Dullest Movie Hero – Themistocles (“300: Rise of an Empire”)

You would expect that in a macho movie like this one you would have a strong, charismatic leader guiding these warriors and their six-packs. Not so. Sullivan Stapleton’s Themistocles takes dullness to a new level. Whether he is giving inspirational speeches or impaling a Persian, he’s as exciting as hand soap.

Funniest Movie – “The Lego Movie“

Who cares if its animated or not? “The Lego Movie” was hands down funnier that most of the tripe that came out in the comedy genre. It’s hilarious, deceptively smart humor mixed with some wild and zany slapstick. It also helps to have someone like Chris Pratt and his great comedy senses.

Best Special Effects – “The Hobbit: The Battle of the Five Armies“

There were many people who didn’t completely go for this film and I can see why. But you have to admit that Peter Jackson knows how to use special effects. The landscapes, the creatures, the epic-scaled battles. This thing looked absolutely amazing from start to finish.

Most Unduly Maligned Film – “The Monuments Men“

I suppose I will go to my grave as the one true defender of this film. I think this was a movie viewed with misguided expectations. Now a lot of that is due to the trailers which sent mixed messages. But the movie itself was a fun and nostalgic throwback that I had a ton of fun with.

Most Overly Praised Film – “Guardians of the Galaxy“

Now don’t misunderstand me, I had fun with Marvel’s “Guardians of the Galaxy”. It was entertaining and unique, but I’m surprised to see it on so many Top 10 lists. It was very predictable. Some of the humor doesn’t quite land. It has an incredibly underwhelming villain. Just not the great movie many treat it as.

Dumbest Scene – “Into the Storm”

A teenaged boy and his hot potential girlfriend are trapped in a hole that is quickly filling up with water. Drowning is imminent. So what do they do? Use a video camera (that should have already been zapped from the water) and record their good-bye death videos. So many obvious questions linger, but lets just say it is an utterly idiotic scene.

Best Villain – The Winter Soldier (“Captain America: The Winter Soldier“)

I loved 2014’s “Captain America” installment and one of the reasons is because of its awesome villain. The Winter Soldier is the coolest. Dead-eye aim, great with knives, and of course that robotic arm. But what makes him great is that one interesting link to Cap’s past.

Best Cinematography – “Interstellar“

This may be the toughest category. There were so many worthy winners, but for me “Interstellar” deserves the recognition. Hoyte van Hoytema does a spectacular job of visualizing a huge variety of landscapes from the vastness of space to the gritty dustbowl earth has become. It’s a gorgeous visual experience.

Best Movie Romance – “Only Lovers Left Alive“

In “Only Lovers Left Alive” Tom Hiddleston and Tilda Swinton give us one the most interesting and oddly romantic couples of the year. It’s the hip and stylish vampires Adam and Eve. They share so much (despite their appetite for blood. Music, art, slow drives in the night. I love spending time with them.

Worst Movie Romance – “Pompeii”

Zzzzzzzz. Oops sorry. I dozed off thinking about the flat, boring, underdeveloped romance at the heart of this year’s spectacle clunker “Pompeii”. You know the story, a beautiful priveliged princess falls for a Russell Crowe wannabe gladiator. No chemistry. No heart. No interest.

Biggest Surprise Performance – Robert Pattinson (“The Rover“)

I never thought Robert Pattinson would win my attention with his acting but I stand corrected. I never saw his performance in “The Rover” coming. It’s big and maybe a bit showy, but it’s also genuine and a perfect fit for his character. I was so impressed and I’m interested to see what he does next.

Toughest Female Character – Sergeant Rita Vrataski (“Edge of Tomorrow“)

I really wanted to list Hammer Girl from “The Raid 2”, but Emily Blunt’s Sergeant Vrataski is just too tough not to win. Vrataski is a hard-nosed soldier who kicks more butt than any man on the battlefield. She also has a special ability that makes her simply the baddest and the best.

