5 Phenomenal Movie Cemetery Scenes

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It’s funny how I happened upon this week’s Phenomenal 5 list. I was in somewhat of a funk, unable to come up with a list that felt fresh. Well sometimes simply looking out your car window can offer up inspiration. Such was the case this week as I list 5 phenomenal movie cemetery scenes. I passed a cemetery and I instantly started thinking on the great movie scenes that have taken place in them. In fact it’s more than you might think. Obviously there are loads of horror films that are right at home in a graveyard. But I’ve also come up with great scenes from other genres. And to make the list more intriguing, I’ve chosen scenes that DO NOT feature a funeral (you’ll read about those in the near future). So considering the plethora of great movie cemetery scenes I would be dead wrong to call this the definitive list. But I feel perfectly comfortable calling these 5 movie cemetery scenes absolutely phenomenal.

#5 – “THE THIRD MAN”

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One of my all time favorite classic movies is 1949’s “The Third Man” from Carol Reed. In the film an American writer named Martins (Joseph Cotton) visits Vienna in the wake of World War 2 to find an old friend who has offered him a job. He finds out his friend has been killed in an accident but he begins to suspect murder. He befriends his buddy’s girlfriend named Anna but soon finds out that she and nearly everyone else he meets is involved in the mystery. I don’t want to spoil anything so lets just say the movie ends after a funeral. Now this isn’t a cheat because my scene of choice is the final shot of the movie. It’s a long shot of Anna walking towards the camera with Martins leaning on a cart waiting for her. She walks and walks, finally making it to us but continuing out out of the picture. Martins is left alone and the movie ends on that note. It’s the perfect ending.

#4 – “TERMINATOR 3”

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How can I talk about cemetery scenes and not include the ridiculously over-the-top but ridiculously fun scene from “Terminator 3”? This franchise is known for its monster action sequences and this is one of the biggest. Thinking he is visiting his mother’s tomb, the Terminator reveals to John Connor that the casket is actually full of weapons. Arnie then busts out of the mausoleum with the casket full of weapons on his shoulder and a mini gun on his hip. He throws the casket into a hearse and then sprays every police car within 3 miles full of lead. But it doesn’t stop there. The evil terminator then appears and a crazy chase through the cemetery follows. A rocket launcher to her chest and a few broken tombstones later, and we get a wilder ending to what is a great cemetery scene.

#3 – “ARMY OF DARKNESS”

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Call it a sentimental choice but I just had to include the wacky cemetery sequence from “Army of Darkness”. You know the story, our “Evil Dead” hero Ash has been sucked back to the medieval past where and the Necronomicon holds the secrets to getting him back home. The problem is the Necronomicon is hidden deep within a spooky old cemetery. Ash makes his way to the center of the graveyard where three books await, two are traps and one is the real book. After a painful process of elimination, Ash finds the real book. All he has to do is say the phrase “Klaatu barada nikto” and he can safely remove it. Of course he completely botches it which triggers the rise of the army of darkness. It’s a hysterical cemetery scene from a great movie.

#2 – “NIGHT OF THE LIVING DEAD”

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I hate to keep including this movie in my Phenomenal 5 lists, but I can’t help it. George Romero’s 1968 horror classic “Night of the Living Dead” is such a great movie. Just think, the entire zombie craze as we know it today started in a rural Pennsylvania cemetery during this film’s wonderful opening scene. Barbra and her jerk of a brother Johnny have been making the long trip to visit their father’s grave for several years. But this year it’s a little different. As Johnny is teasing Barbra about her uneasiness in the cemetery they notice a man stumbling their way. As he approaches them he attacks. Johnny fights with the man only to have his head slammed against a rock in the struggle. The man then chases Barbra out of the cemetery which launches this classic horror story.

