Movie Bloggers Roundtable

BANNER

The Movie Bloggers Roundtable is a new feature where I join up with four esteemed movie bloggers and we share our thoughts on a certain subject. Everyone on the panel will share their thoughts and feelings on the topic of the day and then we share them with you. The panel may change from post to post and hopefully we will get a wide range of opinions and perspectives.

With the Oscar ceremony set for tomorrow night tons of conversations are swirling about the nominees and potential winners. Today we are going to chime in on the big prize – Best Picture. Joining this roundtable is Mark from Marked Movies, Ruth from Flixchatter, Chris from Terry Malloy’s Pigeon Coup, and Sati from Cinematic Corner. I can say without hesitation that I LOVE THESE BLOGGERS. If you haven’t visited their sites you should! So here is today’s Oscar-centered question:

Who WILL win this year’s Oscar for Best Picture and who SHOULD win it?

MOVIES

Keith (Keith & the Movies)

Who SHOULD win Best Picture:
For me this is an easy one to answer. Alfonso Cuaron’s “Gravity” was one of the most captivating and thrilling motion picture experiences I’ve had in a while. The visual artistry on display is unquestionable. Cuaron and his amazing team have created one of the most stunning and stimulating canvases you’ll ever see. But there’s also a stirring story of perseverance and personal rebirth that I found so satisfying. I’ve seen “Gravity” four times and each time I’ve left with a full heart and a full appreciation for Cuaron’s amazing accomplishment. It deserves to win Best Picture.

Who WILL win Best Picture:
While we may have a good race going for the Best Picture Oscar, there’s one film in the running that seems perfectly in line with what the Academy loves. It’s a historical piece, it deals with an emotionally charged subject, and its been a hot topic since its debut. I’m talking about “12 Years a Slave” and I believe it will win the big prize. Thankfully “12 Years” is a really good film. It’s not getting Oscar hype just because of the subject matter. It’s very well-made and it features some breathtaking performances. It’s not perfect, but it’s right up Oscar’s alley and I think it will hold off its competition.

Ruth (Flixchatter)

Who SHOULD win Best Picture:
Gravity. On top of being a technical marvel, it’s a film unlike any other in that it gives you a full immersive experience as you watch it. It’s got drama, suspense, humor, and despite being set entirely in space, an organic quality that’s stirring and emotionally gratifying. It’s a film that will be talked about for years to come, both by film students and casual moviegoers.

Who WILL win Best Picture:
12 Years A Slave. No doubt it’s one of those important films of the decade and made by a filmmaker who’s been a critical darling despite this being only his third feature. Its genre and subject matter of slavery is quite popular in the Academy, and it’s been gaining traction in other award circles.

Mark (Marked Movies)

Who SHOULD win Best Picture:
In what is one of the most hotly contested Oscar races in quite some time, it’s a tough call to predict which film will walk away with the coveted Best Picture award. Frankly, I find it shocking that the Coen brothers’ “Inside Llewyn Davis” never even received a nomination but again, it shows the strength of the competition this year. Personally, I think Spike Jonze’s “Her” should win as it would confirm the academy’s appreciation and support for original filmmaking. I don’t think there’s a more original movie amongst the nominees this year and “Her” certainly stands out on its own terms. That’s being said, it won’t win.

Who WILL win Best Picture:
In choosing the winner I think the academy will be deciding on the importance of the film itself and for that reason it’ll come down to two films; One will be “Gravity” for its astounding achievements and advancements on the use of 3-D but I think that will most likely be recognised in the technical departments, leaving the likes of “12 Years A Slave” to walk away victorious with the big award. The academy seem to love a solid historical drama and Steve McQueen’s film has that edge of quality and importance that will sway the voters’ decision.

Sati (Cinematic Corner)

Who SHOULD win Best Picture:
Gravity. Cuaron’s film is beautiful in every way – a technical marvel with an elegant story that makes the movie so timeless and relatable. It is a wonder and the one that has a heart.

Who WILL win Best Picture:
12 Years a Slave. The Academy loves movies about history, filled with emotional moments. And everyone during this Oscar season seem a bit too afraid to reward something other than ‘the most realistic movie about slavery ever made’.

Chris (Terry Malloy’s Pigeon Coup)

Who SHOULD win Best Picture:
It’s a pretty strong year this year and I don’t think you could begrudge any of the films a win to be honest. Each brings plenty to the table and are all well worth your time. I went back and forth between a few of them as to which I thought should win and I finally decided on Gravity.

I still think it has its problems – The script is dodgy and George Clooney thinks he’s still in a coffee advert, but it’s a film that makes you realise why you love the cinema. It’s one of the most immersive cinematic experiences I’ve ever had and actually makes good use of 3D. Any film that does that deserves to win in my eyes!