Biggest Disappointment – “Noah“

I had my concerns about Darren Aronofsky’s “Noah”, but I never expected it to be such a novice and dopey movie. The liberties Aronofsky takes are preposterous but the gaping plot holes and heavy-handed preachiness are just to much. This should have been so much better.

Biggest Surprise – “Godzilla“

I had absolutely no expectations for the 2014 reincarnation of Godzilla. To my surprise it didn’t just exceed my expectations, it was a really good movie. Many didn’t care for its deliberate reveal of the Godzilla and the nostalgic paranoia. I ate it up and it reminded me of those great creature features of the 1950s.

Stupidest Line of the Year – “My face is my warrant” (“Transformers: Age of Extinction”)

I’ve always liked the character actor Titus Welliver. But lines like “My face is my warrant” aren’t going to get him past the character actor stage. All Mark Wahlberg wants to see is a search warrant stating that Welliver can search his property. Titus says “My face is my warrant”. I’m sorry, that says it all….

Best Animated Film – “The Lego Movie“

What a huge surprise. I didn’t expect much from “The Lego Movie”. Actually it turned out to be the best animated film of the year, the best comedy of the year, and one of the year’s best movies PERIOD. Subtle humor. Slapstick humor. Sparkling characters. A lot of heart. I could go on and on.

Dumbest Character – Vivi Delay (“3 Days to Kill“)

“3 Days to Kill” was a decent movie that featured one of the dumbest characters I have ever seen. Amber Heard plays Vivi Delay (see, even the name is dumb). She’s a CIA assassin and Kevin Costner’s handler as he kills bad guys in Paris. Vivi is otherworldly and looks and acts like she belongs in an Austin Powers movie.

Best Return to the Big Screen – Kevin Costner

It was so good to see Kevin Costner back on the big screen in 2014. He’s long been a favorite of mine but his long and very successful career sputtered. In 2014 he returned with three theater releases. As fans of his would expect, he was fantastic in each film and it was as if he had never been gone. He already has at least two films set to release in 2015.

Creepiest Character – Lou Bloom (“Nightcrawler“)

Talk about a guy who should send chills up your spine. Jack Gyllenhaal’s twisted sociopath Lou Bloom is creepy for a number reasons. His physical appearance is one thing. He just looks ‘off’. But his weird apathy towards people and life in general makes him even creepier. He’s alarmingly unstable yet he could fit right into a crowd unnoticed.

Worst Trailer – “Tammy”

The trailer for “Tammy” accomplished one thing. It ensured that I would never watch that movie…ever. From the moment Melissa McCarthy first appears on screen until the long and grueling 2 minutes ends, the trailer is almost insulting in its stupidity. I guess some people bought it. I thought it was absolutely atrocious.

Best Romantic Comedy – “Magic in the Moonlight“

As with every year, the romantic comedy genre saw its share of stinkers in 2014. But Woody Allen surprised me with his clever and witty “Magic in the Moonlight”. Colin Firth and Emma Stone don’t have resounding chemistry, but the story itself is so well written and Firth is superb. I was caught up in this delightful little picture from the start.

Worst Sequel – “The Amazing Spider-Man 2“

You can definitely tell that Marvel Studios didn’t make this mess of a movie. It’s sad because one of the biggest superheroes ends up getting such a bloated, lackluster film. This film has so many problems including terribly underdeveloped villains, really bad casting, and a number of plot holes that left me shaking my head. No wonder they’re already talking about another reboot!

Best Small Performance in a Small Movie  – Gary Poulter (“Joe“)

The story of Gary Poulter is sad and tragic, but he did leave us with an intense performance in “Joe”. It’s such a raw and uncomfortable performance and from a man who has never acted in a movie or had any training. Poulter gives us one of the vilest and most despicable people you will ever see on screen. It’s so sad that we won’t be able to see what he would do next. R.I.P.