#1 – “THE GOOD, THE BAD, AND THE UGLY”

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Of all the Phenomenal 5 lists I’ve done none have had a more obvious #1 choice than this one. Sergio Leone had an unmatched knack for building up and executing great western showdowns. Perhaps his best takes place in his tasty 1966 spaghetti dish “The Good, the Bad, and the Ugly”. In a scene destined to take place since the film’s brilliant opening, the good (Clint Eastwood), the bad (Lee Van Cleef), and the ugly (Eli Wallach) come together in a Mexican showdown at Sad Hill Cemetery. With buried gold at stake the three square off in a three-way duel not knowing who can trust who. Leone masterfully soaks the scene in tension with his camera and with Ennio Morricone’s glorious music. And even after the shootout, Leone gives us a classic finale that seals its place at the top of the list.

There are several other fantastic cemetery scenes I hated to leave off. What are your favorites? Please take time to let me know what you agree or disagree with.

REVIEW: “This Means War”

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“This Means War” is a shining example of how you can put together a good, talented cast and still end up with totally crappy movie. Hollywood is filled with wonderful actresses and actors who blow us away with their acting chops. But I’m a firm believer that you’re only as good as your material. Of course we’ve seen good actors that actually rise above the material but great films are never made on performances alone. Well, I don’t care how good the cast is, there is no actor or actress, living or dead, who could save this monstrosity of a movie.

I love Tom Hardy. He’s one of my favorite actors and he has really made a name for himself over the past few years. I’m also a fan of Reese Witherspoon, an actress who is better than some of her role choices. Why these two, especially Hardy, would sign on for this project is beyond me. McG directs this action/romantic comedy that may not be as awful as his “Charlie’s Angels” films but it’s not far off. It’s said that the script had been shopped around for over ten years and had been turned down by a number of actors during that time. That should have been a bad sign but 20th Century Fox went ahead and okayed this $65 million mess. So we have wasted talent and wasted money. Wonderful.

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The story itself is pretty corny. FDR (Chris Pine) and Tuck (Hardy) are two CIA field agents who are also best of friends. By sheer circumstance the two find out they’re dating the same woman, a beautiful product tester named Lauren (Witherspoon). They make a gentleman’s agreement to let the best man win while never telling Lauren that they know each other. Predictably their feelings for her grow and their friendly competition evolves into a full blown war. They use everything at their disposal including their CIA technology to win the girl’s heart while sabotaging the other’s dates. So the question becomes who will come out on top and will their friendship remained intact. Yawn!

I think somewhere in here lies a decent idea for a movie. Unfortunately things get so preposterous to the point of being hard to watch. Sitting through Hardy, Witherspoon, and Pine struggling to make vapid, dopey, and unfunny material enjoyable is as entertaining as getting a root canal. There isn’t a single funny scene nor is there a single funny line. And in its struggle to get a laugh it’s forced to resort to cheap antics such as crotch shots and animal slapstick. And it doesn’t help that the movie strays so far from reality that it’s impossible to buy into any of the characters or romances.

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There are also several other things that for me resulted in one facepalm after another. First, this may be the most idiotic depiction of the Central Intelligence Agency I have ever seen. Tuck and FDR abuse the system for their benefit with seemingly no obstacles or safeguards to stop them. Angela Bassett (in a complete throwaway role) plays their boss but she certainly doesn’t do enough to even notice their open insubordination. We also get a totally uninteresting action plot about an underdeveloped and frankly pointless crime boss (Til Schweiger) who wants revenge on our bosom buddies for killing his thuggish brother. It’s unnecessary and does more to show how poorly conceived the story is.

I could go on. I could mention Lauren’s annoying best fiend Trish (Chelsea Handler) – a stupid and contrived character devoid of any moral value. I could go into more detail about the film’s utter lack of identity. But frankly, I’m just tired of talking about it. “This Means War” pretty much ends up being a disaster. The cast should be given credit for trying to make this work but they should also be questioned as to why they even jumped onboard with this thing. The movie never comes close to hitting the action, romance, and comedy targets it aims for so the audience is left twiddling our thumbs, checking our watches, and waiting for the end. That’s not exactly my idea of enjoying a movie!

VERDICT – 1.5 STARS

“The Seven Year Itch” – 4 STARS

Classic Movie SpotlightSEVEN YEAR POSTERAcclaimed director Billy Wilder’s “The Seven Year Itch” was a movie that at the time drove the Motion Picture Production Code enforcers crazy. As risqué and seductive as the film was, it’s based on a much edgier play by George Axelrod. Wilder co-wrote the screenplay with Axelrod and ended up making several changes to satisfy the censors. But these alterations did nothing to hurt the picture. “The Seven Year Itch” is a smart and funny romantic comedy – exactly the kind of movie you would expect to get from Billy Wilder.