Who WILL win Best Picture:
Although there has been talk of American Hustle and Dallas Buyers Club being dark horses for the award, I see it as a straight fight between 12 Years a Slave and Gravity. These were the two cinematic juggernauts towards the back end of 2013/start of 2014 and I’d be very surprised if one of the others won.

It’s difficult to separate them but I think 12 Years a Slave is just going to nick it. It just fits the bill. The setting, the subject matter, the strong performances, the great directing; it’s the kind of thing the Academy normally laps up, and it wouldn’t surprise me in the slightest to see Steve McQueen picking up the well deserved Oscar.

So what is the consensus?

4 of 5 believe “Gravity” SHOULD win Best Picture

GRAVITY BANNER

A unanimous 5 of 5 believe “12 Years a Slave” WILL win Best Picture

12 years BANNER

I want to thank Ruth, Mark, Sati, and Chris for participating in this inaugural Movie Bloggers Roundtable. You have heard our thoughts, now we want to hear yours. Do you like the feature? More importantly, who do you think SHOULD win Best Picture and who WILL win Best Picture. Please share you thoughts in the comments section below.

Flaunt It or Flush it – Spring Movies 2014

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You certainly wouldn’t know it by the weather but the Spring movie season is upon us. The winter movie season is notorious for its flops, particularly in January and February. But usually things start looking up come Spring time. So here is how this works: First I’ll talk about Spring releases that I am genuinely interested in and want to spread the word about. These are films I’ll certainly flaunt. I’m also going to pick five releases that are (from my perspective) toilet ready. These I’ll flush. It’s Flaunt It or Flush It time again.

FLAUNT ‘EM

BUDAPEST1. “The Grand Budapest Hotel” (March 7, 2014) – It doesn’t take long for Spring to get rolling. March 7th brings us one of my most anticipated movies of the year. It’s Wes Anderson’s “The Grand Budapest Hotel”. Anderson is one of the few comedy filmmakers who I think does it right. His quirky original worlds and subtle themes have always worked for me and it looks like we are getting that again. Ralph Fiennes leads what is one of the best looking ensemble casts of the year and he looks to be a perfect fit with this special brand of comedy. The trailer looks insanely funny and I can’t wait for March 7th.

NOAH2. “Noah” (March 28, 2014) – I’ve noticed several people approaching “Noah” with a bit of skepticism. I can definitely see why. But I also think this has potential to be an amazing film. As frequent readers of my site know, I’m a huge fan of Russell Crowe. I think this role is right up his alley. Plus there is the good supporting cast of Ray Windstone, Emma Watson, Anthony Hopkins, and Jennifer Connelly. The big question is Darren Aronofsky. His past work makes me wonder what kind of approach he will take. On the other hand he is a fine director and if he respects the material there could be great results.

CAPTAIN3. “Captain America: The Winter Soldier” (April 4, 2014) – My deep roots as a comic book fan makes me a sucker for good superhero films. I was a big fan of Marvel’s first Captain American movie. This one looks like it could be even better. Ed Brubaker’s “Winter Soldier” story from the Captain American comic book series was one of my favorites of all time. It’s perfect for the big screen treatment and the early trailers look to be capturing what made the story so great. Chris Evans is perfect as Steve Rogers and the addition of Anthony Mackie and Robert Redford are intriguing. Plus this is set to be the first big tie to the next Avengers film. Sign me up!

LE WEEKEND4. “Le Week-End” (March 14, 2014) – This is a film that has been on my radar for a while. It has already opened up overseas and it makes its United States debut on March 14. This British drama from director Roger Michell follows an older married couple who celebrate their 30th anniversary by going to Paris. Their intent was to rejuvenate their marriage but things don’t go as planned and they are forced to build back their relationship from the ground up. The wonderful Jim Broadbent and Lindsey Duncan play the lead roles which automatically attracted me. The trailer shows a great wit and some beautiful Paris locations.That’s enough to excite me.

XMEN5. “X-Men: Days of Future Past” (May 23, 2014) – Yet another Marvel comics superhero movie, but it’s another one that looks really good. Bryan Singer is back and he’s bringing the whole gang. The cast members from the original X-Men films including Hugh Jackman, Patrick Stewart, Halle Berry, Ian McKellen, and Ellen Page meet the cast members from First Class including Michael Fassbender, James McAvoy, Jennifer Lawrence, and Nicholas Hoult. Throw in some brand new mutants and you have a huge cast of characters. This could blow up in Singer’s face, but it could also be a spectacular film.