Best Directorial Debut – Ritesh Batra (“The Lunchbox“)

One of the real treats of the 2014 movie year came in the form of “The Lunchbox”. It was a fabulous directorial debut for Ritesh Batra who tells his story with patience and truth. Batra trusts his performers and he’s smart enough to step back and give them room to act. The result is a personal and authentic drama that I was completely caught up in. Smart and sure directing from Batra.

The OMG Moment of the Year – Magneto raising the baseball stadium (“X-Men: Days of Future Past“)

There are so many movie moments from last year that could qualify in this category. But watching Magneto (Michael Fassbender) literally raise an entire professional baseball stadium in Washington DC and drop it around the White House more than qualifies. And the special effects and the way it’s shot makes it even more insane. I guess the Nationals will be looking for a new place to play.

Best Original Song – Batman’s Song (“The Lego Movie“)

“Darkness”, “No parents”, “More darkness”, “The opposite of light”. Wow, can you find song lyrics any more deeply stirring than that? Add some blaring death metal music and you have Batman’s song from “The Lego Movie”. My gosh that thing is hilarious. “Blacked out windows” “curtains drawn”. It’s utter nonsense but it couldn’t fit any better in a movie.

Best Fight – Thorin vs. Azog the Defiler (“The Hobbit: The Battle of the Five Armies“)

Yes it may be too long and drawn out for some people, but I loved the climactic showdown between Thorin Oakenshield and the pale Orc himself Azog the Defiler. This throwdown had been building since the first Hobbit movie and it doesn’t disappoint. It starts in some old rocky ruins before moving to a frozen river. It’s filmed with such energy and fervor. I loved it.

Worst Use of a Great Cast – “Transcendence”

How on earth can you make a bad movie with this cast: Johnny Depp, Rebecca Hall, Morgan Freeman, Paul Bettany, and Cillian Murphy? Granted, Depp has had his share of stinkers, but he is a solid actor and the cast surrounding him is excellent. Unfortunately “Transcendence” falls well short of excellence. It completely flounders an interesting premise and it wastes its excellent cast.

Most Ambitious Film – “Boyhood“

“Ambition” is a word that gets tossed around a lot when discussing movies. Many movies are ambitious, but filmmakers have to bring that ambition to the screen. How can you get more ambitious than the twelve year project that is “Boyhood”? Richard Linklater is the only director that could pull this off. Using the same cast, each year he filmed for a few weeks chronicling the lives of this fascinating family. But why is his ambition worth mentioning? Because the end results are so spectacular.

Worst Film of 2014 – “The Other Woman”

It’s hard to imagine that a worse movie was released in 2014. “The Other Woman” is one of the stupidest and lamest movies I’ve seen in a while. It’s shockingly bad and it not only insults the intelligence of women with its twisted version of empowerment, it insults any halfway discerning movie fan out there. It’s not funny. It’s not smart. It’s not well made. It’s an utter train wreck.

So there you have it, easily the most prestigious awards event you will witness. So what about you? What categories did I botch? Please hit the comment section and share your thoughts. See you next year.

REVIEW: “Me and My Moulton” (2014)

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Hopefully last Thursday’s announcement of this year’s Academy Award nominees will drive people to see films in some of the smaller, lesser known categories. That’s one of the things I love about the Oscars – being introduced to new films that I otherwise would have missed. This year there are several well made gems that earned some attention on the festival circuit and now have received Academy Award nominations. The animated short film “Me and My Moulton” is a shining example.

Torill Kove writes and directs this semi-autobiographical look at childhood feelings we all can relate to. Kove, who won an Oscar in 2007 for her animated short “The Danish Poet”, draws from her personal memories and for 14 minutes places us in the head of a 7-year old girl from Norway. She has two sisters, one older and one younger. Her mother and father are unorthodox which sometimes discourages the little girl. Through this young child Kove reminds us of feelings and attitudes we surely had at her age.