The story is set during a hot Manhattan summer when wives and children leave the city for cooler vacation sites leaving behind the men to work. This exodus, which resembles a massive animal migration, leaves a nerdy, insecure business executive named Richard Sherman (Tom Ewell) alone while his wife and son head off to Maine. It doesn’t take long to see that Richard is a bit eccentric and unsure about himself. He also has a vivid imagination and often times finds himself daydreaming about things that feed his insecurities. He spends a lot of time carrying on conversations with himself, discussing his wife’s skepticism over his ladies man status as well as his unquestioned faithfulness to his wife while she’s away. While other husbands may be out catting around, not Richard Sherman. There will be no drinking, smoking, or womanizing for him.

Well that may be easier said than done, especially when he bumps into the new tenant in his apartment building. Now this is no ordinary tenant. The a gorgeous blonde bombshell is played by Marilyn Monroe. Apparently that says all you need to know because we never get her name (which may give us an indication of where Richard’s mind is at). She’s simply credited as The Girl. As you might expect, Richard is smitten with his beautiful neighbor and regardless of his best efforts and outspoken arguments with himself, he places himself right in the path of temptation.

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Richard’s array of flirtatious errors begins with inviting ‘the girl’ to his apartment for a drink. Bad move. The girl’s ditzy, playful, and seductive charm is more alluring than Richard imagined and soon he finds himself in too deep. A little fib here and a poor decision there has the already paranoid Richard a little on edge. The question becomes will he go too far and irreparably harm his marriage or will he come to his senses? On the other hand, does he even have any senses to come back to?

Tom Ewell was never what you would call a leading man. The consummate character actor, Ewell had a familiar face for film fans but his biggest career successes came on Broadway. His greatest recognition came with his lead performance in the stage version of “The Seven Year Itch”. He would play the role for three years, eventually winning a Tony Award. So Ewell was the natural choice to reprise his role of Richard Baxter in the film version. While the material was altered between stage and screen, Ewell handles it well and his common, everyday man persona works perfectly within Wilder’s film. In fact, my wife has said that Ewell’s portrayal of Richard’s neurosis is so convincing that it makes her antsy.

SEVEN YEAR2And then there’s Marilyn Monroe lighting up every scene with her radiance. While Ewell was clearly the lead character, it was Marilyn who received top billing. In 1955 Monroe was a hot property and it was her name that would serve as the biggest draw. She’s fantastic in this film. It’s easy to dismiss her character as another air-headed blonde but I think there’s more here than that. She certainly has her ditzy moments but its also feasible that she knows what she’s doing. Marilyn sells both sides and when combined with her obvious beauty and undeniable sexiness, she gives us one of her better cinema performances.

“The Seven Year Itch” has earned it’s place as an appreciated movie and many call it a true classic. There are several things about the film that is etched in pop culture history. Of course nothing more so than the iconic scene with Marilyn standing on the subway grating. The subway zips by underneath, the beautiful white dress of hers billowing from the air blowing up. But “The Seven Year Itch” has also been called an overly simplistic movie that at times feels too much like a play. I think that’s a fair criticism but one that doesn’t subtract too much from film. It’s witty and intelligent and ultimately unforgettable. The story never grows dull and the performances are a blast. While this may not be Billy Wilder’s best film it’s still a fun picture and a nice part of his amazing résumé.

Flaunt It or Flush It? – Summer Movies 2013

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It’s hard to believe but it’s already time for the summer movie season. The year didn’t start off on a good note but things did pick up a little during the spring. I saw several good movies since the first of March. But now it’s money time both literally and figuratively. The summer time brings out the big budget cash cows that all of the studios have been waiting to unveil. With the summer movie season finally here that means it’s Flaunt It or Flush It time. This is where I list five movies that I’m particularly excited about. These I will flaunt. Then I’ll mention five summer movies that I want no part of. These I will flush. So let’s get to it.