FLUSH ‘EM

TYLER PERRY1. “Tyler Perry’s The Single Mom’s Club” (March 14, 2014) – Tyler Perry is becoming a regular on these lists. This Spring he graces us with what looks like the corniest, dopiest, and most cliched movie of his career. I never judge a movie solely on its trailer but it gives us one goofy line, lame gag, and eye-rolling moment after another. Supposedly a group of mothers come together after an incident at school and they become big buddies. Then they partake in a host of silly antics and dopey romances which is supposed to be fun and entertaining. Well I can’t imagine this thing being fun or entertaining.

BLENDED2. “Blended” (May 23, 2014) – If an Adam Sandler movie is released it automatically gets consideration for this list. Perhaps that isn’t the most objective approach but Sandler has a track record that I can’t shake. His consistency would be impressive if it didn’t involve stupid and unfunny movies. I have no reason to believe that “Blended” will be any different from the other garbage he churns out. Who knows, maybe I’m wrong. Maybe this is a turning point in Sandler’s career. Maybe this is the film that gets him back on track. Personally I don’t buy it and I can see this as a flusher all the way.

HAUNTED3. “A Haunted House 2” (March 28, 2014) – Can someone please explain to me how a crappy movie like last year’s “A Haunted House” could inflict a sequel upon us? Well, I guess if you have a $2 million budget and you pull in nearly $60 million at the box office a sequel is inevitable. I guess the better question is how on earth did that thing make $60 million? The first film was completely unwatchable and this new thing looks like a carbon copy of it. Sitting through the trailer alone is as entertaining as having a root canal. I know there is an audience for this movie but I promise you it doesn’t include me.

OTHER WOMAN4. “The Other Woman” (April 25, 2014) – I suppose there may be a decent idea stashed away somewhere in “The Other Woman” but to be honest I can’t find it. Three woman come together under the bind of being cheated on by the same man. According to the trailer their quest for revenge features dopey missteps, vomit jokes, lame anatomy gags, and an assortment of other things that I don’t find remotely interesting. This is a comedy that could potentially squeeze out a laugh or two. But personally I think it looks like another clichéd and formulaic comedy that will probably find an audience despite its mediocrity.

NEIGHBORS5. “Neighbors” (May 9, 2014) – Stop me if you’ve heard this one before – Seth Rogan in a raunchy comedy. Look, I know this guy has a big following but I don’t get it. This time he and Zac Efron rip off the great Belushi and Aykroyd comedy from 1981. Rogan’s one-trick pony act features the same vulgar, juvenile nonsense that we always get from him and his friends. I know there is an audience out there who will find shooting firecrackers out of your butt and an infant baby chewing on a used condom as funny. I find it to be another example of how void of smarts and originality Hollywood has become when it comes to comedy. This is a flusher through and through.

K&M Commentary: The Movie vs. The Book

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I’ve always been fascinated by the different reactions people have to movies based on popular books. In many ways the passion of fans towards some literature rivals that of any movie. So naturally whenever a film is made based on a popular novel or book series you’re going to get a plethora of responses. But is it fair to hold a movie in contempt for steering away from the source material? Or is it fair to restrict a film within the bounds of the book(s) it is based on?

I tend to be pretty lenient when it comes to this subject. The reality is that movies are a drastically different storytelling medium than books. Movies are confined by time and have the added responsibility of visualizing what books allow us to create in our minds. There are a number of challenges that filmmakers face when bringing a popular bit of literature to the big screen and often times they are met by a very critical and biased audience.

But that’s not to say filmmakers get a free pass. I allow them a lot of creative liberties as long as they don’t abuse the story or key characters. As long as there exists respect for the source material I’m okay. But there are many examples of poor creative choices which has butchered the book(s) movies are based on. Just look at some examples from the comic book superhero genre. Joel Schumaker’s Batman films made a mockery of the character and his wonderful rogues gallery. The pathetic mistreatment of the Cyclops character in “X-Men: The Last Stand” was almost criminal. Even last year on a smaller scale “Iron Man 3” took a prominent character from Iron Man lore and obliterated him.

But there are other things worth considering as well. Is the movie intended to be a full on adaptation or is it loosely based on the book. I think people are often turned off from a movie because of its inaccuracies when it’s never intended to be a full adaptation of the book. “World War Z” is a good example. In many ways Max Brooks’ novel reads like a United Nations zombie report (as screenwriter Michael J. Straczynski noted). Realizing that, the film clearly took on a different form. So it was “loosely based” on the novel. Yet many took issue with the filmmakers’ divergences even though their intentions were obvious. So in that case is it fair to judge the film by anything other than its own merits. It’s an interesting question.