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The little girl is embarrassed by her parents and their unconventional ways. At one point she laments her father’s mustache saying “10,000 men in our town. One single mustache. And it has to be on my dad. It makes my stomach hurt.” We also see this through her envy of her friend’s family. Her friend’s mother buys them pretty and fancy clothes. Her mom makes her clothes. Her friend’s dad is handsome and adventurous. Her dad is plain and humble. Her friends have bicycles. Her parents can’t afford one. She wants the cool, normal, bourgeois family, but let’s just say something happens with her friend’s family that changes her perspective.

“Me and my Moulton” is a beautiful film both narratively and visually. The animation is simple but perfectly in tune with the story. It’s bright, colorful, and vivid as if shining through a child’s perspective. There are also subtle bits of humor and more heart than many feature length films can muster. It’s such an wonderful and touching little package that comes together in a perfectly satisfying ending. Torill Kove knows how to engage an audience. She also knows how to tell a great story and she doesn’t need two hours and $100 million to do it.

VERDICT – 4.5 STARS

You can find “Me and My Moulton” HERE.

Top 5 Lead Actor Performances of 2014

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Today I wrap up my look back at my favorite performances of 2014. The final category is Lead Actor and what a tough list to narrow down. There were so many incredible performances that I hated to leave off. But such is the nature of these things so without further ado let me introduce my choices for 2014’s best performances by a lead actor:

#5 – David Oyelowo (“Selma”)

 

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There was a lot of pressure and responsibility weighing on the shoulders of British actor David Oyelowo. In “Selma” he was tasked with portraying Dr. Martin Luther King, Jr. Many eyes would be on this performance and what they saw wasn’t merely acting. It was a man totally embodying a role. I was blown away from the start. Oyelowo completely loses himself in the character and throughout the film I felt I was hearing the actual words of Dr. King. The film trips over itself a bit, but Oyelowo never does. It’s a beautiful performance.

#4 – Macon Blair (“Blue Ruin”)

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“Blue Ruin” was a wonderful surprise in 2014. So was the performance from its star Macon Blair. It is easily the quietest and most understated performance on this list. But that only makes sense. When you watch the film you realize that Blair’s timidity and uncertainty are key reasons the movie works. It’s a very unique and specific character requiring Blair to tell the audience just as much with his actions and expressions as with his dialogue. He nails every scene and helps make “Blue Ruin” the best thriller of the year. A great performance.

#3 – Ralph Fiennes (“The Grand Budapest Hotel”)

 

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My gosh, Ralph Fiennes showed me something in 2014 that I never expected. I’ve always thought Fiennes was a fabulous actor, but he showed audiences a comedic side that I never knew he had. Starring in a Wes Anderson film automatically presents an interesting set of challenges, but Fiennes handles them with an unbelievable precision. His rapid-fire line readings, quirky mannerisms, and hedonistic style are simply perfect for the character of Gustave H. Fiennes is amazing and he has officially reached the ‘he can do ANYTHING’ stage.

#2 – Michael Keaton (“Birdman”)

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Everyone is buzzing over Michael Keaton’s performance in the dark comedy “Birdman”. In fact, the performance has been so well received that many consider this a resuscitation of Keaton’s career. He is definitely the star of the movie and in typical Keaton style he gives us layers upon layers of his complex and off-beat character. Keaton has always been a talented actor. He just rarely got meaty and juicy roles that allowed him to show the many sides of his talent. “Birdman”gives him the opportunity and now the big awards are falling into his lap.

#1 – Jake Gyllenhaal (“Nightcrawler”)

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Most of you won’t realize what a shock this is for me. It has taken me a long time to get on board with Jake Gyllenhaal. I was always hesitant with calling him a good actor. But over the last few years he has made some fantastic choices perhaps none better than the role of Lou Bloom in “Nightcrawler”. He went all in to give us this weird, twisted, entrepreneurial sociopath. Gyllenhaal dropped close to 30 pounds and he has an uncomfortable appearance. But watching his expressions and seeing his warped ways of thinking is what makes him so unsettling. Simply put, this is a career performance for Gyllenhaal.