FLAUNT ‘EM

Man of steel#1 – “MAN OF STEEL” (June 14, 2013) – It’s hard for me to believe that in the era of the superhero movie there’s no successful Superman franchise. Hopefully that will change June 14th. This new reboot of Superman has grown on me with every bit of new news and every new trailer. There’s a tremendous cast in place including names like Russell Crowe, Kevin Costner, Amy Adams, Michael Shannon, and Dianne Lane. But even more exciting is that Christopher Nolan is serving as producer and hopefully his creative influence will give this film something the last Superman effort lacked. I can’t help it, I’m really excited about this one folks.

GATSBY#2 – “THE GREAT GATSBY” (May 10, 2013) – “Gatsby? What Gatsby”? Why it’s Leonardo DiCaprio playing the mysterious and wealthy socialite from F. Scott Fitzgerald’s classic tale. This was one of my most anticipated movies from last year before it ended up being pushed back to 2013. Baz Luhrmann is directing the film and all you have to do is watch the trailers to get a sense of the vivid and exciting style he’s bringing to the story. DiCaprio seems perfect for the role and there are some very interesting supporting roles for Carey Mulligan and Joel Edgerton. I love Fitzgerald’s story and I am insanely pumped for this film.

Before Midnight#3 – “BEFORE MIDNIGHT” (May 24, 2013) – It was 1995 when we first met Jesse and Celine on a train from Budapest. The two strangers hop off in Vienna and begin one of cinema’s most mesmerizing romances. After a stop in Paris for “Before Sunset”, the couple is back this year in “Before Midnight”. The trailer tosses out all sorts of interesting new questions about this couple. Of course Ethan Hawke and Julie Delpy are back, both working again with director Richard Linklater. This small independent movie series has gained a nice sized following and I’m certainly a fan. I can’t wait to catch back up with these interesting and enthralling characters.

IRON MAN#4 – “IRON MAN 3” (May 3, 2013) – I loved the first Iron Man movie and while some people had problems with it, I enjoyed the second film as well. “Iron Man 3” really has me excited mainly because of its intriguing cast. First of all anytime Robert Downey, Jr. suits up in the red and gold armor I’m onboard. But listen to who joins him: Gwyneth Paltrow and Don Cheadle return. But new to the franchise is Guy Pearce (one of my favorite actors in the business) and the wonderful and underrated Rebecca Hall. I do question the decision to give the reins to director Shane Black but Marvel has a pretty good track record so far.

WORLD WAR Z#5 – “WORLD WAR Z” (June 21, 2013) – “World War Z” was on my list of most anticipated films of 2013 so I may be flaunting it out of a sense of obligation. I have to be honest, my enthusiasm isn’t nearly as high as when I saw the first trailer. That being said I still think there is potential here for a crazy summer popcorn romp. Brad Pitt stars in a film that seems like one part zombie apocalyptic horror and another part explosive action. That’s right up my alley. Still I realize that this thing could go in a number of different directions. I choose optimism. My fingers are crossed and we’ll see what happens June 21st.

FLUSH ‘EM

THE HEAT#1 – “THE HEAT” (June 28, 2013) – I don’t think there are any trailers so far in 2013 that has annoyed me more than the ones for “The Heat”. I mean the regular theatrical trailer is enough to grind your last nerve but have you seen the red band trailer? It solidified this movie’s position at the very top of the ‘Flush It’ order. Sandra Bullock and the overrated Melissa McCarthy are embarrassingly bad in the trailer. And these are usually considered the best scenes? This thing looks like an absolute disaster and yet another stupid entry into the comedy genre. I’m sure some people will go see it. I promise you I won’t be one of them.

GROWN UPS#2 – “GROWN UPS 2” (July 12, 2013) – Words can’t express how much I disliked Adam Sandler’s “Grown Ups”. It was terrible on almost every level. But somehow this guy is a box office draw which unfortunately results in “Grown Ups 2”. The first film was a lazy, juvenile, and cheap comedy that had no redeeming qualities at all. Why on earth would I expect this thing to be any different? The same cast is back (minus Rob Schneider) so that’s not encouraging. But don’t worry, Sandler has added the Oscar caliber acting talent of Stone Cold Steve Austin and Taylor Lautner to save the day. Yep, this one’s going to stink.