This is a tricky topic especially considering the passion of both movie and book fans. For me this is the perfect formula: Watch the movie first then read the book. This lets the movie be viewed objectively and allows the book to expand and broaden the story. But obviously that isn’t always possible nor is it fair to those who love reading. Just remember the hurdles and obstacles that filmmakers face and always consider their aim and intent. As long as they aren’t insulting or disrespecting the source material, we should be able to measure and appreciate their work if it’s done well.

So what are your thoughts on the subject? Agree or disagree? I’d love to hear your take in the comments section below. As always, thanks for reading.

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2013 K&M Random Movie Awards

AWARDS

So many fellow movie bloggers love doing Top 10 lists of their favorite films at the end of each year. I’m no different. I love looking back at the all the movies I saw and putting together my favorites. But I also like throwing out some random accolades for achievements and in some cases underachievements for the 2013 movie year. So now, in no certain order, I give you the 2nd Annual K&M Random Movie Awards for the year 2013 (a very random name for a very random awards special). Enjoy the list and click on the film title if you would like to read that movie’s full review.

BIGGEST SURPRISE OF 2013 – “The Way, Way Back

Several movies caught me by surprise in 2013. I never expected one of them to be #3 on my Top Films of 2013 list. Such was the case with “The Way, Way Back”. Loaded with humor and heart, this wonderful film managed to take some fairly familiar situations and topics and inject them with an intelligent freshness that I loved. Add a hilarious performance by Sam Rockwell and you have one of my favorite films of the year.

BIGGEST LETDOWN OF 2013 – “Iron Man 3

When talking about my biggest letdown I’m not referring to the worst movie of the year. I’m speaking of a movie that I had incredibly high hopes for but that ultimately let me down the most. That’s unquestionably “Iron Man 3”. With the wonderful Robert Downey, Jr. and a great supporting cast, I felt this was a sure thing. But the serious warping of a key Iron Man villain and a rather forgettable finale left me frustrated. This should have been much better.

BEST ANIMATED FILM OF 2013 – “Despicable Me 2

Ok, let me admit this up front. I’m mainly including this category as a joke. I’ve only seen one animated film this year and it was “Despicable Me 2”. I adored the first film and this sequel didn’t measure up to it. But I still thought it was good, wacky fun. Are there better animated features out there this year? It’s very possible. I just haven’t seen them. That doesn’t say much for this award, does it?

BEST FIGHT OF 2013 – Spock vs Kahn

Several fight scenes ran through my mind as I pondered this category. The one that I kept coming back to was the throwdown between Spock and Kahn at the end of “Star Trek: Into Darkness“. After a really cool foot chase the two hook up on a high-speed barge. It’s a pretty spectacular scene as the two use their slightly superhuman abilities to pound each other. It’s a ton of fun.

MOST UNINTENTIONALLY FUNNY FILM OF 2013 – “Only God Forgives”

I know fans of “Drive” were hoping for something special when Ryan Gosling and Nicolas Winding Refn teamed up again for “Only God Forgives”. I can’t imagine this mess was what they envisioned. I found myself laughing several times at the stylish overkill employed by Refn. Gosling’s ever-present poker face apparently infected other characters and the long, slow walks down long, mood-lit hallways grew laughably bad. This thing was a stinker.

BIGGEST SURPRISE PERFORMANCE OF 2013 – Andrew Dice Clay

My pick for the biggest surprise performance of 2013 was a no-brainer. Who on earth saw Andrew Dice Clay coming? The man who made his name being an obnoxious and brash standup comic blew me away as a humble, blue-collar working man. It’s a small role but it was one of the real treats from “Blue Jasmine“. I don’t know what to expect from Dice Clay in the future but this performance should catch some attention.

COOLEST CAR OF 2013 – “The Great Gatsby

Hollywood loves cool cars and we see a ton of them each year. This year was no different. But while several cars came to mind when considering this award, there was one clear winner for me – Jay Gatsby’s bright yellow 1929 Duesenberg. Man I love that car. They were known as luxury vehicles and they cost a fortune which was right up Gatsby’s alley. I can’t say I blame him.

BEST VILLAIN OF 2013 – Michael Fassbender

Villains, villains, villains. Each movie year we see them in all shapes and forms. None in 2013 were as vicious and unnerving as Michael Fassbender in “12 Years a Slave“. He plays a brutal slave owner without a shred of moral conscience. Fassbender goes all in and fully embodies this truly detestable human being. It’s a great performance and one of the many strengths of this moving film.