Hangover 3#3 – “THE HANGOVER PART III” (May 24, 2013) – If you would have told me that “The Hangover” would turn into an enormously popular, money-making trilogy I would have accused you of sniffing glue. I’m not sure why but the first movie of this series attracted a huge audience. That resulted in an absolutely atrocious sequel. That unwatchable garbage made more money so here we go again. Now I mentioned how annoying the trailer for “The Heat” was. The trailer for “The Hangover III” isn’t annoying. It’s just terrible and I don’t expect the movie to be any different. I’m more than happy to pull the handle and flush this thing.

SMURFS#4 – “THE SMURFS 2” (July 31, 2013) – There’s no way anyone will convince me to waste my time or money on “Smurfs 2”. This sequel to the ridiculously successful 2011 live action/animated bore will most certainly provide more of the same. Now for the youngest possible movie watcher there will probably be some smiles. But for anyone over 3 years old, not so much. I will say that I don’t expect “Smurfs 2” to be as openly repellent as the other movies on this list, but I know it’s going to be the same flat, repetitive, and cutesy humor as before. There’s no smurfing way I’ll be checking this out.

INTERNSHIP#5 – “THE INTERNSHIP” (June 7, 2013) – What a surprise – another lame, unfunny looking comedy hitting theaters this summer. “The Internship” looks bad enough just from the trailers, but there’s more that should make you uneasy. Just knowing that this movie was made by many of the people who brought you “The Watch” last year should give you an idea of what we’ll be getting. Personally I still dont find Vince Vaughn funny and he wrote and stars in the film. I have no doubt that “The Internship” will grab a nice hunk of money at the box office. But I think I’ll wait for a comedy that actually looks funny. This just looks like a flusher.

There you go. I’ve flaunted five films that I’m anxious to see and flushed five that look like…well…crap. Agree or disagree? What are some summer movies you would like to flaunt or flush. Let me hear from ya.

5 Phenomenal Movie Helicopter Scenes

movie_theatre - Phenom 5As goofy as this probably sounds, I love a good helicopter scene. I know it’s weird but I’ve been amazed at some of the great moments in movies that involve helicopters. In fact, you can sometimes find fantastic helicopter scenes in movies that aren’t necessarily that good. In light of that I’ve decided we would have some fun in this week’s Phenomenal 5. I’ve picked out 5 outstanding helicopter movie scenes that range from iconic to absolutely insane. Now considering how often helicopters have made their ways into movies it would be silly to call this the definitive list. But there’s no denying that these 5 helicopter scenes are certainly phenomenal.

#5 – “LIVE FREE OR DIE HARD”

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“Live Free or Die Hard”

I doubt anyone will ever call 2007’s “Live Free or Die Hard” the best film of the “Die Hard” series. But while it didn’t live up to the previous three movies, it was a fun flick and considerably better than the more recent franchise killer. Perhaps the coolest scene in the movie involves an incredible helicopter sequence. On their way to FBI headquarters, John McClane and his witness are ambushed by an attack helicopter in downtown New York. They are eventually flushed out of a tunnel but McClane always leaves his mark. He not only escapes the tunnel but he launches his car into the hovering chopper. BOOM! Insanely over the top but also insanely awesome.

#4 – “RAMBO III”

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“Rambo III”

It’s pretty safe to say that John Rambo loves helicopters. There are three or four great Rambo chopper scenes that could easily make this list. But I went with a wild and intense sequence from “Rambo III”. In this installment of the testosterone-driven Stallone franchise Rambo tackles the Soviet occupied Afghanistan. While at a village with some Afghan freedom fighters, two Russian attack choppers attack. Armed with rockets and machine guns, the choppers decimate the village and the people there. Rambo dodges explosions and bullets until he reaches a mounted machine gun on top of a hill. In typical Rambo fashion he swings the turret and starts firing on an approaching chopper. It blows to bits sending the other chopper packing. 80s cheese no doubt but I love it.

#3 – “THE DARK KNIGHT”

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“The Dark Knight”

For me, Christopher Nolan’s “The Dark Knight” is the best superhero movie ever made. A key ingredient to its tremendous success was the performance of Heath ledger as the Joker. The Joker’s advantage came from always being a step ahead of the Gotham Police. That was never more evident than in a scene where a police convoy is transporting Harvey Dent. Anticipating a police chopper escort, the Joker has his men fire cables from one high rise building to the other across the street. The chopper snags one of the cables which sends it careening into the side of the building and eventually crashing down in front of the convoy. It’s just one part of a truly incredible sequence.

#2 – “APOCALYPSE NOW”

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“Apocalypse Now”

I may not hold Francis Ford Coppola’s beloved 1979 war picture “Apocalypse Now” in as high regard as many do, but I do recognize some of the great moments it gives us. Maybe the most well known scene in the film comes after Martin Sheen runs into Robert Duvall’s wacky, surf-loving Lieutenant Colonel Kilgore. Kilgore leads his air calvary helicopter squadron in an attack on a Vietcong base based on nothing more than the fine surfing conditions in that area. The helicopter attack amid napalm drops and “Ride of the Valkyries” is for me the film’s most memorable scene. But it’s Coppola’s camera that makes it so good. His sweeping shots and perfectly framed chaos create one of the most visually stunning war sequences. This scene also leads to one of the most iconic film quotes in history – “I love the smell of napalm in the morning”. How could this scene not be on this list?

#1 – “28 WEEKS LATER”

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“28 Weeks Later”

Whenever I think of helicopter scenes in cinema my mind will always gravitate to the inventive, over-the-top, and down right nutty chopper sequence in “28 Weeks Later”. I won’t get into the whole “are the Rage virus victims zombies” debate, but they’re close enough for me. In the movies we’ve seen zombies killed in a variety of ways but never as they are here. I don’t want to spoil anything but let’s just say that our survivors are discovered hiding in the tall grass of a field by a huge ravenous group of snarling infected who instantly come running for them. But a friendly chopper steps in and boy does it take care of business. Pilot Harold Perrineau dips the nose of his helicopter to where his swirling blades are mere feet from the ground. You guessed it, he flies that thing right through the horde. Limbs fly, blood splatters, and heads roll in this graphic zombie/infected slaughter sequence. I still remember my first reaction when seeing it.

So there you have it. These are five phenomenal helicopter movie scenes that I love. But what about you? See something I missed? Please take time to share your favorites below.

REVIEW: “Mud”

MUD posterAfter just two feature films Jeff Nichols has become a director whose name instantly attracts my attention. His first film “Shotgun Stories” was a real and gritty look at rural southern life. His next movie “Take Shelter” was a powerful and potent look at mental illness and its effects on a working class family. It was pure brilliance and one of the best films of the last decade. Now he’s back with another slice of southern gothic storytelling. This time he teams up with some marquee stars and a slightly larger budget to give us “Mud”. But does a little more cash and bigger names equal success or does it take away from the down-to-earth filmmaking that Nichols is known for?

Let me get this out of the way, “Mud” is a scintillating piece of cinema. It’s a coming-of-age story. It’s a thriller. It’s a skewed romance. It’s a film that dabbles in several areas yet it all comes together in a gripping story full of life and grit. Nichols takes us to a world that I was mesmerized by and lost in – a world that many people don’t know exists today. He also gives us characters that interest us and that we care about. He raises the stakes and wraps them up in a mystery that we can sink our teeth into. In other words he gives us the experience that is at the heart of why we go to the movies.

Jeff Nichols started writing the story for “Mud” around 2000 and it’s clearly a personal project for him. Many critics have called this film a modern-day “The Adventures of Huckleberry Finn” and for good reason. Nichols was particularly influenced by the Mark Twain classics. But what makes this movie stand out is the familiarity that Nichols has for the locations and the people he is depicting. The reason we buy into the story is because of the sharp reality that we see through his constantly moving camera. Like me, Nichols is an Arkansas native and the stunning detail and unashamed portrayal of a vanishing river subculture and small town life was as honest of a depiction as I’ve ever seen on screen.