MOST UNFAIRLY MALIGNED FILM OF 2013 – “To the Wonder

Whenever you get a Terrence Malick film you are destined to get a wide range of thoughts and reactions. Such was case with “To the Wonder”. But many went into the film seeking to compare it to his previous gem “The Tree of Life”. While stylistically the two films take the same approach, “To the Wonder” is its own story and I found it to be very effective. Tender, romantic, brutal, and heartbreaking – all set to Malick’s gorgeous visual style. This is film deserving of more attention and respect than it received.

MOST OVERLY EXALTED FILM OF 2013 – “Her

Please don’t pull on the stones just yet! I really liked many things in Spike Jonze’s original tech-romance “Her”. Unfortunately there were several things within the film that kept me from praising it as most have. The snails pacing in the second half along with some tone-killing “comedy” choices and a few throw-away scenes really hurt the film for me. It’s not a bad movie. I just don’t think it capitalizes on its strengths.

BEST SPECIAL EFFECTS OF 2013 – “Gravity

In this day and age of spectacular special effects it’s an accomplishment to be praised as the best of the year. “Gravity” is certainly deserving of that high praise. Alfonso Cuaron’s visual masterpiece is one of the most incredible cinematic experiences I had all year. The special effects sucked me in from the opening scene and I was immersed in this symphony of sight and senses. What a beautiful film.

BEST HAIR OF 2013 – “American Hustle

Clearly one of the most important and prestigious awards of 2013. Yet how could I narrow it down to just one person? I mean look at the cast of David O. Russell’s “American Hustle”. Christian Bale has the most dynamic comb-over in movie history. Bradley Cooper’s super-tight curls are unmatched. Jennifer Lawrence’s hair flops all over the place. And I have no idea what you call Jeremy Renner’s do. All of these take home an award for their brilliant follicle contributions to the 2013 movie year. Call it a hair ensemble.

STUPIDEST SCRIPT OF 2013 – “Getaway”

My gosh, if this dopey script can get made into a feature film surely I can write something and make it big! I don’t know if there was a more stupid or amateurish script in 2013 than “Getaway”. Ethan Hawke what were you thinking? This is some of the lamest writing I’ve seen in a long time. The characters are terrible, the action is repetitive, and the plot is almost nonexistent. If you haven’t seen “Getaway”, consider yourself blessed!

BEST CAR CHASE OF 2013 – “Snitch

“Snitch” was an action thriller starring Dwayne “The Rock” Johnson that fell through the cracks. It’s actually a decent movie with some good action and a nice supporting cast. It also features a fantastic chase scene. It features Johnson driving an 18-wheeler down a busy interstate with members of a drug cartel hot on his heals. We get high speeds, big crashes, and some great camera work. It’s a lot of fun.

BEST CHILD PERFORMANCE OF 2013 – Sophie Nélisse

As much as I loved Tye Sheridan’s performance in “Mud”, the child acting standout of the year was Sophie Nélisse in “The Book Thief“. This is an underappreciated film which is unfortunate. To miss it is to miss an incredible performance by young Nélisse (12-years old at the time of filming). She’s playful, emotional, and mature beyond her years. It’s such great work and I can’t wait to see what she does next.

WORST ENDING OF 2013 – “The Call”

I’m not going to go into full spoiler mode here but let me just say that the ending of the Halle Berry thriller “The Call” is one of the dumbest things I have seen. I suppose this revenge-fueled ending is meant to be empowering to women. The problem is they never considered how the finale co-exists with common sense. I’m trying to be vague but let me just say it’s one of the most poorly thought out endings I’ve seen in a while.

CREEPIEST CHARACTER OF 2013 – Uncle Charlie (“Stoker“)

I really like Matthew Goode as an actor and his turn as the creepy Uncle Charlie in Park Chan-wook’s “Stoker” is so much fun. The story is clearly influenced by Hitchcock’s brilliant “Shadow of a Doubt” with Goode handling the character first played by Joseph Cotten. I wouldn’t say “Stoker” matches Hitchcock’s gem but it’s still a good film and Goode captures that unsettling creepiness that I loved.

BEST OPENING SCENE OF 2013 – “World War Z

The first 15 minutes of the zombie action film “World War Z” still stands as my favorite opening scene in 2013 (barely beating out “Gravity”). We aren’t given a back story or origin of the zombie outbreak. Instead we are thrown into the first moments of the outbreak just as the main character and his family are. I thought it worked wonderfully and it set the movie up in a way I found to be very effective.

BEST FINAL 10 MINUTES OF 2013 – “Captain Phillips

Paul Greengrass and Tom Hanks collaborated to make one of the years most thrilling films. “Captain Phillips” is filled with fantastic intensity, great performances, and a final 10 minutes that was unforgettable. Within those final minutes lies the gripping climax to the film along with one of the most emotional scenes of the year. Tom Hanks gives what may be 2013’s best 10 minutes of acting in a sequence than cut me to the bone. This was such a sensational ending.

BEST ACTION SEQUENCE OF 2013 – “The Hobbit: The Desolation of Smaug

There were many great action sequences to consider but only one could be the winner. After a lot of back-and-forth I finally settled on the thrilling barrel escape in Peter Jackson’s “The Hobbit: The Desolation of Smaug”. This wild and frantic scene features the dwarves escaping the wood elves via empty barrels down a raging river. Orcs, elves, and violent waters add to this incredible and action-packed sequence.

BEST FILMMAKING DEBUT OF 2013 – Ryan Coogler

While the docudrama “Fruitvale Station” did have a few issues that seasoned filmmakers would have avoided, it is still an amazing piece of work. Most surprising is that it comes from a first time filmmaker. Ryan Coogler wrote and directed this film based on the 2009 killing of 22-year old Oscar Grant in Oakland, California. It’s raw and intense, but it’s also a well shot and well conceived film that has gathered some much deserved attention.

BEST HORROR MOVIE OF 2013 – “The Conjuring

Horror movies are all over the place and it’s rare to find a really good and satisfying one. Perhaps that’s why I was so happy to find “The Conjuring”. The movie is a more traditional 1970s style horror picture that stays away from the gore and plays with your senses. It’s well directed by James Wan and it features two great lead performances from Patrick Wilson and Vera Farmiga. It’s horror done right.

BEST ROMANTIC COMEDY OF 2013 – “Much Ado About Nothing

I’m not what you would call a Joss Whedon acolyte but movies like this could change that altogether. I loved this sharp, witty, and original take on Shakespeare and Whedon deserves a ton of credit. He directed the film, co-produced it, wrote the screenplay, edited it, and even handled the score. Amy Acker is just wonderful as is Alexis Denisof and the fun assortment of side characters. “Much Ado” was a delightful surprise.

WORST SEQUEL OF 2013 – “A Good Day to Die Hard

How could this be allowed to happen? One of the most celebrated action franchises shouldn’t go out like this. The “Die Hard” films started back in 1988. Two fantastic sequels and another pretty good one followed. But this thing is terrible. The action is numbing and the storyline never kept my attention. It’s corny and dumb and it doesn’t have one memorable scene or line. That’s something every other “Die Hard” film had. What a disappointment.

BEST SMALL PERFORMANCE YOU MAY HAVE MISSED – Ray McKinnon (“Mud“)

“Mud” was one of my favorite films of the year and it featured a fantastic cast. One underrated actor who I always love seeing on screen is Ray McKinnon. Here he plays the father of young Ellis (Tye Sheridan). It’s a wonderful performance. McKinnon does such a great job giving us a fallible but well-intentioned man who really resonated with me. McKinnon is great and deserves more notice.

FUNNIEST PERFORMANCE OF 2013 – Sam Rockwell (“The Way Way Back“)

I’m fairly picky when it comes to comedy, but that certainly didn’t effect my love for Sam Rockwell in “The Way, Way Back”. He is hilarious and he had me laughing every time he would show up. There is a touch of classic Bill Murray is his delivery that I loved. He also shows a wonderful comedic timing that so many “comedians” lack. As I mentioned earlier, this film was a huge surprise for me as was Rockwell’s hysterical performance.

WORST SCENE IN AN OTHERWISE GOOD MOVIE – “Fruitvale Station

I’m a fan of Ryan Coogler’s “Fruitvale Station”. The first-time director really impresses with this powerful and relevant docudrama. But there is one scene that stands out, not for its brilliance, but for its terrible, heavy-handed bit of foreshadowing. Let’s just call it ‘the dog scene’. It just doesn’t work and a more seasoned director would have probably avoided it altogether. It may slightly blemish the film but it certainly doesn’t dull it’s power.

BEST USE OF MUSIC FOR 2013 – “Inside Llewyn Davis

Joel and Ethan Coen do a lot of things right when making movies. One of those things is their use of music and this is on display in “Inside Llewyn Davis”. Set during the early 1960s New York City folk music scene, music obviously plays a big part in the film. But the numbers are just perfect and add to the incredible sense of time and place. Each was filmed live (no post-scene dubbing) which made them all the better. These are great tunes and there is a great use of them in the film.