It’s here in the south Arkansas delta, that 14-year-old Ellis (Tye Sheridan) calls home. His family is part of a low income river community that works the waterways as a source of income. He and his best friend Neckbone (Jacob Lofland) are adventurous sorts. One day they take their boat out to an island and discover a bigger boat left in the trees after a recent flood. They claim it as their own but there’s one problem. Someone has beaten them to it, namely a mysterious stranger who goes by the name of Mud (Matthew McConaughey). Ellis and the more cautious Neckbone develop a friendship with Mud but soon find out he’s a man of many secrets.

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Sheridan, Lofland, & McConaughey

The movie builds itself around the mystery of Mud. Who is he, where did he come from, and why is he hiding on the island? Is he harmless? Is he dangerous? McConaughey and Nichols combine to create a fascinating character and I was thoroughly intrigued by him as they peeled back layer after layer. McConaughey seems to have reinvented himself over the past two years and his career has taken a better turn. But despite his recent good work, nothing he has done matches the phenomenal performance he gives here. For my money this is his very best work and I found myself always anxious for his next scene.

Just as impressive is young Tye Sheridan as the sensitive, tough, and vulnerable Ellis. I loved watching Sheridan navigate his scenes of discovery, revelation, and heartbreak like a seasoned professional. There was never a moment in the film that seemed too big for him and he felt right at home in his character’s shoes. This is really his story and the movie wouldn’t have worked without his amazing performance.

Nichols also puts together an incredible supporting cast loaded with personal favorites of mine. Reese Witherspoon plays a beautiful stranger who arrives in town and who may have deeper connections to Mud. She’s very good here and her name adds some pop to the cast but it’s a fairly small role. Sam Shepard is great as a surly old river hermit who prefers to be left alone. A Jeff Nichols favorite, Michael Shannon also appears in a small but well acted role as Neckbone’s uncle and guardian. But I want to single out a terrific supporting performance by the underrated character actor Ray McKinnon. He plays Ellis’s father and it’s a much more layered role that you might at first think. This is a character that’s right in McKinnon’s comfort zone and he shines particularly in what I thought were two of the movie’s more stirring and emotional scenes.

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Matthew McConaughey as Mud

While “Mud” is a deep south thriller filled with mystery and intrigue I was surprised to find a deeper reoccurring theme that penetrates the entire story. It’s really a movie about love. Throughout the film we see the ravaged emotions, fractured relationships, and heartbroken cynicism left in the wake of failed love. A big part of the film focuses on Ellis’s confusion over what he believes love to be and the harsher reality that he witnesses all around him. It’s sad to watch him innocently cling to his idyllic perception of love. In fact, every character in the film has some dealings with the painful side of love. The way Nichols weaves this throughout his narrative is simply genius.

There are only a couple of things which keep me from calling this the perfect movie. One centers around the Neckbone character. Young Jacob Lofland delivers a nice performance especially considering he had no acting experience. My problem with his character isn’t in his work but surprisingly in Nichols’s writing. Neckbone is a potty mouth and Nichols uses that as a source of humor. But he constantly goes back to it over and over through the entire movie. First of all I don’t particularly find a cursing kid that funny, but beating the same drum over and over was a drag. There’s also a big sequence at the end that is actually satisfying although it’s a bit jarring. It delivers in the end but it did feel a little out of place with the rest of the movie.

That said, it’s clear to me that “Mud” once again verifies that Jeff Nichols is a master craftsman who uses his southern roots and appreciation for classic filmmaking to tell stories rich with vigor and authenticity. “Mud” is an atmospheric and evocative film that takes a southern fried look at adolescence. It’s nestled in the reality of trot lines, cottonmouths, Piggly Wigglys, and Big Banjos while never coming across as clichéd or condescending. It’s a part of the world not far from where I live which makes the movie’s treatment all the more satisfying. “Mud” was my most anticipated movie of 2013 and my expectations were through the roof. Thanks to Jeff Nichols for exceeding those expectations with what will surely be one of the year’s best films.

VERDICT – 4.5 STARS