BEST FILM TITLE OF 2013 – “Upstream Color”

Shane Carruth’s complex and inventive mind trip “Upstream Color” was so much fun to watch and dissect. It also has what I think is an incredible cool title. It sounds cool on its own but after you see the film once or twice the title takes on an even better meaning. This certainly isn’t an award that the Oscars will soon consider adopting, but I had to throw it out there. I just love that title.

WORST FILM TITLE OF 2013 – “White House Down”

As if the movie wasn’t bad enough, “White House Down” is also burdened with one of the worst movie names period. I remember when I first heard about the film I assumed it was a spoof. I expected it to be a dopey parody of some sort but to my surprise they were being serious. It just sound ridiculous and I’m sure no one would relate it to “Black Hawk Down”. I just wish this was the only bad thing about this dreadful film.

BEST 3D OF 2013 – “Gravity

I’m a pretty vocal critic of 3D. I’ve voiced my frustration at this obvious gimmick to increase theater ticket prices which usually visually hurts a film instead of help it. But sometimes we get movies that remind us that the technology can be great. In 2013 “Gravity” was that movie. Talk about an incredible immersive experience. The 3D was brilliantly utilized and never hurt the movie. It made it better and that’s a rare feat these days.

BEST ENSEMBLE CAST OF 2013 – “Mud

It would be easy to give this award to a movie like “American Hustle”, but for me “Mud” was the best ensemble cast of the year. While it may not feature a laundry list of top-tier names, it features a cast that perfectly fits with what the story needs, and I mean perfectly. Matthew McConaughey, Tye Sheridan, Reese Witherspoon, Sam Shepard, Michael Shannon, Sarah Paulson, Ray McKinnon, and Joe Don Baker are all tremendous and they are a big reason that “Mud” is so good.

WORST PERFORMANCE BY A BIG STAR – Will Smith (“After Earth“)

Ryan Gosling fought hard for this award but ultimately Will Smith proved too good..err bad for him. Smith has always been a bit overrated in my eyes and this performance does nothing to change that opinion. He grunts and grumbles through the entire picture supposedly portraying a stern military type. But he is so flat and so bad. Jaden got a Razzie nomination and rightfully so, but his dad should have been right there with him.

BEST CINEMATOGRAPHY OF 2013 – “Nebraska

“Gravity” could easily have won this category. The cinematography was dynamic and made the film an unbelievable experience. But there is such a beauty and artistry to Phedon Papamichael’s work in “Nebraska”. The black-and-white tracking shots, the amazing atmospheric still shots – there are so many gorgeous scenes that bring this midwestern setting to life. I absolutely loved it and it added so much to the film.

That does if for the 2nd annual K&M Random Movie Awards. How you had some fun with it. Please take time to share any of your picks for these totally random categories. See you next year!

Oscar Nominations 2014 – Hits & Misses

The 85th Academy Awards® will air live on Oscar® Sunday, February 24, 2013.

Oh it’s that time of the year again. It’s Oscar season. A time where movie fans get to celebrate the past year in film by watching the Academy give awards to movies that will forever be connected to film history. Movies are a subjective form of entertainment so it’s rare for the Academy to get everything right in our own eyes. But sometimes they should be applauded for recognizing quality films and they should be chided when they completely blow it. This year the Academy again deserves to be applauded but they most certainly deserve to be chided as well. Here are my thoughts on the Oscars hits and misses:

  • Let me get this out of the way first, WHERE ON EARTH IS “INSIDE LLEWYN DAVIS“? I look at the nine Best Picture nominees and several are what I would call lesser films. Even more, several of the films chosen, while good films, aren’t the kind of movies that will be talked about in ten years. “Inside Llewyn Davis” will be and it deserves to be. For me this will go down as one of Oscar’s worst snubs.
  • While I’m voicing frustration, where on earth is Oscar Isaac? Talk about an incredible multi-layered performance. Excuse me while I make an unpopular statement – I would much rather see Isaac nominated for “Inside Llewyn Davis” than Leo DiCaprio for “The Wolf of Wall Street”. Isaac was brilliant and not only acted but performed his own music. Maybe he doesn’t have the star power the Academy is looking for. What a shame.
  • Sticking to the Best Actor category, I’m happy for Christian Bale and his nomination for “American Hustle“. The Golden Globes snubbed him and put their attention on Lawrence, Adams, and Cooper. For me Bale was the lifeblood of that film. Loved his work there.
  • And lets not leave the Best Actor category just yet. How is Mads Mikkelsen not on this list for his near perfect performance in “The Hunt“. Look, I was never expecting him to make it, but he is another name that I would have loved to have seen instead of Leo.
  • Does Meryl Streep just automatically get a nomination regardless of the film? To be fair I haven’t seen “August: Osage County”. But many critics (who usually adore her) were calling her performance too loud and overdone. Yet here we are, another Oscars and another nomination for Streep.
  • No real surprises in the Best Supporting Actress category other than Julia Roberts (slightly). But this is Jennifer Lawrence’s statue to win. Is she deserving? Personally I don’t think so. She isn’t bad in “American Hustle” but the material doesn’t offer her a lot of range until a little later in the film. Still the Academy loves her and the much more deserving Lupita Nyong’o will go home empty-handed.
  • Big fan of Michael Fassbender’s work in “12 Years a Slave” and I would love to see him win the Oscar for Best Supporting Actor. I’m also happy for Bradley Cooper, an actor who is getting better and better. And hats off to Barkhad Abdi. I loved seeing him at the Globes and he deserves a trip to the Oscars.
  • Surprised that “Blue is the Warmest Color” didn’t at least get an Oscar nomination in the Foreign Language Film category. I’m also surprised to see Asghar Farhadi’s “The Past” get snubbed. Personally “The Hunt” is the movie I’ll be rooting for but “The Great Beauty” may pull off yet another upset.
  • Gravity” had a really nice morning. It’s my favorite film of the year but for some reason I don’t see it taking home the big prize. I would love to see Cuaron get Best Director and the film win Best Picture. But for some reason this doesn’t feel like the Academy’s cup of tea.
  • I still think that Oscar night will be a good one for “12 Years a Slave“. Not my favorite film of the year and certainly not perfect. But it is powerful stuff featuring some standout performances. It’s also one of the few nominated movies that has staying power. So call that my early prediction: “12 Years a Slave” will win Best Picture.

So there are a few random thoughts on this morning’s Oscar nominations. What say you? What did the Academy get right and what did it get wrong? Agree or disagree with my takes? I’d love to hear from you in the comments section below. Now on to March 2nd!

Here are the list of Oscar Nominees:

Best Supporting Actor
Barkhad Abdi – Captain Phillips
Bradley Cooper – American Hustle
Michael Fassbender – 12 Years A Slave
Jonah Hill – The Wolf of Wall Street
Jared Leto – Dallas Buyers Club

Supporting Actress
Sally Hawkins – Blue Jasmine
Jennifer Lawrence – American Hustle
Lupita Nyong’o – 12 Years a Slave
Julia Roperts – August: Osage County
June Squibb – Nebraska

Original Song
Alone Yet Not Alone – Alone Yet Not Alone
Happy – Despicable Me 2
Let It Go – Frozen
The Moon Song – Her
Ordinary Love – Mandela: Long Walk to Freedom

Adapted Screenplay
Before Midnight
Captain Phillips
Philomena
12 Years a Slave
The Wolf of Wall Street

Original Screenplay
American Hustle
Blue Jasmine
Dallas Buyers Club
Her
Nebraska

Best Animated Feature Film
The Croods
Despicable Me 2
Ernest & Celestine
Frozen
The Wind Rises

Best Documentary Feature
The Act of Killing
Cutie and the Boxer
Dirty Wars
The Square
20 Feet From Stardom

Best Foreign Language Film
The Broken Circle Breakdown
The Great Beauty
The Hunt
The Missing Picture
Omar

Best Director
David O. Russell – American Hustle
Alfonso Cuaron – Gravity
Alexander Payne – Nebraska
Steve McQueen – 12 Years a Slave
Martin Scorsese – The Wolf of Wall Street

Best Actress
Amy Adams – American Hustle
Cate Blanchett – Blue Jasmine
Sandra Bullock – Gravity
Judi Dench – Philomena
Meryl Streep – August: Osage County

Best Actor
Christian Bale – American Hustle
Bruce Dern – Nebraska
Leonardo DiCaprio – The Wolf of Wall Street
Chiwetel Ejiofor – 12 Years a Slave
Matthew McConaughey – Dallas Buyers Club

Best Picture
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
12 Years a Slave
The Wolf of Wall Street

MERRY CHRISTMAS!!!!

KEITH CHRISTMAS

I can hear the voice of Andy Williams singing “It’s the most wonderful time of the year”. That’s how I feel about Christmas. What can I say? I’m a big kid at heart. But I had to take time to wish all of my movie blogging pals, generous readers and followers, and die-hard movie lovers a merry and blessed Christmas. I know I said this same thing during Thanksgiving but I truly appreciate each and every one of you. Thanks for the reading, visiting, commenting, and sharing. Thanks for everything you all have added to this itty bitty movie blog. It’s been a ton of fun for me and you all are a big reason for that. So Merry Christmas and I hope God blesses you with a fantastic 2014. It’ll be here before you know it!

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